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June, 2017
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How Ratatouille Inspired Me To Fulfill My Dreams

Anniversary, Brad Bird, Opinion Piece, Ratatouille

Posted by Nia • June 29, 2017

Today is the 10 year anniversary of Pixar’s Ratatouille. It’s hard to believe it’s been that long since we were last in Paris, learning how to cook alongside Remy, the rat, and Linguini, the garbage boy. Not to mention following them on their escapades through the city as they tried to covertly work together at one of the most famed Parisian restaurants.

For most of us, less culinary experienced food-lovers, it was a thrill to watch Remy create such tempting and savory dishes on the big screen. We almost forgot it was in fact an animated film and a rat was responsible for all of the colorful foods – creating unique dishes that would make even Gordon Ramsay stop in his tracks (after all, his signature dish did bring Anton Ego right back to his childhood). I was almost disappointed to find there are no rats who knew how to cook in real life or a little restaurant hidden in Paris that’s run by them. I won’t lie and say that after I watched the film for the first time, little 15-year-old me wanted to enroll in a cooking class and learn how to make food as well as Gusteau.

When the film was released, I’d just finished my freshman year of high school. There was a lot I had yet to experience in life: high school bullies, college rejection letters, heartbreak, and the cruel world of adulthood. I didn’t realize it at first, but in my worst moments, when I was doubting myself and my potential in life, the themes in Ratatouille kept me going and believing in myself.

When you look at the entirety of Ratatouille, it really is a simple film at heart. It’s about a rat, who’s always had a fascination for food and its flavors, and has always dreamed of becoming a cook. He never thought in a million years he would be cooking at Gusteau’s in Paris – the only person who truly understood him and kept him company was Gusteau himself, a figment of his imagination; giving him food tips and overall confidence boosts. It was even Gusteau who said that anyone can cook. Remy’s family didn’t really understand his love for human food, they wanted Remy to be apart of their rat civilization and way of living. But Remy always had that dream, the passion burning inside him, he never forgot about what motivated him every day; to do what truly makes him happy, even if other people doubted him or thought it was the wrong thing to do.

“Not everyone can become a great artist, but a great artist can come from anywhere.”

This quote that Anton Ego delivers at the end of the film is pinned up to my desk at work. It’s a nice reminder every day to believe in yourself, even if others don’t or even if you come from a less privileged background. I’m thankful for this quote and the meaning it’s given my life. It’s one of the most important quotes in any Pixar film and probably any animated film released in the last 10 years. It’s the type of message that’s needed, especially today; not only for children, but for adults with hidden passions or who are still struggling to fulfill their own dreams.

Looking back at Ratatouille, it’s truly taught me that it’s never too late to run after my passion; to keep going, never stop, even if it seems impossible. Since I was a child, I’ve always wanted to work in the animation industry and tell stories. When I was in college I struggled to get internships and gain experience to one day land me a job at any big studio. When I graduated, I worked the odd job here and there to save money and to get me to Los Angeles. Almost two years ago I finally landed a job at a small animation studio. There’s still so much I have yet to learn, and so much I still want to do, but it’s landing that first job in the animation industry that made my heart want to burst. And I realized then, it’s all true – anyone can cook, or paint, or write. It doesn’t matter where you come from, or what experiences you don’t have; what’s important is that you have equal potential and you’ll end up where you’re supposed to be in the end.

In short, Ratatouille is undoubtedly one of Pixar’s most charming and unique films. Like the themes that carry on throughout Up, Monsters Inc., The Incredibles, Finding Nemo, and most recently, Cars 3; the studio continues to share worthwhile lessons to children and adults alike.

Here’s to the next 10 years of inspiration and chasing after your dreams.

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OpEd: Brave’s 5th Anniversary and what it means to a Scottish person

Brave, Pixar

Posted by Joanna • June 22, 2017

In 2009, I saw Up in cinemas for the first time, and I left thinking I had just seen the best movie of my life. As soon as I got home that night, I googled Pixar to find out what movies they had in their pipeline, and when I saw they were making a movie set in Scotland, my heart leapt. Mainly with joy. But there was a little bit of worry in there too.

