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D23 2017 – a quick rundown of yesterday’s Pixar highlights

D23, Pete Docter, Pixar

Posted by Joanna • July 16, 2017

As if we weren’t already wowed by all the Pixar news released at this year’s D23 Expo’s opening, yesterday’s events delivered even more surprises and exciting bits and pieces. Here’s a quick rundown of the highlights.

  1. The “Creating the Worlds in Pixar’s Universe” panel gave some wonderful insights into how Pixar movies are made

In a presentation by directors of photography Sharon Calahan and Kim White, production designers Ralph Eggleston and Harley Jessup, and producer Katherine Sarafian, examples across Pixar’s entire repertoire of movies helped teach the audience how the studio’s staff built these worlds that we’ve all come to know and love over the years. A focus was put on believability, collaboration, and creativity. Pixar have transported us to worlds both real and fantastical, and it’s the worlds that we have never seen before that present the biggest challenge. Even seemingly simple things like the colour of the sky are thrown into question when you’re building a world from the ground up.

  1. The “Evolution of Pixar Characters” panel delved into the world of character design

Pete Docter was joined by Daniel Arriaga, Tia Kratter, Deanna Marsigliese, Chris Sasaki, and Jay Shuster  to give an inside look into how Pixar’s characters are conceived and designed, and the changes that are made along the way.

  1. New Pixar themed attractions are coming to Walt Disney parks

These new additions include Toy Story Land at Disney World, a Ratatouille themed attraction at Epcot, and the grand opening of the Pixar Pier at Disneyland Resort, along with a limited time Pixar Fest event. Toy Story Land and the Pixar Pier are to open in Summer 2018.

  1. The world of Toy Story is coming to Kingdom Hearts 3

Incredibly confusing plotlines aside, the popular video games series Kingdom Hearts involves Sora, Donald, and Goofy traversing Disney Pixar worlds and saving them from the Heartless. It was revealed yesterday that the Toy Story world will be featured in Kingdom Hearts’ next instalment in 2018! A trailer was released, showing the game’s protagonists meeting Woody, Buzz and the gang for the first time. With its updated graphics, it’s amazing to see how the character models look almost indistinguishable from the ones that we’re used to seeing in the movies – it’ll be interesting to see how Woody and his flailing limbs fare on the battlefield.  The attention to detail is positively heart-warming – Sora’s Toy Story-themed keyblade features a western style cactus, little Buzz-inspired wings, and a cute alien keychain.

 

Footage and photos of some of yesterday’s highlights have also now been made available online – there are photos on Pixar’s instagram, and a video of the performance at the end of the Coco presentation. There are still more Pixar-themed D23 events to come later on today , including a demo of Pixar in a Box, a signing with composer Michael Giacchino, and a drawing demo with Daniel Arriaga.

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Details on The Incredibles 2, Toy Story 4 and more at D23

Coco, D23, Dan Scanlon, Josh Cooley, Lee Unkrich, Suburban Fantasy Film, The Incredibles 2, Toy Story 4

Posted by Simoa • July 14, 2017

The d in D23 should stand for dream, because it’s a dream come true for anyone lucky to attend. While your faithful writers here at Pixar Planet weren’t at the convention center in Anaheim, we do have plenty of news that’s sure to get you pumped for Pixar’s upcoming slate!

Coco

Lee Unkrich’s tribute to Mexico’s most famous holiday will be released on Thanksgiving. Coco “explores the universal themes of family bonds as well as celebrating the past.” A new image of main character Miguel with Hector, his guide in the spirit world, was revealed at D23. Anthony Gonzalez, voice of Miguel and Benjamin Bratt, who voices Miguel’s idol Ernesto de La Cruz, performed a song at the panel’s conclusion. It was penned by the duo behind the music of Frozen, Bobby Lopez and Kristen Anderson-Lopez.

The Incredibles 2

The Parr family returns to the big screen on June 15, 2018. Less than a year away folks! The original cast is back with newcomer Huck Milner voicing Dash. The film picks up just minutes after the events of the first, which means The Underminer gets much more screen time. And in this sequel, Elastigirl has a much more prominent role. This is what we’ve come to expect from Pixar sequels, a focus on new and returning female characters. More details about the film from Coming Soon.net:

“Bob is watching Jack-Jack, but falls asleep on the couch. On the TV, there’s an old black and white movie with cops chasing robbers. Jack-Jack sees a masked bandit on TV and then looks outside to see a raccoon digging through the trash. Thinking that the raccoon looks like the burglar, he confronts it. At first, the raccoon tries to scare the baby off, but Jack-Jack’s powers activate and he chases the critter through the yard Jack-Jack appears to have way more powers than in the short, too! Bob wakes up and finds his son fighting the raccoon and is super excited to learn that his son has powers.”

