I like happy endings too. A very Japanese thinking by the way. Yeah, Red’s Dream wasn’t happy at the end but if Pixar could license this machine and program it to balance a clown, not what you see in the picture, then I’m sure Red could light up people’s faces, for real, like this machine.
Red’s Dream is indeed the saddest of the Pixar shorts. But it is a good short, nonetheless.
If it got any sadder, Red might be found in the garbage of Wall-E.
For 1987 the art on this short is incredible, especially considering what they worked with.
I liked it because i respect the work that had to be put into it in such an early time in animation, but in comparison to the newer shorts, obviously they blow it out of the water.
I had not seen this short until I came to pixar planet. Very different. Feel bad for Red, though the clown was a bizarre bit of animation. great for 1987 though. I like the detail from the rain in the beginning. Way ahead of it’s time.
This one definately stuck me as unique. Sad? Yes, but it wouldn’t have the same effect either way. Too bad that Red, or any other aspects of the short, lived on as cameos or anything.
Possibly Pixar’s most bittersweet and melancholic piece. And unlike Wall-E, we never really found out whether Red earned his salvation, or he was doomed to eternal obscurity in the back of a bicycle store.
Even sadder is that this is like the black sheep of Pixar shorts and gets left out a lot. A while ago, since this was one of the only Pixar shorts that didn’t get put on a feature film, it would be fitting for it to be the short for Toy Story 3, since they both deal with being forgotten and outgrown as well.
Wow!! I’ve never see it before…I thought it was good. And Red himself reminded me a lot of Luxo Jr. That clown was ugly. Anyway, I thought giving it a sad ending was very creative.
I always liked the distinctly noir-ish build up to this one, with the jazzy music and gloomy setting. It’s quite a charming little short, though the ending breaks my heart every time (not that I don’t appreciate the pathos, and Pixar’s ability to make us genuinely feel for the faceless little unicycle). I keep hoping that Red will pop up somewhere in the mise en scene of a future Pixar film, if only to soothe the closing pain a little. It’s so sad just leaving him to stagnate in that clearance corner.