I have always lived in Scotland, and have seen my fair share of movies attempting to portray the country I have grown up in. These movies are riddled with horrible attempts at Scottish accents, actors that have no connection to the country at all, and scenery that wasn’t even filmed on location. They rely on blatant stereotypes and, at best, only skim the surface of what Scotland is really like. So after learning about the production of Brave, I was unsurprisingly cautious, at least until I grew to understand and appreciate Pixar and their values.

Pixar do their research. They made Paris feel real in Ratatouille, they took lessons in ichthyology for Finding Nemo, and they even worked out how many balloons it would take to lift Carl and Ellie’s house in Up (…then took some leniencies). For the creation of Brave, Pixar teams visited Scotland, sketched castles, and went walking in the highlands. They studied the scenery and foliage and experienced our weather and culture first-hand. The end result? Out of all the American movies I have seen, Brave did the absolute best job at capturing Scotland and its scenery, lighting, colours, people, and accents. They hired Scottish actors and learned from them, allowing them to really contribute to the movie. In an interview with Kevin McKidd, the voice of both Lord MacGuffin and Young MacGuffin, Pixar suggested he make Young MacGuffin have a particularly broad accent; almost incomprehensible. But instead of just spewing Scottish-sounding gibberish, McKidd proposed he did “a dialect from my home area, called the Doric, which is a very specific area in the north-east of Scotland.” This resulted in a joke that was funny for viewers in America, but hilarious for viewers in Scotland. It’s genius. Being from the north-east of Scotland myself, I have grown up with the Doric accent around me, and even I struggle to understand it without context (although I do understand all of Young MacGuffin’s lines!) It’s little touches and inside jokes like this that make Brave a film that Scottish people are proud to be associated with.

© Steve Pilcher

Even on the day it came out, Brave created a sense of community and pride across the country. It was released in cinemas a day earlier in Scotland than in the rest of the UK, and I saw it in a makeshift cinema that my village hall put on for the night – mismatched seats and a projector screen. The scenery was breath-taking, and you felt you could almost recognise some places because the attention to detail was so perfect. When Young MacGuffin said his first line, people turned to each other with huge grins on their faces. We were in hysterics. Even the ‘obvious’ jokes (that had to be done) were done completely tastefully.

It’s so refreshing to have a movie that depicts Scotland with such accuracy and respect. We don’t have bears, of course, but…leniencies. Animation allows leniencies. And on top of all of that, Brave is a wonderful movie with a beautiful message and strong, memorable characters. Merida will always be my favourite ‘Disney Princess’.

Pixar places so much importance on being able to transport you to these different worlds and settings that they create and imitate. They fully appreciate how crucial it is to know these worlds themselves before they’re able to make us believe that we know them too. Coco debuts this November, and I can’t wait for the people of Mexico to feel the way I did when Brave was released 5 years ago. Happy 5th anniversary, Brave!

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Review: Cars 3 Pays Homage to the Past and Looks to the Future

Brian Fee, Cars 3, Review

Posted by Simoa • June 15, 2017

The Cars trilogy is quite unique among franchise films. The first film in 2006 chronicled Lightning McQueen’s growth from arrogant rookie to humble racer with a deeper understanding of the road. Five years later, Cars 2 shifted gears and protagonists entirely. This time Mater was thrust into the spotlight, the unlikely hero of an international spy adventure. Now Cars 3, from director Brian Fee, has centered #95 again. It echoes the first film in a beautiful, wholly distinct way.

Lightning McQueen (voiced dependably as always by Owen Wilson) is older now – a fact no one refuses to let him forget. A new generation of racers have arrived on the scene, and with their advanced training technology, begin to phase out the veterans. It’s a rapid process as these young cars replace all the older ones, baffling Lightning as he watches all his friends retire. Constantly asked if he’s considering retirement himself, his defiant refusal leads him to declare, “I decide when I’m done.” No one is pushing Lightning McQueen out of the sport he loves, not even ultra-fast Jackson Storm (Armie Hammer).

Storm dominated the previews and trailers for this film. He’s less of a rival and more of a threat to Lightning. It’s as if McQueen can’t even compete with this brazen hotshot. If you compared the Lightning of the first Cars with Jackson Storm, you would find that they’re both incredibly cocky, but Jackson is more insufferable and unlikable by far. Lightning and his rival Chick Hicks (who makes an appearance in this film, voiced by Bob Peterson this time), both traded insults and boasted of their skills in Cars. Jackson Storm cuts a little deeper. For him, it’s not only about winning – it’s about pushing these older cars off the road and reminding them at every turn that they don’t belong anymore.

