Yeah, one of the things I wished they changed from the book was to make Kludd more of a protective and kinder brother to Soren. They did hint at their brotherly relationship during the [spoil]tree-branching sequence, but I wished they emphasised on it more. They could’ve made Kludd terrified of Nyra instead of outright rejecting Soren when they arrive at St. Aggies, and maybe had him try to meet Soren and despise Nyra, before gradually beginning to understand and even support the Pure One’s beliefs. And then, when he finally meets Soren again at the climax, he extends an olive branch (metaphorically) and invites his brother to join his side, instead of having him trying to kill Soren every chance he got.[/spoil]
That, to me, would’ve made a more dramatic and powerful betrayal, where Kludd [spoil]slowly turns in to the villain without realising it. One weakness of the book and film was they made him out to be ‘the bad guy’ from the very beginning.
[/spoil]
I can’t really say whether Toy Story 3 made me cry or laugh more than Legend of the Guardians (Ironically and somewhat surprisingly, Despicable Me trumped all the animated films I’ve seen this year in getting my tear ducts going). But each film has their moments of awe and pathos.
I like your analogy to Goldeneye, it’s been awhile since I’ve seen that film, but I remember it’s my favourite Pierce Brosnan Bond film. And I chuckled at the ‘tweaks’ you made to the LOTG version.
I’m hoping it’s the latter. Someone needs to stand up to that ridiculous award and boycott it. Again, I think it’s highly unlikely (both from the Academy’s POV and mine) that LOTG will bag Best Pic, but if they’re standing up against the double-standard against animated films, I’ll say good on 'em.
And yeah, I reckon Happy Feet was released by WB, but I’m not sure if it was submitted for an awards nom.
I’m with you on that point. You can see the amount of love and attention to detail that went into every shot, and I really appreciated that most of the scenes (with the exception of the final battle) was framed in slow pans and tracking so we can appreciate their beauty.
With films like Iron Man, Prince of Persia, and Clash of the Titans, they look as if the producers did a ‘rush job’ of it and the editing is incredibly sloppy and haphazard. To see something of LOTG’s calibre is refreshing and invigorating, if you get what I mean.
As for Pixar, they never really aspired for realism in their aesthetics, which caused some of my more ignorant friends to dismiss their films in favour of CGI like Final Fantasy and Christmas Carol. I think LOTG managed to hit the Sweet Spot between true-to-life realism (Final Fantasy, Golem from LOTR) and caricatured cartoonism (any Pixar film, Despicable Me).
<-Sweet Spot
I know, right? It’s appalling why an Aussie-made film is not receiving much local support here. Heck, if I was Film Australia or one of the government bodies, I’d subsidise their ad campaign to reach a wider audience. I did see a couple of TV spots, but I wished they went for an outdoor campaign like the ones I saw for Toy Story 3 (billboards in Chinatown and Oxford Street), Despicable Me (bus side panels and Channel 7 ident) and How to Train Your Dragon (bus rear panels and bus stop billboards).
While we’re on the top of marketing, I’ll see if I can post a couple of photos I took of advertising while I was about town during the film’s first weeks of release. I think there were one or two subway posters I caught in Town Hall, but most of it is indoor ‘point-of-purchase’ cinema advertising.
I also hope to get a pic of the massive poster they have on the outside of the IMAX theatre when I see it again next week.