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]]>The post Pixar Launches New Experimental Shorts Department appeared first on Upcoming Pixar.
]]>“Pixar launched an internal, experimental storytelling initiative to create short films without executive oversight, to explore new creative visions and increase studio opportunities. This talk shares Pixar’s six-month journey of creating seven-minute shorts, with limited resources, amidst the backdrop of a busy studio, juggling multiple feature productions.”
Cartoon Brew reported the first film produced through this new division is aptly titled Smash and Grab, and will be directed by Brian Larsen. Larsen himself has plenty of experience at Pixar in the story trenches – serving as Story Supervisor on Brave and Head of Story on Piper, just to name a few.
Pixar’s first few short films, The Adventures of André and Wally B and Luxo JR., initially put the studio on the map and showcased what was to come with technology driving animation. The fact that the studio is continuing to push the boundaries of storytelling with their famed short films, and finding time to make new projects with an already grueling film schedule is quite impressive and inspiring.
We can’t wait to find out more about Smash and Grab, and their new shorts unit.
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]]>The post New Disney/Pixar Gallery Nucleus Exhibition Opens in Los Angeles appeared first on Upcoming Pixar.
]]>Thanks to Oh My Disney for providing the artwork that will be featured at the showcase.
The post New Disney/Pixar Gallery Nucleus Exhibition Opens in Los Angeles appeared first on Upcoming Pixar.
]]>The post Pixar President Jim Morris Gives Insight Into The Studio's Creative Process appeared first on Upcoming Pixar.
]]>“It’s been a bit of a challenge this year. We’re actually finishing films every eight months. We have enough production capability, but unfortunately that is not the issue! The issue is having the stories developed to the right point so we have enough content to make the films. That is the tricky part. It’s worked out fine so far. It does make a crunch with publicity; everyone gets spread a bit thin. But we’re feeling okay, we’re not at the point of regret, yet!”
The most important aspect behind every Pixar film is undoubtedly the story. Each Pixar film has been able to stand alone because of the unique characters that come along with the blend of animation and technology. In the scheme of storytelling at Pixar, the first step to launching a thousand feels is the emotional core behind each story.
“Usually the first thing that comes is an idea that engages the director. I would say there is some emotional core that motivates them to want to tell a story, and later we can infer a theme from that. Inside Out is an easy one to talk about – [director] Pete Docter was wondering why his daughter had changed. It started out as that core idea, but it evolved. It went through so many iterations. After we have that starting point, the characters get forged from that, and then more about the setting and the world gets forged from that.”
Storytelling aside, actually getting the film up on it’s feet after the initial concept is approved is tough enough. Most of the hours put into a film at Pixar exceed Walt Disney’s standards for his classic, 2-D animated films.
“Something most people don’t realize about our films actually is that, even though the computers are doing the animation, our average film takes 20,000 person-weeks to make. And that is probably a little bit more than most traditional, hand-drawn Disney films took. The amount of labour it takes to make a film like this is huge – the textures and scenes are painted by hand. Our joke used to be that we are where high-tech and low-life collide.”
There has been some criticism towards Pixar for it’s lack of women directors. Brenda Chapman has been the only female director to take the helm of a feature film for 2012’s Brave, but due to creative differences she was replaced by Mark Andrews halfway through production. Morris brought up that Pixar is indeed trying to fix this problem and make the company more diverse in regards to more opportunities for female storytellers.
“One thing we’re trying to do is to expand the roster of directors. We’re trying to build the next generation and make the company more diverse, to get a breadth of voices to tell a range of stories. We’re 37 percent female at the moment, and we’d like to be 50 percent. We don’t have a lot of turnover at Pixar though, which makes that somewhat challenging!”
Before concluding the interview, Morris was able to dish that there is some NEW original content in the works for a series of films on top of the already scheduled (and very anticipated) studio line-up.
“We have a bunch of confirmed titles. There’s Finding Dory later this year. We’re working on The Incredibles 2, Cars 3 and Toy Story 4. Dan Scanlon, who did Monsters University is working on an original film. Mark Andrews, who directed Brave, is working on one, too. We have a new director called Brian Phee, who is working on a new movie, and we have a few shorts that are in the works. I can’t say much more than that or I’ll get in trouble!”
It’s certainly strange thinking that far into the future about films at Pixar, but exciting to know there is some awesome content brewing at the studio and a new director in the loop. Be sure to check out the rest of the interview with Jim Morris over at Time Out!
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]]>The post Pixar's 30th appeared first on Upcoming Pixar.
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