You guys have brought up a lot of valid points, and I’d just like to add my two cents to it:
steps up to soapbox
For me, the best Disney age was in the 90s (probably because I grew up in those years, so I have a slight bias). It was in this decade that most of the films that Disney churned out were both instant classics and popular blockbusters. Most of what people would remember Disney for its characters and stories would come from this age too, like Little Mermaid, Beauty and the Beast, Aladdin, Lion King, Hunchback of Notre Dame, Pocahantas, Mulan, Hercules, Tarzan…
That’s not to say that there weren’t classics before this decade (such as Snow White, Pinnochio, Dumbo, Fox and the Hound, Black Cauldron, yadadyadayda), but the films really gained international prominence and popularity around this age. People actually began to think that animated films were not just “cartoons for kids”, but films to take the entire family to, and marketing campaigns hyped up this films to become movie events unlike anything seen in earlier decades.
Then as we entered the new millenium, interest started to wane, partly because the storytellers rested on their laurels and resorted to cheap sequels or pop-culture savvy plots (and partly because of the Roy-Eisner debacle). Dinosaur and Emperor’s New Groove were passable family entertainment, but because under new management, genre-pushing films such as Atlantis, Treasure Planet and Brother Bear (all excellent films that represent the best of both traditional and modern animation by the way) were not publicised (in my opinion) heavily enough, so box-office success started to wane. With the exception of Lilo & Stitch, 2-D animation was seen as unprofitable, and when Home on the Range (which I haven’t seen) proved the last straw, they switched to 3-D, hoping they were jumping on the CG bandwagon. When that didn’t prove successful either (wonder why? ), as shown by Chicken Little and The Wild, Disney began leaning on Pixar as a crutch, and started to churn out the DTVs and teenybopper movies (like HSM, Montana and Camp Rock) you are now seeing lately.
Which brings us full circle to the beginning. Disney needs a serious reboot, and I’m glad efforts like MtR and Bolt are starting to pay off. I’m really, really anxious for Princess and the Frog to give the spectacular comeback that we’ve all been waiting for, and I hope that is is the prelude to another golden era of enduring classics that will stand the test of time, not another high-school movie starring Dwayne Johnson or Cuba Gooding Jr.
Please make epic films again, Disney. You have a generation of people who grew up loving your films and hate seeing it go down the drain. We await your return.