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Celebrate the Spirit of Pixar with Gorgeous Mondo Posters

Brave, Coco, Incredibles 2, Monsters, Inc., Toy Story

Posted by Simoa • December 6, 2019

Pixar films dazzle the senses, but they burrow so much deeper into our skins apart from sight and sound. The artwork and stories in these films leave such lasting impressions and live on through other artists. Mondo, the Texas based company famous for its bold art designs inspired by indelible films, is presenting their latest gallery, The Spirit of Adventure: A Pixar Poster Show this Friday. Check out some of the posters that will be on display:

This Coco poster by Cesar Moreno is rich with so much color and detail. Although it depicts Miguel’s shrine to his idol, Ernesto de la Cruz, his other family members also appear in the doilies. It also makes incredible use of light and deep purple hues to evoke warmth. The Pepita in the foreground reminds me of my own plush sitting on the bookshelf in my room.

And look at this stunning print by Phantom City Creative of A Bug’s Life! This is one of Pixar’s best, though it’s sometimes ignored. I’m really glad that it was included, and making all the characters green, save for Flik, is a brilliant touch. Its vibrancy draws your eyes to the poster.

This Brave poster by Greg Ruth is another favorite. I love the contrast between Merida’s look of confidence and Queen Elinor’s wariness in her massive bear form. And the detailing on that gorgeous fur! It looks as if you could actually feel it if you were to reach out and touch it.

A few more dazzlingly colored pieces are below.

Sara Deck

Phantom City Creative

Francesco Francavilla

“Pixar has a beautiful way of telling timeless stories that resonate with all audiences no matter their age. Their films are bursting with beloved characters, creativity, and imagination that is largely unmatched. In the end, nobody tells a story quite like Pixar. We are incredibly proud and excited to have partnered with our friends at Cyclops Print Works and several of our favorite artists to celebrate various iconic titles from Pixar’s unbelievable catalog of films.”

-Eric Garza, Mondo Creative Director

The Spirit of Adventure kicks off on December 6th in Mondo’s Austin, Texas headquarters. If you’re in the area, be sure to check it out! The gallery will display fifteen posters in all. An additional Family Day of events takes place on December 7th.

You can also follow Mondo on Twitter, Facebook, and Instagram.

About Mondo:

Mondo is an expanding enterprise with a passionate love of film, art, music and pop culture, best known for creating limited-edition posters, vinyl soundtracks, premium collectibles and games. Based in Austin, Texas, the team collaborates with an international network of talented artists and creators to produce the highest quality products inspired by licensed properties and original IPs. Over the last decade, Mondo has partnered with leading entertainment brands including DC Comics, HBO, Marvel, Paramount Pictures, Sony, Universal Studios, Walt Disney Studios and Warner Brothers, along with dozens of independent studios and filmmakers from around the world. Find out more at mondotees.com.

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The first trailer for Soul is here!

Soul, Trailer

Posted by Simoa • November 7, 2019

And it is gorgeous!

“What would you want to be known for on earth? We only have a short time on this planet. You want to become the person that you were born to be? Don’t waste your time on all the junk of life. Spend your precious hours doing what will bring out the real you; the brilliant, passionate you that’s ready to contribute something meaningful into this world.”

That’s Jamie Foxx’s distinctive voice-over in this new trailer. Gorgeous shots of New York City dominate, as gangly Joe Gardner goes about his day. And it turns out, it’s simultaneously the best day of his life – and the last. With jazzy music and piano undercutting his words, we’re already fully immersed in his world and his mind. He excitedly asks for a haircut because he finally got his dream gig. He avoids pins on the sidewalk, banana peels, even a speeding motorcycle, before he falls into a manhole. Already these few minutes illustrate what we learned about the theme of Soul just yesterday – how we can be so consumed by art to the detriment of everything else.

After his body whooshes downward into the manhole, Joe is transformed into a glowing bluish-green version of himself, his soul. The cityscape is replaced by a vast starry expanse. And there Joe is joined by 22, who speaks with Tina Fey’s unmistakable voice.

