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January, 2018
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Guest post: Coco Across Borders

Coco, guest post, in depth

Posted by Simoa • January 30, 2018

Today we’re featuring a guest post by one of Upcoming Pixar’s faithful readers, Karla! She discusses her meaningful connection to Coco. 

When I was fifteen, in 2012, Pixar announced that they would be making a movie about Día de los Muertos, also known as Day of the Dead. Although I had virtually no information about the production at the time, it felt like my two worlds were colliding as a Mexican and as a long-time Pixar fan. At the 2015 D23 Expo, Coco was officially introduced to the public and as evidenced by my Twitter archive, I went absolutely nuts. After seeing the first public image of Miguel, a boy I felt like I had already met before, I knew it was going to be a very special movie. In that moment, my love for Coco grew exponentially. Although many of my peers were skeptical about the movie being riddled with stereotypes (and rightly so!), I had faith in Pixar.

When I saw Coco for the first time in November, it felt surreal. I had been counting down the days for years and the date had finally materialized itself in front of me. As soon as I heard the beginning notes of the classic “When You Wish Upon a Star” in mariachi-style, I was hooked. From the start, using papel picado (tissue paper with cut-out shapes) as a medium, the story of Miguel’s ancestry was revealed. In his narration, two things Miguel said jumped out at me: “And the mamá? She didn’t have time to cry over that walkaway musician!” and “She found a way to provide for her daughter.” These statements strongly reminded me of the sacrifices mothers make in order to secure a livelihood for their children. Mama Imelda’s resilience and courage are traits that I see in my own mother. Considering I grew up in a big family, much like Miguel, I consider Coco an ode to my parents who taught me that family always comes first.

‘Remember Me’ (Lullaby) is an important song that resonated with the hearts of many immigrants across the world including mine. When people leave their country for a new beginning, a better life, they do so without knowing when they will see their families again. The pain of not being able to be close to your loved ones while they are still alive is resounding. ‘Remember Me’, for that reason alone, brings me to tears every time. It is a testament to the concept that neither love nor resilience can be bound by borders, no matter how many walls are built.

As a DACA recipient, I do not have the privilege of leaving the country and traveling to Mexico to explore my heritage. However, while watching Coco, I was able to immerse myself in a place that I have only been able to experience through stories and pictures. My favorite scene in the movie is when Hector was finally able to cross the bridge made up of brightly-colored cempasuchil from the Land of the Dead to the Land of the Living and visit his family. Hector expressed joy, excitement and relief all at once and although this moment may seem insignificant to some people, it meant the world to me.   

It brings me joy knowing that so many people loved Coco, whether they were of Mexican descent or not. In a rare occurrence, my family felt accurately represented by mainstream media in the United States and I hope this marks a change within the entertainment sector. I also respect Pixar for making Coco available in Spanish in theatres throughout the country. It allowed many people in my community to enjoy this film without relying on the translations of those around them. After watching Coco in my native language, I was able to connect to it in an entirely different level.

I want to take a moment and thank the Coco team for creating a movie that has impacted my life greatly in a short amount of time. It was amazing to see the amount of people who contributed their stories as well as talents to the film. When I was younger, after watching a Pixar movie or flipping through an “The Art of…” book, I would get so excited when I saw a name that sounded like mine in the credits. It still excites me to this day. Thank you and I can’t wait to own Coco on DVD!


(Fun fact: Miguel’s village is named “Santa Cecilia” which refers to the patroness of musicians in Catholicism. Coco premiered on November 22nd, the day the Catholic church acknowledges as Saint Cecilia’s “feast day” or a day of celebration in her memory. Although the date of the movie was entirely coincidental, confirmed by Lee Unkrich, the connection was significant to me because I am a musician named Cecilia and I was confirmed in the Catholic religion under the same saint. Love it!)   

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1/23/18: Pixar’s Oscar Nominations

Academy Awards, Coco, Lou, Oscars

Posted by Simoa • January 23, 2018

Oscar nominations were broadcast today, and Pixar secured three nominations in total.

