All I had to do was read the second post and I’m tick. Just kidding, but c’mon - I’m a big romance guy (as hard as it is for most of you to believe…), I dig romance films. But WALL-E? It’s just too predictable, but that’s because it’s Pixar, and as we all know, all Pixar films have one weakness, and that is that they are affiliated with Disney. And in Disney tradition, what’s the code, ladies and gents?!
Background audience: “To live happily ever after… yawn!”
That’s right, yawn!
C’mon, let’s be realistic here. Fantasy, it’s all good when taken in portions, but overdose is just intoxicating. We are drowning here. WALL-E is a good movie, I’ll put it at that. It’s just, not a good-good movie, as in like those sort of movies that deserve a five star blockbuster rating.
Spider-Man, Transformers, Jurassic Park, Flags of Our Fathers, The Good Shepherd, Iron Man, Die Hard, all these titles are legends and have an excellent quality of bringing audience that pack of punch. They made us cry, they made us cheer. And we all darn know that someone’s gonna have to die because in the real world, no one’s invincible. We lose our memories, we don’t get it back because some hot chick kissed us goodnight or give us a good one nighter. We get it through long terms of attempts trying to recollect those memories - not boom and EVE goes “WALL-E! YOU GOT YOUR MEMO BACK!”
No.
It just lacks that sort of realism, but fortunately, Pixar was able to deliver that same sort of awesomeness even when kept under a fantasy aspect.
Take Finding Nemo, for example. Even though we darn know that Nemo survived, Pixar managed to create a tearful effect with Marlin’s scene together with Dory. The atmosphere was grim, we were able to relate to a father relating to the death of his child. It’s very sad, and very relatable. Futuristic robots having a love story together - that’s a little hard.
Okay, let’s just say that we put the all so legendary ‘message’ you all claimed to be hidden in the film into perspective. Let’s just say that there is a message we could relate to and let’s try and relate to it. Okay, a message, lemme think of one…
Wow, this is harder than I didn’t expected.
Anyway, while I’m thinking, lemme bring up another great example of a Pixar success. Monsters, Inc.
Mike Wazowski, played by the all so talented Billy Crystal, is darn funny, not only because his voice actor is funny, but his whole very aspect (his lines, his tiny horns, his sleek persona) is hilarious and it knock our socks off. Not only that, but once again, Pixar brought tears to our eyes (even though this film is made before FN). The Sulley scene with Boo was just tragic. We were able to relate to that because in the end, Sulley did have to leave Boo even though he’s such a darn good friend of hers and the writers just had to take him away from Boo in an inhumane, cruel manner (joke). She opened her door, and he was gone. Did she try and open the door several times again? Maybe. But if she did, did Sulley suddenly appear there just because she got all sad and teary?
Audience?
NO, NO, N-O, NO!
That’s right, he didn’t.
In short, the ending to WALL-E is too cliche, and it really disappoints. But as I’ve said before in my criticizing review towards the film, they had tried their best. Being a Disney film, they had no choice. They almost got me with there, so it was a good effort, but just because someone’s incapable of doing a good job, doesn’t mean he deserve the credit.
Sorry, WALL-E fans.
Oh, and I still can’t think of that message.