This is what our beloved #95 is up against. Can he master the new technology? Will he make a grand comeback? Is he finished or is he only just beginning?

A devastating crash is the turning point, forcing Lightning to retreat in seclusion to Radiator Springs and reflect on his options. He decides that retirement is still out of the question, and with some much needed encouragement from Sally (Bonnie Hunt), sets out to begin training. Lightning gets a brand new, state of the art training center, complete with the very same racing simulator that all the rookies train with. His new sponsor (say goodbye to Rusteze!) is the shrewd Sterling (Nathan Fillion), who is later revealed to be more concerned with building the McQueen brand.

His new trainer is bubbly and irrepressible Cruz Ramirez (Cristela Alonso), as sunny as her bright yellow paint.

Cruz is an experienced technician and trainer, eager to work with her idol, whom she dubs her senior project. (Lightning is old and never hears the end of it). Her senior project proves to be a little too impatient to use the new equipment – which results in damage to the simulator. What’s more, Sterling doubts whether Lightning can race at all. He’s prepared to just market the McQueen legacy but Lightning sets an ultimatum. He’ll train with Cruz – the old fashioned way – for the Florida 500. Whatever the outcome of that race, he still decides when he’s done.

Cars 3 is really not your typical comeback story. From the previews, it looked as if Lightning would need to adapt in order to keep up with this new crop of rookies. This is a story about learning to evolve and it offers a grounded, realistic approach to dreams, quite a mature outlook for a film series that’s been derided as mere kids stuff.

The futuristic tech, as enticing as it looks, takes a backseat to the traditional. Lightning and Cruz actually race outside as opposed to the simulator, driving on dirt and sand. This film isn’t anti-technology, but it does caution against relying on it too much. As we once learned from The Incredibles, “there’s no school like the old school.”

The old school figures prominently in Cars 3, with its frequent flashbacks to Lightning’s late mentor, Doc Hudson (Paul Newman). Hearing Doc again, seeing him briefly, is one of the most emotionally fulfilling aspects of this latest installment. His spirit is truly alive in this film and his role lends added meaning to the story, as he inspires Lightning on his journey. Hud as he’s called (perhaps a reference to Newman’s 1963 film, Hud?), was once the Fabulous Hudson Hornet, the greatest ever. McQueen discovers that he’s at the same point in his career as Doc was following his career ending crash. Doc never retired of his own free will; he was forced out and told to make room for the younger cars. Lightning is determined to avoid that fate. And avoid it he does.

There is a moment in Cars 3, one so glorious, that it caused the audience at my screening to erupt into cheers and applause. I never would have thought it possible, that any film in this series could elicit such a response. For many of us fans, Pixar films are still excellent, including the less critically acclaimed. Once considered the best in American feature animation, the studio is now underestimated, because of its sequels, because Cars 2 is their unforgivable misstep, according to many. This trilogy has drawn tepid responses at best and flat out antagonistic ones at worst. But Cars 3 more than justifies its existence, and not only because of that pivotal scene.

Do not underestimate Pixar.

And do not underestimate Cars 3! A recent IndieWire feature on animator Jude Brownbill highlighted the film’s theme of female empowerment. Cruz isn’t merely there to guide Lightning to victory. She’s got a story as well, a sobering one that wakes McQueen up to how much he’s taken for granted. Making Cruz such a central character further solidifies Pixar’s commitment to bringing well rounded female characters to the screen.

Cars 3 boasts gorgeous animation and art work as well. Some might think it’s not one of Pixar’s most visually inventive films, but glossy paint jobs that gleam, rigging character models of cars so they’re just as expressive as human characters, is really no small feat. Even the designs are impressive, with little touches of human characteristics. When looking at McQueen and Storm side by side, their contrast is quite stark; the rookie is youthful and sleek, much more angular in appearance.

We’re treated to lovely scenery too, a dazzling array of color palettes, bright and warm hues, sparkling water surfaces, and thrilling action set pieces that set the heart racing.