Pixar fully convinced me with Inside Out about the way our emotions work, and I’m really eager to see how they portray the inner workings of the soul. This trailer seems to have just enough humor and is also fully grounded in the day to day to balance out the metaphysical.

There’s also a gorgeous poster too!

Be sure to let us know what you think and your own theories! Soul will be released on June 19th, 2020.

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Pixar’s got Soul

Pete Docter, Soul

Posted by Simoa • November 6, 2019

Where do we go when we die? Is there some part of us that lives on when our bodies are buried beneath dirt? Some form of disembodied consciousness? Does it still wander earth or does it exist in a liminal space? What is the soul? Nearly every religion believes in the existence of a soul, and science can neither prove or disprove it. No one knows what the soul looks like, but Pixar’s going to show us their idea of it, in Pete Docter’s newest film.

An exclusive new look comes to us courtesy of Entertainment Weekly, as well as a new look at protagonist Joe Gardner, played by Jamie Foxx.

Soul’s writer and co-director Kemp Powers describes Joe as someone “who’s lived his whole life like he was meant to do this one thing [music] to the exclusion of pretty every other thing.” Powers also characterizes that single minded pursuit as similiar to anyone involved in the arts: it’s an almost religious obsessiveness you have to have to have success and a career in the arts.”

If you want to avoid any more plot details about the film, read no further. Joe dies in an accident right after he scores his dream job. His soul doesn’t journey to the afterlife, but to the You Seminar, where souls are given personalities and sent to inhabit human bodies. Like Docter’s Inside Out the film ventures into the interior. Instead of examining the emotions of the mind, this one will portray the essence of a person. At You Seminar, Joe meets 22 (Tina Fey), a human hating soul who Docter describes as a teenager with an attitude. She teams up with Joe to reunite his soul with his body on earth.

The film will surely ask some existential questions and get us all thinking about those concepts outside our realm. Docter hopes it makes us introspective.

“What are the things that, at the end of the day, are really going to be the important things that you look back on and go, ‘I spent a worthy amount of my limited time on Earth worrying or focused on that’?”

Soul flies into theaters on June 19, 2020.

 

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The new Onward trailer tells all and makes us dissolve in laughter and tears

Onward, Trailer

Posted by Simoa • October 10, 2019

Every time I’ve gone to the movies this year, I’ve seen the same preview for Onward, and so has everyone. I could practically recite it by heart. I wondered when we would get new footage and if it would ever play in front of whatever animated movie was screened before the year was out. Well now the newest trailer has officially debuted! And it’s one of the best from Pixar in recent years.

This trailer reveals quite a lot of plot! That’s a first for our favorite animation studio. For the first time, I don’t need to speculate about what’s going on, nor am I left guessing. This can only mean that even bigger surprises are being kept under wraps.

A narrator explains what we already know, namely that this new world once had magic and doesn’t anymore. It is still inhabited by mythological creatures, but they’re just like you and me. It resembles our world a little bit, but it feels like it even more.

Inside and out, the world of Onward looks beautifully fleshed out – familiar and fantastical all at once.

Ian and Barley Lightfoot, in another Pixar first, are siblings who embark on a quest. That’s par for the course in fantasy fare, but this is unlike any other quest you’ve journeyed on with your favorite characters in movies and books. On this quest, they are going to find the rest of their father. They use a wizard staff, gifted to Ian on his birthday by their dad, to bring him back, but only his bottom half! The trailer features one touching moment, that it seems only Pixar could do. Just the tap of a foot and I was reduced to tears.

Anyone who loves Monsters University like I do can see director Dan Scanlon’s distinct MO, which brilliantly blends hilarity with heartbreak. There’s so much going on in the trailer; snarling monsters and unicorns; colorful explosions; car chases; and fire. But it’s edited so well that none of it overwhelms.