“Lou,” the Dave Mullins directed short that played before Cars 3 (mysteriously overlooked) this summer, was nominated for best animated short film. The full list of nominees is below.

Once again, Coco has been nominated for both Best Animated Feature and Best Original Song, “Remember Me,” written by Disney’s latest and greatest songwriting duo, Bobby Lopez and Kristen Anderson-Lopez! For some reason, Adrian Molina was not listed as a nominee.

[Update]: This Remezcla article explains why Adrian Molina was excluded as a nominee. The Oscar rules for who receives a nomination are below:

“The designated recipient(s) must be the key creative individual(s) most clearly responsible for the overall achievement. A maximum of two persons may be designated as nominees, one of whom must be the credited director and the other of whom must have a producer credit.”

It’s really unfortunate that Adrian Molina is not being acknowledged as a key creative individual for the film. Nevertheless, his contributions to the film simply can’t be overstated, and he deserves just as much recognition and praise as Lee Unkrich.

Congratulations to Dave Mullins, Lee Unkrich, Adrian Molina, Darla K. Anderson, Bobby Lopez, and Kristen Anderson-Lopez!

See you on Oscar night! The 90th awards will be presented on March 4th, 2018.

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An Incredible Cast Announcement!

Brad Bird, Cast, Incredibles 2

Posted by Simoa • January 22, 2018

THE WAIT IS OVER. Almost. We still have a couple more months to wait for the release of Incredibles 2, but the cast for Brad Bird’s hotly anticipated super sequel is here! While the familiar voices from the first film are returning, there are a couple of new additions. And rather than just announce the cast in a press release, Pixar has taken it one step further. The Google Arts app, which matches up user selfies with works of art, has been really popular over the past couple weeks. Incredibles 2 has utilized it with amazing results. It almost recalls Syndrome’s data base from the first film. Check out the cast list and accompanying art work below!

Helen Parr, (voice of Holly Hunter) known in the Superworld as Elastigirl, hung up her Supersuit to raise the family with husband Bob, leaving their crime-fighting days behind them. But when she’s tapped to lead a campaign to bring the Supers back into the spotlight, she finds she can still bend, stretch and twist herself into any shape needed to solve the trickiest of mysteries. In short, she’s still got it. That’s good news, too, because a new villain is emerging—unlike any they’ve ever seen before.

