I watched D9 a week ago on Tuesday. It was one of the best and most memorable films I’ve ever seen this year. Before Up, I would have even gave it “Best of 2009” title, but even now as a close second, it’s still very, very good.
I’d recommend you go in without watching the trailer or knowing next to nothing about the plot, but I’ll try not to give away too much in my plot summary. Our hero, Wikus, is an MNU agent tasked with the evacuation of a colony of stranded aliens after 20 years in the slum/gated compound of District 9, in the city of Johannesburg. But after a catastrophic event, he’s suddenly the most wanted man in the world, and on the run from his former colleagues, he takes refuge in the last place on Earth they’d expect to find him. No prizes for guessing where that is. Teaming up with an alien and his son, he must… uh, I’ll leave you to watch the rest to find out.
Sharito Copley delivers a stunning and convincing debut performance as nerdy government bureaucrat and reluctant hero Wikus. His character is the most symphatetic, next to Christopher (Wikus’ alien friend and only hope in surviving his predicament), and generates the most pathos and drama with his character arc. David James as the requisite antagonist Kobus, the trigger-happy Alpha Male of a team of special ops. James’ character came off a bit like Gaston or Clayton from Beauty and the Beast and Tarzan respectively, but he plays his role with menacing relish.
The aliens and special effects are top-notch for a mid-buget production. Christopher and his doe-eyed son looked almost life-like, which just goes to show how far film technology has advanced these days. We’re given interesting background information on the aliens and their way of life, and there’s also an intriguing subplot with a gang of Nigerian soldiers who have a symbiotic relationship with the aliens and who are also after Wikus.
The plot met all my expectations; it’s captivating, provocative, and harks back to classical thought-provoking sci-fi. But if you’re not in for the deeper themes, you’re sure to enjoy the breathtaking shootouts and chases. The opening is one of the most brilliant I’ve seen for a movie this year, and utilises the ‘faux-doco’ format to great effect. Later on, it sort of moves away from the doco format, while retaining the contemporary shakey-cam handheld effect, which I could handle, but may not prove so for those with weak-stomachs. An interesting anecdote is that one of my friends who watched this with me went straight to the toilet after the movie was over and barfed. Coincidentally, the person in the stall next to him was also emptying his stomach contents. So lesson of the day: choose a back row seat and close your eyes if things get dizzy.
Also, the later scenes sort of turned into a mix of The Fugitive and The Last Samurai, although it still remains relatively entertaining. But the haunting poignant final shot redeemed all the ‘action-flick’ scenes before, and was what ultimately made the film for me.
Without giving away too much, they sort of left it open for a sequel. I’m both excited that there will be a potential continuation to explore this alternate-universe (which I felt was only briefly touched on in this movie), and annoyed that they didn’t tie up the movie conclusively. But as it is, District 9 is the most heartbreaking and exhilarating science-fiction adventure of the year (more so than Star Trek in my books), and has something for everyone. Go see it, it’s definitely worth the trip.
Rating: 5/5