Whatever excitement I had for this movie has just had a growth spell put on it. It’s huge!

Onward cometh soon, on March 6th, 2020.

Have a look at the newly revealed poster:

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Pixar sneak peeks at D23

D23, Dan Scanlon, Dana Murray, Disney+, Onward, Pete Docter, Soul, Toy Story 4

Posted by Simoa • August 26, 2019

D23, Disney’s official fanclub, hosted its bi-annual expo this past weekend. There’s been a drought of Pixar news recently, barring Toy Story 4‘s billion dollar box office earnings, but now we’ve got a nice trickle of news! Attendees were treated to previews of the newest Pixar films in theaters next year: Onward and Soul. And that’s not all, since the expo is always packed with lots of celebrations and giveaways for fans. This year, there were booths for a sculpting demo with longtime Pixarian Jerome Ranft, the Pixar archives, and designing toys. Guinevere, the truck from Onward, also made an appearance.

Here’s what we can look forward to in 2020!

Onward

Described by director Dan Scanlon as a modern fantasy quest, the film follows two elvin brothers, Ian and Barley Lightfoot, living in a fantasy suburbia that has lost much of the former. Pixar’s films usually bring magic into the real world, but this time they’re taking audiences to an imaginary one where magic has faded.

I absolutely love this poster’s design. I’m a rookie pin collector, but I’d love to get my denim jacket on this level! Notice the cassette tape simply marked with Dad. It’s not as flashy as the others, but my eyes are drawn to it anyway. The Disney Store could even sell some of these pins; I covet that unicorn.

If you’d like to read more about the storyline, Collider has a great write up but beware of spoilers! Knowing how personal this film is for Dan Scanlon, those brief details about the footage screened at D23 is quite moving.

Soul

Pete Docter’s latest venture after probing the human mind in Inside Out will now plumb the depths of the soul. This film is already a challenge since many people don’t even believe in the existence of a soul. Pete hasn’t disappointed us yet though. And it’ll be the studio’s first ever full length film with a black protagonist! The synopsis over on Polygon also has a handful of plot details if you’d rather avoid those.

Soul tells the story of Joe Gardner (Jamie Foxx), on a quest of his own like the Lightfoot brothers, but an entirely dissimilar one. Tina Fey also joins the cast as 22, along with Phylicia Rashad, Daveed Diggs, and Questlove. The soundtrack will be provided by Trent Reznor and Atticus Ross, and Jazz musician Jon Batiste. The newly unveiled character art:

Tina Fey as 22

concept art

Forky+

Pixar’s got a new shorts collection debuting on the new streaming service, Disney+, starring Forky! In “Forky Asks a Question,” Tony Hale reprises his role and revealed the other characters who will be joining our favorite spork as he unravels the answers to life’s questions. 

The Forky series will be available on Disney+’s November 12th premiere, but we still have many months to go before Onward and Soul. Looks like the drought is over!

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Review: The Bittersweet Brilliance of Toy Story 4

Josh Cooley, Review, Toy Story 4

Posted by Simoa • June 21, 2019

 

Why did Toy Story 4 have to get made? It’s a question that director Josh Cooley asked himself. His answer was that every ending has a beginning. Just because the toys’ journey with Andy was over didn’t mean their journey with Bonnie was. In the nine years that have passed between the third and fourth films, there have been three Toy Story Toons and two TV specials. Life size Lego figures of Woody and Buzz stand beside the reception desk at Pixar. As Toy Story 4 producer Mark Nielson put it, those guys are in the fabric of the studio. How could this movie not get made?!

Toy Story will mark its 25th anniversary next year. For some of the animators on Toy Story 4, the 1995 film is the first they ever saw. I can’t imagine the joy and thrill of being able to animate characters that you spent your childhood with. And not only that, but you get to work on new characters for this world, who may end up being just as iconic and beloved as the original ones.

