This is Pixar Animation Studios’ sequel to the 2006 film. Racecar Lightning McQueen (Owen Wilson) is invited to participate in the first-ever World Grand Prix, and his tow truck buddy, Mater (Larry the Cable Guy) is along for the ride. But British Intelligence agents Finn McMissle (Michael Caine) and Holley Shiftwell (Emily Mortimer) mistake Mater for a fellow spy and enlist his help to save the world. Directed by John Lasseter (Toy Story, Toy Story 2, the original Cars) and Brad Lewis. Showing in 2D and 3D formats (we saw the film in 2D).
Brent: It’s like Pixar has its own rating scale, on which this movie is pretty low. But on the general movie scale, that’s still pretty high! Conceptually, Cars 2 lacks ambition. Remember, this is the studio that usually says, “Let’s do a movie about a rat who wants to be a gourmet chef in a Parisian restaurant!” “Let’s do a movie about an old man who attaches helium balloons to his house and flies it to South America!” “Let’s do a movie about a robot whose head is nothing but binoculars, and yet he’s so expressive, he steals the viewer’s heart!” And here we have, “Let’s do a movie about a dumb guy who gets mistaken for a spy!” The plot of the first movie was pretty down to Earth (other than, you know, the fact that they were all cars). This sounds more like something that would happen in one of Lightning’s dream sequences, or in one of the Mater’s Tall Tales cartoon shorts. The whole movie can basically be summed up in the following exchange: Finn: “Finn McMissile, British Intelligence.” Mater: “Tow Mater, average intelligence.”
Roberta: Mater’s naivety was so cute, as he got caught up in the situation of being the hero.
Brent: But Mater was designed as a supporting character; he lacks the horsepower to really handle this leading role. Meanwhile, Wilson’s McQueen has been downgraded to second banana status. A couple days before seeing Cars 2, we saw Woody Allen’s Midnight in Paris, which also starred Owen Wilson as an American abroad. In that film, he gets into an old car that takes him back to 1920s Paris, to meet the likes of Hemingway, Fitzgerald, and Picasso. Now there’s a concept!
Roberta: I think most adults would probably prefer Midnight in Paris, but those who are still a kid at heart will enjoy Cars 2. It was fun hearing the reactions of the little kids in the theater: “Oh boy!”
Brent: Even I, the animation geek, preferred Midnight in Paris. (But just to illustrate the magic of animation: I wouldn’t watch a live-action movie starring Larry the Cable Guy if someone held an electromagnetic death ray to my head). The early scenes with Mater use a tired old sitcom formula: annoying behavior, annoying behavior, annoying behavior, reprimand, play for sympathy. But things pick up once the spies come back into the picture. Finn McMissile: It’s as if James Bond’s car came to life and took over one of his movies! And he has the voice of Michael Caine, who’s usually the best part of whatever movie he’s in. Some of his lines are funny just because of the way he says them. I actually laughed more at this than at DreamWorks’ Kung Fu Panda 2, and I was more emotionally moved by Panda. (How did I wind up in Backwards World?)
Roberta: Pixar’s animation was brilliant, as always. I appreciate the creativity that goes into the whole thing. The scenery was amazing! And it’s incredible how they could animate cars that have so much personality. The pretty girl car in this (Holley) had more personality than the pretty girl in Green Lantern.
Brent: One common criticism of these films is that the cars are just giant faces and their lack of limbs limits their body language. But the way they drive conveys character, too. Look at how smoothly McQueen maneuvers around that track!
Roberta: I liked John Turturro as the voice of McQueen’s Italian rival, Francesco Bernoulli. Being an F1 racer, he didn’t have fenders, and it’s supposed to be “hot.” Even Lightning’s girlfriend Sally was into him.
Brent: I think the filmmakers put in that sequence in Italy just so they could get a $10 rating out of my very New York Italian mother. The most Pixarian element of the movie: The villains are resentful “lemon” cars, including Gremlins, Pacers, and Hugos. It’s a clever idea—although, for a bunch of cars that “never run right,” they sure seem to hold their own against the good guys! Note: There is spy movie violence, including shooting and explosions, though none of it is terribly graphic.
Roberta: I still think the Toy Story films are so much more touching and emotional, even in the little cartoon short that showed before the movie (Toy Story Hawaiian Vacation). It’s very clever and endearing how the toys try to help Ken and Barbie have a dream vacation in Bonnie’s Room. But I think animation fans of all ages will also like Cars 2.
Brent: It’s OK if Pixar makes one movie that’s not an instant classic. My worry is this: While Lasseter was off fixing Walt Disney Animation Studios (which make the non-Pixar animated films, like Tangled*) and the theme park division, what if Disney snuck in and infected Pixar with its corporate cooties?! But I’ll wait until I see the next original Pixar film, Brave (summer 2012), before I declare a full-scale crisis.
Roberta: Will there be a Cars 3?
Brent: If the merchandise keeps selling.
Roberta: Well, I’ll go see it! And I could use some more of the merchandise, too.
Brent: I must confess, I already bought a Finn McMissile Pez dispenser.