Brian Fee delivered on his promise of making this film return to its roots. It showcases a reverence for the culture of racing and cars that was so keenly, vividly realized in the original film. Randy Newman’s score is another throwback, transporting us to this weird, wonderful universe. The complaints that the world of Cars lacks logic strike me as very odd. Character is what counts, and the filmmakers have always imbued these anthropomorphic cars with abundant appeal and personality.

Cars 3 is an unexpected film, just brimming with heart and passion. As I said, it’s really not a typical comeback story. It’s something much more inspiring.

See it in theaters this Friday!

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Review: Lou is Compassion, Lost and Found

Cars 3, Dave Mullins, Lou, Review, Short Film, Shorts

Posted by Simoa • June 15, 2017

A lost and found box on the school playground looks very ordinary on the outside, but it’s teeming with life and magic within.

Like most of Pixar’s canon, Lou personifies an inanimate object, or in this case, a handful of lifeless, every day objects. All the lost toys and clothes are assembled into a playground guardian, who is otherwise invisible beneath. Lou is one day challenged by a bully who swipes the belongings of the other children. What begins as a funny battle between Lou and J.J. (the bully), evolves into a tender, moving story about compassion. Bullies hurt others because they’ve been hurt themselves. But rather than simply excuse J.J.’s behavior, Lou offers him the opportunity to give and receive compassion.

A wordless short, Lou is one of the studio’s most innovative creations. As Dave Mullins revealed at the press junket last week, the character was animated entirely by hand, with “no computer shortcuts or simulations.” The animation here is truly impressive, as Lou morphs into a variety of clever shapes and disguises.

You can catch a glimpse of Lou’s immense charm in the exclusive clip below.

See Lou with Cars 3 this Friday!

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A chance to win a stunning Dolby-exclusive Cars 3 poster!

Cars 3, Poster

Posted by Joanna • June 15, 2017

The race towards Cars 3 is almost over, and with all these teasers, posters, and interviews it’s definitely been an exciting ride! Dolby Cinema is currently holding a competition where you could win an EXCLUSIVE poster. It really captures that striking Route-66-inspired scenery the Cars universe is set in. Comment on their Facebook post for a chance to win (follow the link for full terms and conditions).

Have you already got your tickets booked? Dolby Cinema offers an amazing theatre experience with high quality Dolby Vision imaging and moving Dolby Atmos audio. Cars 3 is bound to be Pixar’s most stunning entry to the Cars franchise yet. Find your nearest Dolby Cinema here.

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12 Moments From The Cars 3 Press Event That Will Get You Excited For The Film

Brian Fee, Cars 3, Interview, Press Conference

Posted by Nia • June 14, 2017

We hope your nostalgia and love for the Cars universe has moved into full gear, because Cars 3 finally opens in cinemas this Friday, June 16th.

Upcoming Pixar was honored to attend the press event for the film last Saturday in Anaheim. Here are some of our favorite moments from the event that will, without a doubt, get you pumped for Friday.

(Photo by Alberto E. Rodriguez/Getty Images for Disney)

  1. NASCAR superstar, Ray Evernham, moderated the event and started things off by asking Brian Fee why the Cars films have resonated with audiences for over a decade. “I think it’s the characters and the overall appeal to their realism.  When you walk away from a movie, if you felt anything at all, it’s probably because of the characters. You can see a little bit of yourself in them, see a little bit of someone you know. I think at the end of the day that’s what we take away.”
  2. One of the biggest new characters that’s introduced in Cars 3 is Cruz, a personal trainer to the race cars. She has a massive impact in the story and Lightning McQueen’s own character arc. From Cristela Alonzo, the voice of Cruz,”What I like about her is that she’s very good at what she does, but at the same time she still has doubts about herself regarding the same skills that she uses to coach the cars to become the best they can be. What I like about Cruz is that I think she’s very relatable to both boys and girls. You might have doubts about things, you might not know how you’re going to pull something off, and at the end of the day you realize the only way to make sure you can do your best is to actually just go for it and trust your instincts. I think that’s something we all struggle with at times – the whole idea that you think you can do something and then you have doubts. You realize you’ve got to forget the doubts, it’s going to happen anyways – let’s just try our best and see what happens. And I love that about her.”
  3. You’ll notice that Cars 3 has definitely upped the game in regards to showcasing strong female characters. Not only is Cruz involved, but there’s also Natalie Certain, who works for the Racing Sports Network, and spends some of the film predicting the outcome of the races. Kerry Washington is the voice of Natalie, and said this in regards to the diversity in the film, “I do think it’s fun to see women in the film who are brave, smart, and courageous but also teachable. Women who balance having extraordinary talent and intellect but are also humble enough to learn the lessons they learn at the end of the film. To learn that you have to step into your greatness and that it’s not as simple as numbers. Heart and passion is the most important thing.”
  4. Director Brian Fee listed John Lasseter and the late Joe Ranft, as his professional mentors. “They’ve given me a lot of career advice and I wouldn’t be where I am without them.”

