Greetings everyone! As most of you that know me would know, I’m a Malaysian with an American mind, a Singaporean heart, and a home in Australia.
Well, back in the island country that is my ‘second homeland’, there is a new animated film that is about to arrive in theatres that is (hopefully) generating some buzz. Sing to the Dawn is Singapore’s first English-language animated feature, and will be Singapore’s third animated film to hit the silver screen after the abysmal Zodiac: The Race Begins (2006) and Legends of the Sea (2007). Based on the 1975 award-winning novel of the same name by Singaporean Ho Minfong, the film tells the story about a young Southeast Asian village girl, and the trials and tribulations faced in chasing her dream of studying in the city. The film is a co—production between Infinite Frameworks, the Media Development Authority of Singapore and MediaCorp Raintree Pictures (this being their first feature-length animation movie).
The last time I chatted with my parents, my mum (who knows I’m interested in this line of work) mentioned this picture’s impending release. I was aware that this film had been in ‘development hell’ for ages, and that it was coming out sometime this year (I saw it in a TV montage ad for Raintrees, and a couple of cinema posters on my last visit). I’m quite excited (and nervous) for this picture, as Singapore has a fledging movie (and by extension, animated film) industry. It’s mainly dominated by only a few directors (namely the ‘Three Kings’ as I call them, Jack Neo, Royston Tan and Eric Khoo). To create a home-grown animated flick is an achievement in itself, and I really hope this generates not only recognition for Singapore in Asia, but the rest of the world. The technology is not at Pixar’s level by any means, but I really hope they can pull of their storytelling abilities as well as their Western counterparts too. The sad thing about most Singaporean commercial films (especially Jack Neo of late), is that they try to ‘dumb down’ the material for the audience by inserting lame slapstick or infantile jokes, or make it too ‘Singaporean’, and obscuring its appeal to foreigners. What I hope this film would achieve is Singapore’s first decent (better yet, great) animated flick, that would be poignant, profound, and maintains its distinct Southeast Asian ‘flavour’ while telling a universal tale that can be understood by all.
The trailer showcases some beautiful backgrounds, but the character modeling looks a little ‘primitive’. Again, I hope that the story carries enough dramatic weight (I like the inclusion of Malayan elements like the mousedeer and shadow puppets or ‘wayang kulit’) and does not fall into the trap of mediocrity or oversimplification, so that the audience is able to overlook the technological or budget inadequacies and appreciate the story. I apparently heard the book is good, so I’m really praying the film does this justice.
Sorry about the long description and rant, but I’m considering Singapore as one of the places to work at once I graduate, and this is one of their chances to truly shine, so I hope they do it and do it well.
Here’s the official website (the background coincidentally looks like the Princess and the Frog), and a recent news article on its impending release this Thursday. What do you guys feel? Do you think Singapore has what it takes?