BOB PARR (voice of Craig T. Nelson) cherishes his days as Mr. Incredible—a popular Super with mega-strength and the power to singlehandedly take out the bad guys. Ever since Supers were outlawed, Bob’s been mostly lying low, raising the family alongside his wife Helen. But when she’s called on to stretch her Super skills and hopefully change the public perception of Supers for the better, Bob must manage the household on his own, which calls for a completely different set of super powers.
VIOLET PARR (voice of Sarah Vowell), the firstborn of the Parr clan, is an introverted and intelligent 14-year-old teen that doesn’t quite fit in with the normal crowd. Socially awkward, outspoken and sarcastic, Violet plays her teenager role to perfection—all while secretly mastering her superpowers of invisibility and creating force fields. A Super at heart, Violet can’t help her urge to fight crime alongside her family.
DASHIELL PARR (voice of Huckleberry “Huck” Milner) is a 10-year-old boy—restless, relentless, curious—though his remarkable power of Super speed certainly sets him apart. Dash sports a hearty sense of adventure and a boundless supply of energy. He’d love nothing more than to show off his special skills and fight a few bad guys along the way—and doesn’t understand why he has to keep his powers a secret.
JACK-JACK PARR, the baby of the family, likes to sit back with a bottle and a good story. Well-versed in gibberish with a penchant for throwing food, Jack-Jack may seem like a typical toddler, but he just might turn out to be the most powerful Parr in the household—if only his family had a clue of what this kid can really do.  
LUCIUS BEST (voice of Samuel L. Jackson) is not only Bob’s best friend, he’s a fellow-former Super who’s so chill, he can make ice with the point of a finger. But even when he’s not fighting crime as Frozone, Lucius is all about style. He has a quick wit and a cool, can-do attitude—and he wouldn’t think twice about breaking out his Supersuit if it could help bring Supers out of hiding. 
EDNA “E” MODE (voice of Brad Bird) possesses impeccable design sense, a keen understanding of cutting-edge technology and an unmatched skillset. A creative visionary, she longs for the return of Supers so she can once again create functional yet edgy Supersuits. The petite and powerful fashionista treats her clients like family, dahling, but sticks firmly to her long-held assertion: No capes!
WINSTON DEAVOR (voice of Bob Odenkirk) leads a world-class telecommunications company alongside his genius sister, Evelyn. Ultra-wealthy, savvy and suave, Winston goes big in everything he does—including his infatuation with Supers. He has been a supporter of Supers returning—all he needs is a hero (or three) to help him change public perception and bring them back into the sunlight.
EVELYN DEAVOR (voice of Catherine Keener), the brilliant brainchild behind her brother Winston’s telecommunications company, knows her way around tech. She loves tinkering with tech, and has never met a problem she can’t solve.
RICK DICKER (voice of Jonathan Banks) heads up the official Super Relocation Program, helping the Parr family keep their Super identities secret—that’s no easy feat with this family. But Rick takes his job very seriously—at least until his division is shuttered, leaving the Parrs all on their own.
VOYD (voice of Sophia Bush) is a young, overeager “wannabe” Super and a mega-fan of Elastigirl. Her superpower is the ability to divert and manipulate objects around her by creating voids that allow the objects to appear and disappear, and shift in space.
The Supers find an advocate in a dignified foreign AMBASSADOR (voice of Isabella Rossellini) who is committed to the support and legalization of Superheroes.
It’s a lot to take in, but thankfully this is only the beginning! Helen aka Elastigirl is the main character in this film, and based on what we’ve learned, this was a very thoughtful decision. Personally speaking, my hopes for this film have skyrocketed. I think it’s amazing that Bob will be the one in charge of the household, taking over Helen’s role, and that the filmmakers are treating that kind of work with the respect it deserves. Each of the new characters, particularly the female ones, are super interesting! I’m wondering if VOYD will be to Elastigirl what Buddy/Syndrome was to Mr. Incredible.
Incredibles 2 will be flying into theaters on June 15, 2018!

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Coco and the Importance of Death

Adrian Molina, Coco, in depth, Lee Unkrich, Opinion Piece

Posted by Nia • January 22, 2018

Pixar isn’t afraid to tackle death and loss in their films; it’s a prevalent theme in almost every story and even an obstacle that so many of their beloved characters need to tackle to move on and grow. Death is featured at the start of Finding Nemo, when Marlin discovers his wife and children have been brutally eaten by a barracuda. And it’s obviously there in Up, as we follow Carl and Ellie through their beautiful relationship when they meet as children, get married, and until the very end with Ellie dying due to old age. There’s even the loss of growing up and leaving your childhood behind in Toy Story 3 when Andy packs up his stuff for college and ends up leaving his beloved toys with Bonnie. Although Finding Nemo and Up have those themes featured at the beginning of the films, the entire story does not spend it’s time focusing on how that loss has affected the characters, what happens when those characters die, or how they’re supposed to deal with that empty gap in their lives. It’s simply a tool to move the characters from one spot to the other to fulfill the other story the studio wanted to tell at that time.

But with Coco, Pixar’s latest film, death takes the helm and leaves room to open up conversation about that often-taboo topic. The film would simply not exist if it weren’t for death and the Mexican holiday Day of the Dead.

Coco is an important film for not only acknowledging the Mexican culture faithfully by embracing their traditions to a tee, but by also being a place where families can come together to discuss something that is a part of everyone’s lives, no matter their age, race, or religion; and most importantly, a place where they can fondly look back and remember all the cherished memories of loved ones no longer with them.

