{"id":7038,"date":"2019-05-20T10:47:21","date_gmt":"2019-05-20T14:47:21","guid":{"rendered":"https:\/\/pixarplanet.com\/blog\/?p=7038"},"modified":"2019-05-20T10:47:21","modified_gmt":"2019-05-20T14:47:21","slug":"10-years-later-ups-opening-sequence-still-packs-an-emotional-punch","status":"publish","type":"post","link":"https:\/\/pixarplanet.com\/blog\/10-years-later-ups-opening-sequence-still-packs-an-emotional-punch\/","title":{"rendered":"10 Years Later Up's Opening Sequence Still Packs An Emotional Punch"},"content":{"rendered":"

It feels like it was only yesterday that Up<\/em>\u00a0premiered in cinemas\u00a0and we fell in love with some of Pixar’s most iconic characters:\u00a0Carl and Ellie Fredricksen, Russell, Dug, and of course, Kevin. It’s unfathomable to think it’s been 10 years since we all laughed, cried, and went on one of the biggest adventures of our lives as we followed Carl on his epic quest to reach Paradise Falls.
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\nThere are obviously a lot of amazing things about Up<\/em> that still hold the test of time: the breathtaking reveal of Carl’s balloon house as it soars out of the city for the first time; the sweet depiction of Dug and his adoration for his humans; even the delicious villainy of Charles F. Muntz. But the greatest part about Up<\/em>, and one of the finest moments in animation history, is the opening sequence, otherwise known as Married Life<\/em>.
\nWhat makes the sequence so special is the fact that Up’<\/em>s director, Pete Docter, decided to tell the story of Carl and Ellie’s relationship without dialogue. I’ve always been a firm believer that you don’t need dialogue to tell a story \u2013 so much can be achieved with a subtle glance or the character’s body language, how they carry themselves across the screen or interact with the world around them, that 10+ pages of dialogue can never achieve.
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\nThe Married Life<\/em> opening depicts the entirety of the couple’s relationship without words but through images of their life together, little snippets of the good and the bad parts of any relationship \u2013 starting from Carl and Ellie’s wedding and ending with Ellie’s funeral. Their relationship could’ve spanned at least half of the film, there’s even a feature length film in there somewhere about the duo, but it was told brilliantly in less than five minutes. We didn’t need dialogue to tell us that Carl and Ellie were in love and what they went through in the course of their time together. Instead, with the clever way the talented folks at Pixar animated the sequence, we saw<\/strong> their love for each other in the brief glimpses of their relationship as they built their dream home and worked at the zoo. We saw their hopes about the future and their goals of traveling to South America and starting a family. We saw how they were able to overcome adult problems like home-owning and having a flat tire, and we even saw their struggles with infertility and how that affected them both in different ways.
\nAnother reason why Married Life<\/em> works so well is because of Michael Giacchino’s heartbreaking score; the sequence simply wouldn’t be the same without it. If you closed your eyes while listening to Giacchino’s Married Life<\/em> theme, you could almost picture the story, scene by scene, in your head. The melodies that follow Carl and Ellie on their journey together are simple and just as unique as the old-fashioned couple; the score perfectly follows the ups and downs of their relationship, giving us some lighthearted and catchy tunes while also pulling at our heartstrings at the more somber moments.\u00a0Michael Giacchino even went on to win the Academy Award for Best Original Score<\/strong> for his work on Up <\/em>at the 82nd Academy Awards.
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