Thanks, everyone, for your responses 
Just wanted to make a general comment on seeing things in art (including films, such as “Monster’s Inc.” ) -
Sometimes, when I show people my own artwork, they see exactly what I intended. Other times, they see symbolism for all kinds of things that I didn’t intend at all. Once, I showed someone a picture I had drawn of a cute, innocent little baby dragon and they asked me, “is that supposed to be the devil?”
Another time, I turned in a poem in English class, and the professor said to me, with authority, “you’re trying to imitate e.e. cummings, aren’t you?” He was pretty much positive about it.
At that point in time, I had never even heard of the poet e. e. cummings, much less read his poetry, much less tried to imitate him. Any similarity to his style that my professor saw in there was a genuine coincidence.
Of course, this works both ways, and sometimes someone might see no symbolism in something where symbolism was actually intended.
I think the fact that people can see artwork in many different ways actually one of the beautiful things about it
.
Back to the Top Scarer topic -
I must admit, the numbers are suspicious, but I won’t consider that proof until I know what the points system is. (I don’t remember it being discussed in the movie.)
I think that they have Sulley as Employee of the Month every month and have him hold his Top Scarer title in the Scare Floor scene in order to show how well things are going for him, how successful he is - so that all of that can be threatened by the appearance of Boo, and so he can eventually come to see that success as meaningless compared to protecting Boo (“None of that matters now.”)
Also, I see a lot about how Waternoose has always treated Randall poorly, and I’m wondering how we know that. By the time we see them together (or the earlier scene where I’ve read that we can hear them talking to each other), Waternoose could be blaming Randall (perhaps unfairly) for losing track of Boo in the first place, or for later abducting Mike instead of Boo, and that’s why he’s so angry at Randall in that scene. It’s possible he treated Randall just swell before that.
Another possibility is that Waternoose disdains the Scream Extractor - his primary motivation seems to be upholding tradition, so while the SE is necessary to keep the “family business” afloat, he probably prefers the long-standing tradition of Scaring, and he may also disdain anyone involved with the SE, (despite that he himself is involved). So, again, it’s possible that before Randall’s involvement with the SE, he treated him the same as any other employee.
Lizardgirl -
That’s a very interesting theory, with good attention to character motivation
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I still interpret that scene as flattery of Waternoose. I don’t see any kind of secret between them there.
Pitbulllady -
On the theory of “normal” monsters - were there any two monsters who truly looked alike in this film (except maybe some of the CDA)?
Wasn’t that giant Godzilla-like monster who Mike and Sulley say good morning to on their way to work a reptile? (I don’t remember whether or not he was visibly scaly.)
If being furry is so revered, why isn’t George Sanderson higher than Randall on the Scarer scale? (See Option #4
)
If Randall is so openly and obviously prejudiced against by most workers at Monster’s Inc., then why does everyone gather around to congratulate him when Celia announces that he broke the All-Time Scaring Record?
BTW, are there any other crustaceans like Waternoose in the film? (I don’t remember seeing any.)
I didn’t see that ad, but again, your comment about bulking up comes back to “size-ism,” something which the diminutive Mike has probably come up against, but for which he seems to garner no sympathy from the people who sympathize with Randall - the guy who made the size-ist comment about Mike.
I forgot about that line, but it never occurred to me that “lizard boy” was a racist comment, and I really, really, really don’t think the filmmakers intended for it to be. I think it was actually intended to be innocuous, because it probably didn’t occur to them that anyone would interpret “lizard” as a race (of course, this is all my speculation).
Let me say that personally, I like lizards (there are several small wild lizards living in our backyard, who seem to like to hang out on top of a small ceramic crocodile we have out there). I would be just as accepting of a reptilian hero as I would a furry hero. The fact that some people can’t stomach the idea of a rat hero in “Ratatouille” actually surprises me, though of course, they’re entitled to their opinion.
I do find Randall’s slinking movements and shifty eyes creepy - delightfully creepy
.
I don’t know whether general audiences would find a fuzzy, cuddly Randall more sympathetic than a scaly one, but I’m sure that his yelling and grumpiness also play a role in their finding him less than sympathetic.
Nexas -
The point of mentioning that the title switches is that the topic of this poll is whether or not Sulley was boosted into the position of Top Scarer, not who was the “best” scarer overall, as you seemed to be trying to prove by mentioning how long you claim Randall had been on the job.
We seem to have a bit of a communication gap
. The point was not that “heroes” always win, but that, when they do win, it’s typically at the last possible moment, to prolong the suspense - thus, the slumber party happening at the last possible moment.
This is really veering off into another topic, but I’ve already typed this
:
How exactly does Sulley sentence Randall to death? Are you telling me that Randall, with all of his abilities, can’t escape from two measly humans with a shovel? That he can’t be at least as bright as Sulley in finding another doorway back to the monster world?
Did Sulley show a little vengefulness towards the guy who just tried to kill him twice and who repeatedly took a child for whom Sulley had basically parental feelings? Yeah. Nobody said Sulley was a saint, and while revenge generally comes to no good in real life, it can be enjoyable to watch in a film. Was it vigilantism? Yes, in real life, it would have been. I suppose Sulley could have placed Randall under citizen’s arrest and called the CDA, and come off better “morally.” But, cinematically, I think that would have been less interesting, less funny, and a less fitting exit for a character as great as I think Randall is. Not to mention that Randall is resourceful and determined enough that unless they really got him out of their world, he would probably have slipped free and continued trying to recapture Boo before they were able to get her home (as you agreed in the other poll, IF Randall was trying to take her there too, they certainly didn’t know it).
Now, let me explain why I think that scene is funny - it’s unexpected. People are supposed to go “Ahhhhh! It’s a monster! Run for your lives!” When, instead, they go, oh so casually, “Mama - 'nother gator got in the house,” that’s funny. However, I understand how it wouldn’t be funny to someone viewing the scene from your point of view.
I’m just curious - would you have preferred if the film ended with Sulley and Mike in jail for false banishment and Randall in jail for attempted murder and illegal scientific experiments?
I do have to say, though, that I appreciate that you said “Everyone deserved something to amend for,” and not just Sulley
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On Scaring being better for children than Laughing - I feel that you’re arguing with the filmmakers on this one, not me. I thought the end of the film was intended to be a “happy ending.” I know laughter is good for people, but I don’t really know which would be “healthier” for the children in the movie in the long run. Perhaps seeing that something that’s supposed to be scary - a monster - is actually funny might help them overcome their fears in a different way, or might make them more understanding of things that are generally presented as scary (like reptiles).
Several people in my life have claimed that my upbringing was too “soft”, and I was once told by a co-worker, “I feel sorry for you, Brent, 'cause you didn’t have no brothers to beat you up. My brothers beat me up when I was a kid and it made me tough.” A few weeks later, I found out he was fired for telling off a supervisor.
If I had a kid, and that kid asked me if a monster was going to come out of their closet, I wouldn’t try to scare them in the hopes that it would make them stronger.
[JOKE]
And now, let’s take a moment to ponder Option # 4…
Don’t you think it’s a bit of a coincidence that the sock appears on George Sanderson’s back immediately after he says that he’s on a roll? What is the significance of that line? Could the sock have been planted there by somebody who wanted to bring that roll to a halt? Also, we don’t see the sock until he turns - after he’s already out of the door - so how do we know that it actually came from the kid’s room? Randall, with his invisibility ability and his knowledge that human items aren’t really toxic could have easily planted on the sock on Sanderson’s back as Sanderson came through the door.
I’m just sayin’…
[/JOKE]