I thought Mars Attacks! was a brilliant film. There’s so much I want to say about it.
For one thing, a film that was based on various packs of bubblegum cards has no reason to be this entertaining. But it was.
I urge those who are interested to check out the cards that inspired the film as well as the follow-up Dinosaurs Attack! I do caution those who seek out these sets as they are very gory an more than a bit disturbing. Even when I first laid eyes upon them at the age of 20 I found them to be a bit too much to take in all at once.
For another thing, this film hit all the key notes for me. It was a pitch-perfect send-up of the genre it paid homage to while being a more than a little frightening for the under-13 set. Not to mention that due to timing it also functioned as the yin to Independence Day’s yang and therefore became a somewhat prescient parody of the upcoming trend in disaster porn films like Armageddon, Deep Impact, The Day After Tomorrow, War of the Worlds and coming full circle with 2012.
Now I have to mention the score. I could go on for quite some time about the score. It’s such a beautiful thing. One of Elfman’s finest. The opening cue is gorgeous. The clanking metal, the ethereal yet hostile choir, the eerie theremin.
Then we get great tracks like the one where the Martians receive the message from the White House. Towards the end of that scene we see one of the leading Martians flipping through old Playboy magazines. This is accompanied by a slinky and somewhat sleazy but very fitting sax riff over the pulsating sound of a rock organ which hands off to screaming synths and theremin when the Martians decide it’s high time for a little ungodly experimentation with Earth biology.
Let’s not forget the cue that goes along with the Martians landing in Nevada. Pahrump to be exact (nice shout out for fans of Art Bell and Coast to Coast AM). We see the Martians make a curious gesture twice. The gesture is done just before the massacre and once again after where it’s paired with a somewhat triumphant yet creepy melody. This is actually a musical cue that’s revisited several times in the film. When Paris burns we hear a very harsh variation of the melody. And of course the melody’s intent and the Martians’ gesture is finally revealed during the “truce” with the President. It’s then that those with keen ears and a passion for connecting the dots will see everything come together. The melody is the Martian victory anthem and the gesture is a representation of their conquering flag.
This was back when Burton and Elfman really seemed to be truly in sync with each other. Now it seems that both are just kind of going through the motions on collaborations.
A lot of the lines are just gut-bustingly funny in my opinion. “For dark is the suede that mows like a harvest” or “We’ve still got 2 out of 3 branches of government, and that ain’t bad!” or “They just made the international sign of the doughnut!”
References to Earth Vs The Flying Saucers, Dr. Strangelove, and even a few nods to the actual lives of the celebrities playing the characters made this film a real treat. It’s too bad Burton thinks that anyone who tells him they like the film is lying to him. If you go by what Chris Rock says anyway.
I do agree that Ed Wood is almost certainly Burton’s finest. But this one sure is great.