Those original characters, our old pals, are happily being played with by Bonnie. All except one. Woody, who once enjoyed the vaunted position of the favorite toy, and by default, leader of the rest, is now none of those things. He gets tossed in the closet with toys Bonnie has outgrown and no longer plays with. It’s a dull and lonely existence, but Woody still firmly believes in his purpose to be there unconditionally for his kid. That’s why he stows himself away in Bonnie’s backpack on the first day of kindergarten. He’s not supposed to. Toys aren’t allowed. But Bonnie is having such a tough time facing this newest adventure that Woody just can’t let her do it alone.

So when Bonnie makes a toy out of a spork and names him Forky (Tony Hale), Woody is actually privy to a very special moment. Bonnie loves her little oddball creation immediately. The way she looks at Forky, that love she has for him that he doesn’t even understand or want to reciprocate, are things Woody no longer enjoys. And that’s why he’ll do anything to keep Bonnie from losing Forky.

 

Bonnie does lose Forky quite a bit while on a road trip with her parents and all the other toys – she just doesn’t know it because of Woody’s singleminded pursuit of him. Forky runs longingly to any trash receptacle he can find. “Trash! Trash! Trash!” is his gleeful refrain. He makes his final escape out of the window of the RV, triumphantly yelling, “I’M LITTER!” Yes, it’s just as glorious as it sounds. 

Forky doesn’t get far before Woody finds him, and a heart-to-heart chat about what it means to be loved by a kid convinces Forky to return to Bonnie.

But Woody and Forky have to take a couple of detours before either of them can go back.

The first of these detours takes place in Second Chance Antiques, where a familiar lamp sits in the window. Bo Peep’s lamp. Woody’s love that went away all those years ago isn’t inside the shop, which Woody and Forky find out for themselves when they go looking for her. They meet the unsettling Gabby Gabby (Christina Hendricks) instead, a pretty little doll in a prim dress, and her horde of even more unsettling ventriloquist dummy henchmen. These guys inspire so much terror – the way they move is the worst. People are going to have nightmares and it’s Pixar’s fault.

Woody does eventually find Bo Peep after that frightening horror movie ordeal, and their reunion is awash in sunlight. When we talk about the most meaningful, inspired, symbolic Pixar movie scenes, this is going to be one of them. It’s just a brief interlude where neither of them speak because a child is playing with them, and that’s the beauty of it.

 

Though it’s been 20 whole years since we last saw Bo Peep, though her presence in this series was so slight even before she was written out of Toy Story 3, her inclusion in Toy Story 4 just feels right. It’s the most natural thing in the world. For Cooley, story supervisor Valerie LaPointe and others, this porcelain shepherdess was the reason they wanted to make the film. I predicted that Bo would be so much more significant, but even I couldn’t have guessed just how much! Again I ask, how could this movie not get made?

In addition to reintroducing Bo Peep, the film achieves yet another marvelous feat with its introduction of distinct and lovable new toys. Forky is joined by Duke Caboom (Keanu Reeves), and Ducky and Bunny (Keegan Micheal Key and Jordan Peele). (For anyone who’s seen Peele’s Us, the fact that he’s playing a rabbit in a carnival toy game is eerie and awesome). While it’s a little disappointing that the new toys get more screentime over the older ones, that ultimately served the story best. (This is why we need more Toy Story toons). And then there’s Gabby Gabby. I was so prepared to hate her, but something kept telling me I would be proven wrong. I’m glad I was. Gabby isn’t what she appears to be. There’s always a certain value in stories where the villains aren’t what we expect at all.

Reeves and the comedy duo of Key and Peele are so fantastic that I would love to hear them again in another Pixar feature or a future Toy Story toon! Tony Hale had so much fun recording, that even if I hadn’t seen the footage of him in the booth, it wouldn’t matter; his enjoyment is palpable. Christina Hendricks also does memorable, heartbreaking, versatile work as Gabby. I’d be remiss not to praise yet another cast member in their Pixar debut, Ally Maki, as the impossibly adorable Giggle McDimples. That giggle and voice of hers are so infectious! The veterans, namely Tom Hanks, Annie Potts, and Tim Allen, are still at the top of their game.