    (Photo by Alberto E. Rodriguez/Getty Images for Disney)

  5. In fact, Fee’s first memory of the Cars franchise was when he started at Pixar in the story department. “My first memory is sitting in story reviews with John and the rest of the story crew, just trying to figure out different ways to make each other laugh around the table. Drawing lots of things, gags and jokes, and pinning them up to the wall. I couldn’t believe I was there, I was trying to absorb everything.”
  6. Fee’s children have influenced Cars 3 a great deal, to the point of including a strong female presence throughout the story, “I want my daughters to never be afraid to try something because they think they’re not good at it. I never want to hear them say something like, certain things are for boys and certain things are for girls.”
  7. Cristela Alonzo definitely had the greatest presence during the press event, and offered many inspirational quotes. This one being our favorite, “I like this movie a lot because I feel it’s a good way to tell kids that they matter. And I think that growing up, when you come from a family that doesn’t have a lot, a lot of the time the parents forget to tell the kids that they matter because they’re too busy trying to survive. I want them to know back home, that it’s possible for them to have a dream and to actually achieve it.”
  8. Owen Wilson and Cristela Alonzo actually worked together, as opposed to recording their lines separately like the rest of the cast. Fee wanted them to record together so that they’d be able to show their relationship and the support, get those real emotions caught together, just like the same support and friendship that Cruz and Lightning McQueen give each other throughout the film.

    (Photo by Alberto E. Rodriguez/Getty Images for Disney)

  9. Cars 3 deals a lot with the old and the new – the racers of the past and the racers of the present, there was a lot of contrast between the use of modern technology in racing and how the younger, faster cars, are replacing the older makes. Isiah Whitlock Jr, who voices River Scott, a Priston Cup racer from the ’50s, gave his thoughts on the heavy themes, “I really feel that we need to pay attention to the pioneers, and the people who have come before us. And some of the struggles, especially with the character that I play. We need to pay attention to that and to see how we got to where we are today. I know with Scott, he did not have the sponsors or the equipment – there were so many obstacles and yet he was able to persevere. That’s the key word there, perseverance, overcoming a lot of those obstacles to be successful.”
  10. Research for every Pixar film is a key element to the success of the story, but Producer Kevin Reher mentioned that research for Cars 3 was especially important since they were honoring the racers of the past. “We were so inspired from these wonderful stories that came forward during our research. The stories of Louise Smith, Wendell Scott, and Junior Johnson. We just felt that we wanted to honor them with our story and their backstory.”
  11. Brian Fee mentioned that he enjoys some of the improvisation that happens during the recording sessions. He’s had to go back to the script numerous times and change dialogue or some of the action by what wonderful reactions and lines comes from the actors.
  12. And finally, Nathan Fillion, who voices Sterling, Lightning McQueen’s new sponsor, gives his reasons for what makes Pixar films so compelling, “Here’s my theory, nothing happens by accident in a Pixar movie. They tell their story one pixel at a time. So, by the time it gets to the point where I’m sitting there in front of the microphone, all of the hard work has actually been done. I rely very heavily on the director, we get to play around a little bit, but in all honesty you’re looking at a thanksgiving meal and Nathan is the pepper. They work has been done, we just need a little extra pepper and we’re done.”

    (Photo by Alberto E. Rodriguez/Getty Images for Disney)

    (Photo by Alberto E. Rodriguez/Getty Images for Disney)

Cars 3 is an absolute blast and we can’t wait to see it again and again in theaters starting this Friday.

