I watched Eragon and it had good intentions (I liked the relationship between Eragon and Saphira for example) but its storyline is overly simplistic and offers nothing new to the genre. The characters are not really distinctive and most of the ‘character conflict’ feels forced (or what I call ‘manufactured tension’).
In Avatar, the characters are more developed and have their own personal motives that bring them into conflict. Jake is a blank slate, but he is cynical of humanity because of his brother’s death, the destruction of Earth, etc. Neytiri is equally cynical of the humans because of how they’ve been encroaching upon her homeland. Selfridge has financial motivations, he wants to be the hero at the next shareholders’ meeting. Grace has an interest in studying the Na’vi, and Jake may be her ticket into that world where she once failed before.
Only Quatrich is the least well-developed, because he basically hates Na’vi for the sake of it. Maybe he had a backstory, but it wasn’t explored thoroughly in the film.
The storyline, yes, is very conventional. But it works because you care about the characters (or at least, I did) that you want the heroes to succeed, the villains to lose, etc. Grace getting her wish fulfillment, the battle between ‘man and machine’ represented by Jake and Quatrich’s showdown, the mediation of love through technology- as Jake effectively falls in love with Neytiri while ‘dressed’ in his Na’vi avatar, the full circle narrative of “You’re a baby” and Jake being cradled in Neytiri’s arms at the end…
I (and a lot of Avatar) fans picked up on these themes. Some people might feel, yes, it’s cliched, it’s familiar, it’s been done before, but this is Cameron’s vision, and he has delivered something familiar, but it feels new at the same time.
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Another thing I would like to compare Cameron with Miyazaki is the attention to detail. When you watch Ponyo, for example, there’s this wonderful moment where the mum carries a huge bag of groceries into the house, and she drops a piece of fruit on the ground. She struggles to keep her balance, bends over, picks the fruit up, and places it back into the bag.
A ‘normal’ animation studio would take the shortcut and just have the mum walk into the house with the grocery bag with no difficulty. But Miyazaki and his team went the ‘extra mile’ to give that sense of realism. How many times have we struggled to bring our worldly possessions back into our humble abode? Pixar also did something like this with Linguini stuffing his bike into his apartment in Ratatouille.
In Avatar, one of my favourite moments was when Selfridge was asking one of the jarheads to scroll through the holographic map. He asks the guy to keep going, and going, and then the jarhead overshoots and Selfridge cries out for him to stop, before chastising him (“Stop! Stop! Jesus…”). That makes it all the real for the audience, because we’ve encountered that sort of thing before when we scroll through Google Maps, or flip through our iTunes album covers, etc.
There’s another shot where the helicopters lift off for war and the wind turbulence knocks off the hat of a cheering soldier, who proceeds to curse the helicopter. That was another ‘realism moment’ for me.
As you can tell, I love it when there’s ‘devil in the details’.