When I was 9-years-old my grandmother passed away from Leukemia – that was the first time I had heard the word death, the first time I had seen the mourning and the blackness. I saw the tears before but I never put two and two together. Now there was a face to death, a person that I once knew who was no longer on this earth.

I understood that my grandmother was gone but not the severity of it all. One day after she passed, I had caught my mother sitting alone, watching old VHS tapes of my grandmother. She was sitting quietly in front of the TV crying. The VHS tapes were showcasing happier times of my grandmother laughing and dancing, full of health and beauty. At that age I thought nothing of it but continued to my room, where I most likely started playing with my toys or finished my homework.

There was never really a time for my parents to talk about death with me because my grandmother’s passing happened so suddenly. I was thrown into the topic and because of that, I feared the death of my friends and my family. I didn’t want anyone to die and I didn’t really understand where they went – even though in church, especially with my Greek Orthodox upbringing, I was told everlasting life existed in places like heaven.

I was lucky to have another set of grandparents who I spent my childhood with. My other grandmother didn’t pass away until 2016, and I’m still left with one surviving grandfather who is in his early nineties. Though because of my initial brush with death at 9, I feared for the day when my other grandparents would pass away. I would leave them silly letters around the house when I visited in the summer telling them that I would never forget them and I would always remember them. I didn’t want them to go anywhere, and I wanted to stay in that moment surrounded by them, forever.

I saw Coco with my family and like so many others, it brought me back to all the wonderful memories I had with all of my grandparents. Just like when Miguel’s family came together in the end to celebrate the life of their ancestors, even the ones they didn’t know in their lifetime, I came together with my own family to discuss friends and family from days gone by. After the film we talked about all the good times we had together and laughed away our tears. We most certainly remembered them and most importantly, we remembered all the great things about their lives and how they helped us become the people we are today.

It’s important for animated films like Coco to feature death so prominently in the story. Animated films are mostly targeted towards younger audiences, which makes it even more special for children to experience themes like death with their families earlier on and to figure out what it means to them in their own time. It opens up opportunities for children to ask questions about what happens when loved ones die and for parents not to shield their children from something that happens to all things in time. It’s also vital to speak to children about death and to embrace all the ugly emotions that come with it. With the fear and sadness comes the happiness and love when one is faced with the warm memories of those who have passed. It’s OK to cry, to get emotional, and to discuss this sensitive topic; luckily we have films like Coco to help open up that opportunity for all.

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Toy Story 4 has found its writer!

Stephany Folsom, Toy Story 4

Posted by Simoa • January 19, 2018

It was unclear after Rashida Jones’ departure from Toy Story 4 who her replacement would be. But the film’s new writer has been revealed. Stephany Folsom will be penning the script. She previously worked on Thor: Ragnarok, but did not receive writing credit for the film. Trade publications also report that Folsom’s script, 1969: A Space Odyssey Or: How Kubrick Learned To Stop Worrying And Land On The Moon, in which Stanley Kubrick partners with NASA to fake the moon landing, appeared on the Black List. The list includes screenplays for non realized films, though many have been adapted for the screen.

Details on the upcoming installment of Toy Story remain scarce, barring what we have already learned. As Pixar first revealed a few years ago, Bo Peep will be returning, but that’s all we know.

Judging from Folsom’s Black List screenplay, she’ll definitely bring something wholly unique to Toy Story 4, which is due in theaters on June 21, 2019.

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Coco came into my life at just the right time

Coco, in depth, Opinion Piece, Pixar

Posted by Joanna • January 17, 2018

(Coco spoilers ahead).

Has a Pixar movie ever been released at just the right time for you?

I finally saw Coco last Saturday – I saw it on my own in a quiet cinema, quiet enough for me to be the last person in the theatre by the time the credits were coming to an end. The final scenes of Coco resonated with me so much that I didn’t stop crying until the Pixar logo appeared again to signal the end of the movie. Usually I wouldn’t class ‘crying alone in public’ as a positive experience, but this was. It was cathartic; I could feel Joy and Sadness holding hands in my head. I think I found Coco so particularly poignant and affecting because I can relate to its themes so strongly – it feels like the movie came out at just the right time for me and has helped me confront my emotions.