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10 Things We’ve Learned About Lou That Proves It’s One Of The Most Charming Pixar Shorts

Cars 3, Dana Murray, Dave Mullins, Interview, Lou, Premiere, Press Conference, Shorts

Posted by Nia • June 14, 2017

At the Cars 3 press junket on Saturday, we got to learn loads of new information about Lou, the short that will be playing in front of the film this Friday. During the making of presentation, director Dave Mullins and producer Dana Murray gave us some wonderful behind the scenes information about how the short was slowly pieced together.

(Photo by Alberto E. Rodriguez/Getty Images for Disney)

  1. Under the guidance of story guru and overall legend, John Lasseter, Mullins incorporated some must-needed rules for every Pixar film. “Pixar films have very specific ingredients. They have heart, meaning your character is flawed in some way and experiences personal growth over the course of the film. Entertainment, which means the story has to be unpredictable and funny. There’s a setting, which needs to take the viewers to a place they’ve never been before, is exciting, and new. And finally, the animation, and this means the film can only be done with animation and need the medium’s full attention.”
  2. Lou is Mullins’ directorial debut and he’s spent 4 years working on it. He’s even been pitching short film ideas since 2005, but Lou was the first one given the green light from the studio. Mullins is passionate about telling good stories and he started searching for ideas that would stick. He wanted something full of heart. And he turned to the inspiration that came from his childhood, such as moving around a lot due to his father’s job, and leaving behind friends in every city – at time, he said, he almost felt invisible.
  3. “When you bring an inanimate object to life, you have to think about it’s intended purpose in the world.” The lost and found box was initially a bully, stealing the children’s toys in the playground and then eventually learning his mistakes and returning them at the end of the film – but that didn’t work because there was nothing to love about him. At one point during the conception of Lou, the character itself was actually a little boy with all of these toys attached to him. Instead, Mullins went back to the core of what the character was: a lost and found box. It was meant to find and return lost toys to children, so that itself sparked an idea that Lou himself would be the hero/protector of the playground.

    (Photo by Alberto E. Rodriguez/Getty Images for Disney)

  4. Mullins’ wife, Lisa, who’s a stop motion animator, helped him pitch the film to John Lasseter and Pete Docter by creating a real life maquette of Lou. The model showed how the character would be incorporating objects in to his design and how he would be bringing this character to life by forming him with toys. The overall design of Lou changed throughout the course of the film as they tried to figure out the easiest ways to animate him, but in the end they went back to simple design that Lisa created for the pitch (which in turn, you will see in the finished short).
  5. Dana Murray jumped from Inside Out to help Mullins as producer on Lou. Her biggest job, besides scheduling and budgeting, was partnering with Dave and forming a deep friendship with him so that she ensured he wanted to tell the story he set out to create. During story development they had the obvious challenges like how they’re going to dramatize Lou when he’s built with all of these random toys, and second, how are they going to populate a playground when this is just a short film. If you look closely at the children in the short and even the bully, J.J., you’ll be able to find re-use designs from Finding Dory and Inside Out.
  6. Even though the story was locked down, they had their hero, Lou, and the playground bully, J.J., there were still issues in figuring out how to depict J.J. and how they’re going to get to the heart of Mullins story. “For J.J. we tried a cross between Scott Farkus from A Christmas Story and John Conner’s friend from Terminator 2. But these kids just seemed way too tough for what we needed for our story. So we looked at Jonah Bobo from Crazy Stupid Love. And even though he has this tough look, he’s also really vulnerable at the same time. This is really the look we needed for that character: someone who is tough as nails, but also full of heart.”

    (Photo by Alberto E. Rodriguez/Getty Images for Disney)