Toy Story 4‘s other big feat concerns the plot. There’s so much of it, but it doesn’t once overwhelm the characters or feel unwieldy. Without its precise pacing, the film would suffer, it would just be a lot of noise. With Randy Newman’s subtle updates to his iconic score and the newer pieces, Toy Story 4 feels a lot like home; it’s a comforting nod to the past that is still looking forward. The nostalgia is potent but not overdone.

And it’s unbelievably hilarious too. I can’t remember the last time I heard so much raucous outbreak of laughter in a packed theater before. This movie is much wackier than the three that came before, but it’s just as beautiful, unforgettable, and devastating too. It might actually be the most heartbreaking of them all.

I simply can’t wait to watch it again.

Toy Story 4 is now playing in theaters nationwide.

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Pixar has just announced a new movie!

Pete Docter

Posted by Simoa • June 19, 2019

A single tweet. That’s all. Just one tweet about a brand new, never before heard or hinted Pixar film which debuts in theaters exactly one year from today, on June 19th, 2020.

We are getting two Pixar films next year! Both one word titles that involve mystical journeys, although Soul has a more philosophical bent than Onward‘s fantasy adventure. Oh man. It’s so cryptic! Just a simple logo with the lofty goal of answering life’s most important questions. Which are not simple! Here is one question I have: who is the heroine of this story? Please tell me Soul has a female lead.

A longer description from The Wrap:

Ever wonder where your passion, your dreams and your interests come from? What is it that makes you… YOU? In 2020, Pixar Animation Studios takes you on a journey from the streets of New York City to the cosmic realms to discover the answers to life’s most important questions.

And guess what? Pete Docter is directing! His first film as Pixar’s Chief Creative Officer and his first since Inside Out, which coincidentally turns four today! The similarities to the former film are undeniable. First we were in the mind, now we are venturing to the soul.

There does seem to be another connection to Onward. While that film takes our elven heroes out of a suburb, Soul will leave the streets of New York city. Existential pondering leading us out of the places we know  that can sometimes be a bit stifling into the unknown. At least that’s my take on it.

Let us know what you think! We will update this post with any more details and will be doing lots of Soul searching in the coming year!

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Love in the Details of Toy Story 4

Behind The Scenes, Pixar, Toy Story 4

Posted by Simoa • June 19, 2019

There is something Ling Tu, the Sets Shading Lead on Toy Story 4, said during the It’s All in the Details presentation at the studio back in April that I think is very important. She hoped that we could feel the love that was put into the sets. The intention and purpose of Pixar films are not only the result of painstaking research, but painstaking love too! And that love extends to the locations as much as it does to the characters. The level of detail in Toy Story 4 is so intricate that even the sharpest eyed viewers might not notice – and that’s exactly the point. Regardless, each detail is both deliberate and necessary.

Tu was joined by Characters Shading Lead Alex Marino and Graphics Art Director Craig Foster to give us an in depth exploration of all the details.

As we’ve learned, the goal of the Toy Story films is to allow audiences to see everything from a toy’s perspective. Achieving that in Toy Story 4 relied on a number of factors, like making the sets characters with their own backstories and conveying the journeys of the toys through subtle visual hints. Something that was emphasized throughout were the imperfections in each detail, which allowed for greater authenticity and added a richness that would otherwise have been missing if the filmmakers aimed for perfection.

While it might be impossible to spot them all, here are some details (and Easter eggs!) to keep an eye on when you watch Toy Story 4.

Top 5 Sets Details

  • The leaves in the reunion scene between Woody and Bo Peep make Woody appear smaller and toylike. Pay attention to their texture, as they have the same veins and holes as real leaves do.
  • The reunion scene takes place in a dried creek bed. There’s a sprinkler box there to remind the audiences that this is still happening in the human world.
  • Dust in the antique store is very specific and just the right amount had to be applied. Take a look at the comparison image below – there’s a clear difference between them. The final frame still conveys the store’s age and unique history, but the dust isn’t distracting as it is in the first one.

