And just a few hours ago, Claudia Puig of USA Today placed Wall-E in its top 3 or top 6 films. Slumdog won first place. Other top picks were Dark Knight, Frost, Milk, and Doubt. These other movies were referred to as “must-see movies”. There was some attempt to showcase the blockbusters over the art films listed, which may be the reason for the 3/6 confusion.
“The animated cautionary tale with a strong ecological message subtly blends sweet romance and an inventive adventure sage. It is on of Pixar’s best and an unqualified delight for all ages”
usatoday.com/life/movies/new … view_N.htm
A second mention by USA Today:
“Best performance by an inanimate object. Wall-E, the brave and lovable robot (voiced by Ben Burtt) is a role model for all ages: loyal, plucky, inquisitive and hardworking. He was more than just cute. Even in his relative muteness, he proved unfailingly kind and resourceful.”
So Ben Burtt wins something. Yay!
Edit: The Jan. 2 issue of Entertainment listed Wall-E as #1 !!! and 4th best film, after #1 The Wrestler, there were two reviewers and the main one chose Wall-E. Our friend and his mate were even on the front cover, but with 100 other people included. Wall-E tho, was in the front middle, next to Madonna, holding up the main sign announcing honors within. There was a famous political comedian pointing right to Wall-E, as the ONE. Note: Wall-E appears in 4 separate articles and was very confusing unless you actually buy the mag and read thoroughly.
But, when they went to the actual critics lists and did an accumulative total, on page 84, Wall-E landed in First Place, as usual with these cumulative lists.
Liza Schwarzbaum, selecting Wall-E as #1 says “Years from now- yea, unto eternity - all who love movies will rank Wall•E among the medium’s most profound, subtle, sophisticated, and gorgeously inventive specimens, ever… intertwined so elegantly to tell a story of endurance, optimism, love at first sight, ecological destruction, postapocalyptic redemption… In fact, the scope of this epic often defies the limitations of words …with great wordless stretches… Pixar… is reshaping… the structure of storytelling… And out of the bond between a machine built for compacting trash and his egg-shaped, futuristic cohort, a modern masterpiece is hatched.”