Check out this video celebrating fashion’s most intrepid designer, Edna Mode!

Toy Story 4

John Lasseter announced that the fourth installment will be directed by Josh Cooley. Cooley shared a director credit with Lasseter, but now the film is being solely directed by him. We’re excited for his debut!

And that’s not all. A new film with was also announced today. Fans should be delighted to learn that Dan Scanlon will be helming this feature, his first since 2013’s Monsters University. “The Untitled Pixar Film That Takes You To A Suburban Fantasy World” blends magic with ordinary life. It’s a world inhabited entirely by fantasy beings, but no human ones. One of the clips featured unicorns scavenging for trash. Not the ethereal creatures we usually imagine! Per Variety:

“…the untitled Pixar project will follow two characters who must go on a quest to track down their lost father, a man they known nothing about.” The project has some personal undertones for Scanlon, who lost his father at a young age. Hopefully this newest film will quell any lingering worries about Pixar’s reliance on sequels, and the persistent belief that they no longer are capable of original stories. No release date has been set.

A big thanks to our friends over at The Pixar Times for their coverage! Let us know which films you’re looking forward to most.

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What to expect from this year’s D23 Expo

D23, Pixar, The Incredibles 2

Posted by Joanna • July 12, 2017

This year’s D23 Expo begins on Friday, running from the 14th to the 16th of July. D23’s biennial expos never fail to generate excitement for upcoming Disney and Pixar movies. Somehow the 2011 D23 Expo when “The Untitled Pixar Movie That Takes You Inside The Mind” and “The Untitled Pixar Movie About Dinosaurs” were announced doesn’t seem so long ago, even though Inside Out and The Good Dinosaur are now sitting proudly amongst the rest of Pixar’s filmography. But what can we expect from D23 2017?

We’re already aware of some of Pixar’s upcoming movies, with Coco’s release date of 22 November fast approaching, and The Incredibles 2 and Toy Story 4 set to release in the summer of 2018 and 2019 respectively.

New footage from Coco is going to be revealed in the Upcoming Films presentation hosted by John Lasseter, and a Drawing Demo with Pixar character artist Daniel Arriaga promises to feature some of Coco’s new characters. Some brand new Incredibles 2 artwork has already been released on the D23 Expo 2017 app, advertising its signing event, although it has since been replaced with just the logo. If the art is anything to go by, it seems like the movie will be a direct sequel to its predecessor, and the ‘Underminer’ may be making an appearance. You can also see several supers flying in the background (including at least one with a cape – I can just hear Edna’s disapproval). And why is there a raccoon?! Here’s hoping all will be revealed soon.

During the Upcoming Films presentation, a large focus will probably be on Coco, but it’s likely that we’ll be finding out some more plot details for The Incredibles 2, and maybe even Toy Story 4. There are also going to be some “surprise announcements”, and with only 3 upcoming Pixar movies on our radars, stretching to only 2 years in the future, perhaps some new movie announcements aren’t too much to hope for.

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Coco to premiere at Mexico’s Morelia International Film Festival

Coco, Poster

Posted by Joanna • July 6, 2017

Very fittingly, Coco is set to have its world-premiere at Mexico’s Morelia International Film Festival on October 20th, over a month before the US release date.

The Morelia Film Festival’s Twitter announced the news yesterday, posting a video of Lee Unkrich, Adrian Molina (directors), and Darla Anderson (producer) expressing their delight in having Coco featured as an opening night movie at this festival’s 15th anniversary.

Adrian Molina describes Coco as:

“the first Pixar movie inspired by the lovely people, the beautiful traditions, and the culture of Mexico, so we are honoured to have the opportunity to launch it there first.”

A new poster has been produced for the festival, and it’s beautiful – it has the same bright colours as the logo, but some familiar characters and objects can be seen in amongst the brush strokes forming the iconic skull representing Día de los Muertos. Mama Coco takes centre stage, and the skull’s teeth seem to be formed by the bridge between the land of the dead and the land of the living that we saw in the latest trailer.