This isn’t the first time I’ve felt that a Pixar movie has come into my life at just the right moment. I remember seeing Toy Story 3 with my close group of school friends when we were just entering our final year of school and starting to apply for universities. Monsters University reminded me amidst all my exams and assignments that succeeding academically isn’t all that life is. After graduating, I felt small and scared and powerless, but The Good Dinosaur encouraged me to accept my fears and face them with my head held high. I saw Cars 3 on its release date just a few hours after passing my driving test.

In Coco’s finale, Miguel sang to his great-grandmother Coco and managed to reach her. Fittingly, by hearing ‘Remember Me’, Coco’s memories of her father came flooding back, and her and Miguel were blessed with a moment of real connection and understanding. As someone who is currently losing her own grandmother to Alzheimer’s and dementia, this hit me hard. My granny can be sat in a room overflowing with her family, but look dreadfully alone and unsure. Most conversations with her are her retellings of old family stories which are slowly becoming jumbled and confused. If you ask her how her week was, you can see the frustration on her face as she fails to grasp onto slippery memories that never seem to be in the right place.

Miguel singing Mama Coco ‘Remember Me

But if you give my granny a book of poems, she reads them beautifully – she speaks with the confidence and character that I remember her having when I was younger. She doesn’t stumble over her words; she doesn’t have to struggle to remember anything. She just reads them, because they’re familiar to her. And suddenly I’m reminded of days I spent with her learning how to bake, spending summers, birthdays and Christmases with her, and listening to her (always expertly told) stories about our family going back generations. Miguel singing his great-grandmother Coco ‘Remember Me’ had the same effect as me handing my granny a book of poems. When Miguel succeeded in connecting with Coco, I felt that same wave of joy and relief as if I had just connected with my own grandmother and helped her break free temporarily from the haze and confusion of dementia. Coco came into my life at just the right time because it has encouraged me to try to have more of these meaningful moments with my granny while I still have the chance. And it’s reminded me that while my granny is slowly becoming lost, she’ll live on through our own memories and stories.

Sketch of Miguel and Mama Coco by co-director Adrian Molina

So is it just luck? Was I just lucky to have these movies to encourage me at the times I most needed them? I don’t think so. I think Pixar have a talent for creating movies that are naturally relatable and naturally strike a chord with people from all stages of life. It’s incredible that Pixar movies can feel so personal even though they’re made by thousands of people, for thousands of people. But by keeping the heartfelt messages at the very cores of their movies, they manage it.

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The Matriarchs of Coco and Why They Matter

Coco, in depth, Pixar Heroines

Posted by Simoa • January 16, 2018

There are slight spoilers below.

One of the things I love best about Coco is the strong female presence in the film. Although it’s a buddy movie with two male characters, women are vital in this particular story. They don’t only exist as peripheral characters either. Miguel’s journey to the Land of the Dead, where he learns the truth of his family history, involves three women of his family in very distinct ways.

Mama Imelda 

Mamá Imelda concept art by Daniela Strijleva.

She is the first character we meet, besides Miguel. He narrates the story. Mama Imelda was Miguel’s great-great grandmother. She banned music in the Rivera household, which has been in effect for generations. Miguel is the first in the Rivera line since his great-great grandfather to love and play music (in secret of course). As the young boy explains, his great-great grandfather walked out on his wife and daughter to pursue a music career. Rightfully livid, Mama Imelda banned music forever. Because of her husband’s betrayal, the Rivera descendants believe music is a curse.

We also learn from Miguel that Mama Imelda didn’t feel sorry for herself. She got to work instead. With a young daughter to support on her own, she learned to make shoes. It’s a skill she passed down to her daughter Coco, and when Coco married, her husband joined the family business too. In present day Mexico, the Riveras have continued the shoemaking tradition and operate Mama Imelda’s shop. Miguel is just expected to become a shoemaker, though he harbors musical aspirations.