©2019 Disney/Pixar. All Rights Reserved.

  • Another crucial element of the antiques store is that it makes Woody feel out of place. It’s also the last place any toy wants to be, which is why Gabby Gabby is so eager to leave. The subtleties make it feel that way, without the filmmakers being obvious about it.
  • As Tu explained, carnivals draw you in with flashy lights and colors, but they’re actually shabby when you take a closer look. One of the ways they zeroed in on the shabbiness was the carnival prize grid where Ducky and Bunny spend all their time. The image below is fascinating because it’s something we take for granted and it’s distinctly unglamorous. But the filmmakers still took the time to include it for that extra layer of credibility!

©2019 Disney/Pixar. All Rights Reserved. Lots of Easter Eggs here too!

Top 5 Characters Details

Photo by Marc Flores. ©2019 Disney/Pixar. All Rights Reserved.

Just like the antiques store, it was important to show how our toys have aged too. This was achieved by taking their journeys and motivations into account. Alex Marino also explained that subtle updates helped integrate the characters into the new settings.

  • Pay attention to Buzz’s stickers – they’re peeling. He’s no longer the glossy space ranger in mint condition.
  • Woody we know, has been through a lot. The micro scratches on him clue us into that and remind us that he and Buzz aren’t new toys.
  • Bo Peep’s porcelain isn’t as pristine as it was before, which makes sense considering that she’s been living as a lost toy. Her garments are a little shabby too.
  • Gabby Gabby is inspired by dolls of the 1950s and 1960s which were mass produced, but her hand painted features and the nylon quality of her hair are a contrast to the more generic features.
  • Since Gabby has been sitting on a shelf for so long, her dress is desaturated. She’s often in the dark, which would explain why her eyes are ominous rather than soft and inviting.

The Toy Story 4 art gallery, as seen on March 18, 2019 at Pixar Animation Studios in Emeryville, Calif. (Photo by Deborah Coleman / Pixar)

Top 5 Graphic Design Details and Easter Eggs

Here’s something you won’t see in Toy Story 4: Woody’s Round Up. Craig Foster was deliberate about that because Woody is meant to feel out of place wherever he goes. To that end, no Western style fonts appear in the film either. Here’s a handy list of (more than) five Easter eggs to be on the look out for instead! And these are just the ones we were told about. A good chunk of the 8,000 graphics in the film reference past Pixar films.

Photo by Marc Flores

  • A Victrola in Second Chance Antiques has a record of Ernesto de la Cruz songs.
  • Paintings in the film include one of Alpha which is reminiscent of  John Singer Sargent; the classic ‘dogs playing poker’ with Dug, Muntz and the other hounds of Up; Riley’s dad as a conquistador (?!); and Angel Kitty from “Toy Story That Time Forgot” in Margaret Keane’s signature style.
  • Fun ads in the film include 1940s Triple Dent Gum (and now I’m humming the jingle of course); 1950s era Eggman Movers from the first Toy Story; Hud’s Garage, a reference to Doc Hudson; and “Small Fry’s” Poultry Palace, also from the ’50s.
  • The pinball machine has a tiki theme and naturally, the tiki heads from Finding Nemo are there.
  • A really cool graphic is Duke Caboom‘s maple leaf. Not only is it a symbol of his Canadian heritage, it looks like an explosion too!

As always, this visual storytelling expertly reinforces the film’s main themes. The labyrinthine aspect of all these details doesn’t overwhelm the characters; they blend into the background of the story and beckon us to take a closer look.