  7. “What pitches well, doesn’t necessarily play well on screen. This happens every time you go into a new department and without fail, when your story is taken through the different departments, it’s just another moment to remake your film. And at Pixar, you’re never really done working on story.” Mullins and Murray had to completely change Lou‘s story several times throughout the course of the film as they got notes from Lasseter and Docter, and when they took their production to the next stage of development. The Lou at the start of this production, when it was initially pitched, is something completely different to what’s on screen.
  8. With every Pixar film, they always have to try and raise the stakes regarding animation and technology. With Lou‘s case it was actually animating this complex character and making it look as believable as possible. “The simplest solution to animating Lou was that every piece of him needed to be animated by hand… everything was animated like how a stop motion animator would do it. To this day, I still have animators cursing my name. But despite all that, we at Pixar love these challenges and the animators really dug into Lou. They were up for the task.” In regards to Mullins using simulations in Lou, Mullins and his crew used cloth simulation on Lou’s red sweatshirt as well as many other elements depicted throughout the film.
  9. “When we animated J.J.’s entrance, it was a great intro but we had some problems with it. The first one was that J.J. wasn’t really that entertaining, he’s just kind of mean for no reason and because of that, it was getting in the way of the ending. We really had to re-think that character again. So the question was, how do you make a bully funny? How do you end of caring for him? And this got me thinking about what motivates bullies. A bully usually acts one way because they want one thing: attention. So, J.J. became a kid who constantly disrupted other kids to get attention, making him an outsider. When Lou forces him to act with compassion, this changes how the other kids see him and he finally gets the thing that he really wants, which is acceptance.” This subtle change had an enormous impact on the film and showed the right character growth that was needed for both J.J. and Lou.

    (Photo by Alberto E. Rodriguez/Getty Images for Disney)

  10. Finally, Mullins chose Frozen composer Christophe Beck to helm the score for Lou. “He has this quirky sensibility about his music that we knew would fit the film really well. So we worked on that theme, and it was really important, because I wanted something that you could hum, something that would fit for the bully and Lou. Once we had that, Chris came up with this idea, which was, recording all the percussion parts separately in a round. So each note was played one at a time, and would go in a circle, to create this sort of mechanical tune.”

It’s safe to say that Lou is now one of our favorite Pixar shorts and we’re so excited for you to experience it on the big screen this Friday, June 16th.

Stay-tuned for coverage on the actual Cars 3 press event and reviews of the films.

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New Frozen Featurette Will Play Before Coco

Coco, Disney, Pixar

Posted by Joanna • June 13, 2017

Disney and Pixar revealed today that instead of being paired with an original Pixar short, Coco will have a new Frozen featurette played before it – Olaf’s Frozen Adventure. This is not the first spin-off from Disney’s ever-popular Frozen franchise, with the short Frozen Fever debuting alongside their live-action Cinderella in 2015. However, Olaf’s Frozen Adventure will be a whopping 21 minutes long.

It’s unusual that it’s being played before a Pixar movie, where original short films have become something of a tradition. A little disappointingly, this means we won’t be seeing another brand new short created by Pixar Studios this November when Coco is released – all the more reason to get excited for LOU which will be playing before Cars 3 in just 3 days in North American theatres!

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Here’s Your Chance To Ask the Cast and Creators of Cars 3 Questions!

Brian Fee, Cars 3

Posted by Nia • June 9, 2017

Upcoming Pixar will be covering the Cars 3 press conference tomorrow in Anaheim, CA. Both the cast of the film (Owen Wilson, Larry the Cable Guy, Nathan Fillion, etc) and director Brian Fee will be in attendance.

Submit your questions in the comments below or tweet us your inquiries for a chance to be featured during the press event!

Cars 3 is zooming into cinemas next Friday, June 16th. Here’s one more brand spankin’ new trailer to keep your adrenaline pumping until then.

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Get connected to the newest Coco trailer!

Coco, Trailer

Posted by Simoa • June 7, 2017

“No living person has ever visited their world. Until now.”

This is the story of young Miguel, who journeys to the land of the dead in Lee Unkrich’s Coco. The newest trailer for the film debuted today, and in Pixar’s usual custom, packs a lot of story and detail in less than two minutes. Although new information hasn’t been revealed and some earlier footage is recycled, we are treated to a glimpse of Miguel’s family and a possible connection to his singing idol, Ernesto De La Cruz.

The gags in the trailer are fairly typical, but Pixar usually saves the juiciest and funniest moments for later ones. So we can expect tons of new character appearances (like Miguel’s guide in the spirit world, Hector) closer to the release date. As always, the world of Coco looks to be one of Pixar’s most ambitious and immersive yet! The sets created for the land of the dead are simply breathtaking.

We’ll be eagerly awaiting more photos, posters, and trailers as Coco‘s November 22nd release date draws near.

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