It’s natural that Miguel doesn’t care about making shoes, but he takes the family business and his great-great grandmother for granted. Note that Imelda didn’t just find work; she actually started her own business. She also never remarried. In just a few minutes, her strength, resiliency, and independence are firmly established. I have to believe the filmmakers were deliberate with these insights into her character.

When Miguel comes face to face with Mama Imelda in the Land of the Dead, she’s severe and not to be trifled with. The audience is aware of this too immediately because she is berating a terrified office worker and wallops the woman’s computer with her shoe. It’s also fitting that Mama Imelda’s alibrije, Pepita, is a ferocious and stunning creature. Pepita is another version of Imelda; grand in size with massive wings and penetrating eyes. But Pepita has a tender and loving side like her human counterpart.

Pepita concept art by Huy Nguyen.

Later on, Miguel learns that Mama Imelda was a great music lover. She reveals a beautiful singing voice. She tells Miguel that she and her husband would sing while he played his guitar, and the memories light up her face with a fond smile. But the smile disappears. She and her husband had different priorities. Everything changed for her when Coco was born. “I wanted to put down roots. He wanted to play for the world.”

The severity of Mama Imelda melts away – all her pain and heartache and vulnerability are laid bare. None of that diminishes her incredible strength however. Something else I find striking about this exchange is that Mama Imelda is telling her story in her own words. Before, we had to rely on Miguel’s voice; now, Mama Imelda speaks with her own.

Mamá Imelda concept art by Daniela Strijleva.

Abuelita 

Now we return to the Land of the Living. Abuelita is Miguel’s grandmother and the head of the Rivera family. Abuelita’s house, Abuelita’s rules. As Alanna Ubach, who gave her voice to Mama Imelda says in this interview, in Latin households, the matriarchs are “the women that really bring the magical fairy dust to the entire family.” The most important rule in Abuelita’s house is absolutely no music ever. She honors Mama Imelda’s ban but takes it to another level. People singing outside the house are chased away. A bottle is snatched out of Miguel’s hands when he creates a simple rhythm by blowing into it. “NO MUSIC!”

Though she’s tough, domineering, and wants to protect her family from the music curse, Abuelita is defined by her great love. You only have to see how gentle she is with Mama Coco and the way she piles food onto Miguel’s plate.

There’s a moment in Coco that I find significant, and that is when Abuelita, frustrated by Miguel’s lack of interest in family traditions, looks to Mama Imelda’s photograph atop the ofrenda and asks, “What are we going to do with that boy?” It’s rhetorical, but she receives a solution anyway. I love this moment because Abuelita turns to the one person in the family tougher than she is, even though she isn’t there physically. But it highlights how important Mama Imelda still is to the family, and how the matriarchs are united in looking out for the Riveras.

Mama Coco

Miguel has a deep love and respect for his great grandmother. He treats her like a friend. Mama Coco has trouble remembering names and will sometimes call Miguel by the wrong one, but he says that it’s good to talk to her anyway. He tells her any and everything. Mama Coco is very old and frail, confined to a wheelchair, but Miguel welcomes her into his world with open arms. The world of a rambunctious 12 year old boy might seem foreign to an old woman, but the two of them just belong together. This shows what a good hearted kid he is, but it also lets the audience know that Mama Coco is still a cherished member of the family. In this film, a lot of reverence is afforded to the elderly. Also, grandmothers just make every story better.

Of course, Miguel’s close relationship with Mama Coco has even greater purpose. The film is named for her. She was the daughter left behind, and she never forgot her father. More importantly, she never stopped loving him. Mama Imelda wanted to forget him, wanted nothing to do with him in life or in death. But she was never the villain in this piece. Imelda and Abuelita after her were doing their best to protect Coco. In this film, it’s the love of women that covers a man’s mistake.

When Miguel sings “Remember Me” to his Mama Coco, her memory is recovered. It’s a tender moment between the two of them while the awestruck family looks on. Coco tells her story just as Mama Imelda did. The Riveras, stunned and joyful, listen in silence. How precious it is to hear family stories from our elders.