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In Celebration of the Fantastic and the Mundane: 10 Years of Up

editorial, UP

Posted by Simoa • May 29, 2019

Happy 10th anniversary to this masterpiece! I celebrated by watching the movie today, and Joanna posted some of the most unforgettable moments from Up on our twitter feed. There’s so much I can say about Up that would fill pages. I could talk about it for hours, if not days. If I can be honest though, there was a time in my life when I thought Up was childish. This was before I watched it. The trailers for the film did not interest me. The flying house made me think it was over the top silly, something that only children could enjoy. I was wrong of course. Up is for everyone. And that silliness is one of its strengths.

kevin13.jpgUp is just magnificent. Absurd, devastating, colorful, imaginative, funny (so, so funny), and hopeful. I love how completely bonkers it is, precisely balanced with the heartbreak. It is one the many reasons I love animation so much. Down with realism! I want balloons and flying houses and fantasy and dazzling colors. And just how many movies out there give us triumphant elderly heroes? As big as Up is, it’s also intimate: a meditation on grief that lets us revel in silliness and joy.

Nia wrote beautifully on the wordless impact of Married Life which Pete Docter discussed on Rotten Tomatoes.

When Carl finally sees that Ellie did fill up her adventure book, he’s surprised by the snapshots of their life together. All those boring moments that Ellie was wise enough to cherish. Seeing their shared adventure in the film’s opening sequence still inspires me with their inexhaustible optimism. I want to be just like that; cheerful even when life wrecks my carefully laid plans and dreams.

 

I was lucky enough to see Up in theaters in 2012 after I missed its theatrical run in 2009. I had even brought my dad along. It’s still the only Pixar movie he’s ever seen. He’s simultaneously a curmudgeon and a softie just like Carl. And most of the time, I’m like Carl too. A little withdrawn. (The joint pain also makes me see a kindred spirit in him. I haven’t reached my 30s yet, but still. I’m old). In the foreword to The Art of Up, Pete Docter writes that he wanted to escape the world. It’s a universal feeling. And who wouldn’t want to fly away from all the mess down here? But though Up started out that way, it evolved into something else – something greater. The reality is that we can’t just escape the world like Carl tries to, but Up shows us what we can do instead.

house9.jpg

Don Shank

Although Carl and Russell embark on a grandiose adventure on the other side of the world, Up is really about having adventures right where you are. It’s about paying attention to moments we might easily take for granted.

“That might sound boring, but I think it’s the boring stuff I remember the most.”

When you reach adulthood, and sometimes even before, you’re resigned to the mundane. You put away childish things, you stop reading fairy tales, you get settled into the same old routines. But Up tells us to embrace the mundane; the small, simple joys that break up monotony. I think we’ve all just got to make room for adventures both big and small.

tepui5.jpg

Lou Romano/Don Shank

Happy 10 years of Up!

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Onward we go! First Look at Pixar’s Newest Film Arriving Next Year

Dan Scanlon, Onward

Posted by Simoa • May 29, 2019

Meet the cast of Pixar’s 2020 feature film – a family of elves! People has the exclusive and even sat down with director Dan Scanlon who shared more details about Onward. The film stars Tom Holland and Chris Pratt as elf brothers living in a fantasy suburbia. Julia Louis-Dreyfus will appear as the pair’s mother. Octavia Spencer also rounds out the cast, but we don’t know yet what role she’s playing. And now here’s what we’ve all been waiting for, images from the film itself!

I like it! The premise is new territory for Pixar and siblings are at the center. I’m digging the clothes on the elves, and the fact that they have cars and dragons in their world. As Scanlon describes it, the brothers are on a quest to find out if magic still exists.

Ian (Holland’s character) is the younger of the two. He’s shy and awkward, while Barley, the older brother (Pratt), is much more outgoing and wild.

Of the film, Scanlon says:

“My hope is some of the questions that I’m asking in the film will be questions other people are asking about their own lives. And I think that’s what a lot of the times gets us to connect to a movie.”

We’ve got lots of questions of our own, and can’t wait to get more answers over these next couple of months! Onward will be released on March 6th, next year. Let us know what you think of it so far.

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