Mama Coco reminds me of the grandmother I never knew, who wore her hair in two long braids in the few photographs I’ve seen of her. Miguel is so lucky to have his Abuelita and Mama Coco, and to have met his Mama Imelda and learn her story firsthand. He set off on a quest to pursue a dream and follow in his great-great grandfather’s footsteps. But what he found was much greater. The history of the Rivera family is a song of women – proud, strong, and inspirational.

For a Latina perspective on the women and feminism of Coco, please read this article.

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Coco – digital and Blu-ray release dates revealed

Blu-Ray, Coco, DVD, Pixar

Posted by Joanna • January 12, 2018

Coco has been making its voice known around the world since its initial release last October – it has since earned an impressive number of accolades, from leading the way in the Annie Awards nominations (with 13 in total), to most recently winning the Golden Globe for Best Animated Feature Film and the Critics’ Choice Awards for Best Animated Feature and Best Original Song (Remember Me).

Soon, we’ll be able to watch this award-winning movie at home. Pixar just revealed the dates for its digital and Blu-ray releases in the US. Coco will be available digitally and on Movies Anywhere on February 13th, two weeks before you can pick up the Blu-ray on February 27th. You can watch the trailer Pixar released alongside this news below:

The Blu-ray and digital releases will include a number of bonus features as usual – we can all look forward  to hearing the filmmaker commentary with directors Lee Unkrich and Adrian Molina and producer Darla K. Anderson. We can learn about the background of Coco through multiple featurettes, and gain an even better insight into Pixar’s film-making process with some deleted scenes introduced by Unkrich and Molina.

We have just over a month to wait until we can have the luxury of being able to watch Coco as many times in a row as we want… You can pre-order right now.

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Coco picks up a BAFTA nomination

Awards, Coco, Pixar

Posted by Joanna • January 9, 2018

Coco is continuing its successful trend this awards season after picking up a British Academy Film Awards nomination for Best Animated Film. Its fellow nominees are Polish-British Loving Vincent, and Swiss-French My Life as a Courgette. It’s nice to see such a diverse selection of movies in this category. The three nominees perfectly demonstrate how varied and exciting the world of animation is, all exhibiting different themes, animation techniques, and nationalities.

The BAFTA awards ceremony will taken place on February 18th – just over a month away. We’ll have our fingers crossed for Pixar, but all the nominees would be very worthy winners. Do you have any predictions for the outcomes of the 2018 BAFTAs? Let us know down in the comments, or on Twitter! (@upcomingpixar)

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Coco wins Best Animated Feature at the Golden Globes!

Adrian Molina, Coco, Darla K. Anderson, Golden Globes, Lee Unkrich

Posted by Simoa • January 8, 2018

Coco won the top prize at last night’s 75th annual Golden Globes. The film scored two nominations: one for “Remember Me” in Best Original Song and Best Animated Feature. While we hoped the film would walk away with both awards last night, we are incredibly happy for its Best Animated win!

 

Watch the clip below of Lee Unkrich accepting the Globe, along with co-director Adrian Molina and producer Darla K. Anderson.

 

Coco has made such a tremendous impact, both in Mexico and around the world. This truly is an honor for everyone involved, particularly the Mexican and Latino artists, consultants, and the actors who lent their voice talent to the film.

You can also watch the backstage video, in which the three answered questions from reporters and discussed the film’s enormous success worldwide. They re-emphasized their commitment to telling a story free of cliches. They also addressed the current John Lasseter situation, explaining their hopes for creating a safer environment with integrity, and making Pixar a better place for people to create art.

As Adrian Molina said, Coco is an encouraging film, for himself and the rest of the crew who worked on it. By creating an environment that prioritizes and includes more diverse voices, Pixar is taking steps to become better, and hopefully this will lead to even more positive change.

Congratulations to Lee, Adrian, Darla, and the entire cast and crew for their Golden Globe win! Be sure to check back here for more awards show coverage.

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