Here’s hoping Coco helps in making Morelia’s 15th film festival its best yet!

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How Ratatouille Inspired Me To Fulfill My Dreams

Anniversary, Brad Bird, Opinion Piece, Ratatouille

Posted by Nia • June 29, 2017

Today is the 10 year anniversary of Pixar’s Ratatouille. It’s hard to believe it’s been that long since we were last in Paris, learning how to cook alongside Remy, the rat, and Linguini, the garbage boy. Not to mention following them on their escapades through the city as they tried to covertly work together at one of the most famed Parisian restaurants.

For most of us, less culinary experienced food-lovers, it was a thrill to watch Remy create such tempting and savory dishes on the big screen. We almost forgot it was in fact an animated film and a rat was responsible for all of the colorful foods – creating unique dishes that would make even Gordon Ramsay stop in his tracks (after all, his signature dish did bring Anton Ego right back to his childhood). I was almost disappointed to find there are no rats who knew how to cook in real life or a little restaurant hidden in Paris that’s run by them. I won’t lie and say that after I watched the film for the first time, little 15-year-old me wanted to enroll in a cooking class and learn how to make food as well as Gusteau.

When the film was released, I’d just finished my freshman year of high school. There was a lot I had yet to experience in life: high school bullies, college rejection letters, heartbreak, and the cruel world of adulthood. I didn’t realize it at first, but in my worst moments, when I was doubting myself and my potential in life, the themes in Ratatouille kept me going and believing in myself.

When you look at the entirety of Ratatouille, it really is a simple film at heart. It’s about a rat, who’s always had a fascination for food and its flavors, and has always dreamed of becoming a cook. He never thought in a million years he would be cooking at Gusteau’s in Paris – the only person who truly understood him and kept him company was Gusteau himself, a figment of his imagination; giving him food tips and overall confidence boosts. It was even Gusteau who said that anyone can cook. Remy’s family didn’t really understand his love for human food, they wanted Remy to be apart of their rat civilization and way of living. But Remy always had that dream, the passion burning inside him, he never forgot about what motivated him every day; to do what truly makes him happy, even if other people doubted him or thought it was the wrong thing to do.

“Not everyone can become a great artist, but a great artist can come from anywhere.”

This quote that Anton Ego delivers at the end of the film is pinned up to my desk at work. It’s a nice reminder every day to believe in yourself, even if others don’t or even if you come from a less privileged background. I’m thankful for this quote and the meaning it’s given my life. It’s one of the most important quotes in any Pixar film and probably any animated film released in the last 10 years. It’s the type of message that’s needed, especially today; not only for children, but for adults with hidden passions or who are still struggling to fulfill their own dreams.

Looking back at Ratatouille, it’s truly taught me that it’s never too late to run after my passion; to keep going, never stop, even if it seems impossible. Since I was a child, I’ve always wanted to work in the animation industry and tell stories. When I was in college I struggled to get internships and gain experience to one day land me a job at any big studio. When I graduated, I worked the odd job here and there to save money and to get me to Los Angeles. Almost two years ago I finally landed a job at a small animation studio. There’s still so much I have yet to learn, and so much I still want to do, but it’s landing that first job in the animation industry that made my heart want to burst. And I realized then, it’s all true – anyone can cook, or paint, or write. It doesn’t matter where you come from, or what experiences you don’t have; what’s important is that you have equal potential and you’ll end up where you’re supposed to be in the end.

In short, Ratatouille is undoubtedly one of Pixar’s most charming and unique films. Like the themes that carry on throughout Up, Monsters Inc., The Incredibles, Finding Nemo, and most recently, Cars 3; the studio continues to share worthwhile lessons to children and adults alike.

Here’s to the next 10 years of inspiration and chasing after your dreams.

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OpEd: Brave’s 5th Anniversary and what it means to a Scottish person

Brave, Pixar

Posted by Joanna • June 22, 2017

In 2009, I saw Up in cinemas for the first time, and I left thinking I had just seen the best movie of my life. As soon as I got home that night, I googled Pixar to find out what movies they had in their pipeline, and when I saw they were making a movie set in Scotland, my heart leapt. Mainly with joy. But there was a little bit of worry in there too.

I have always lived in Scotland, and have seen my fair share of movies attempting to portray the country I have grown up in. These movies are riddled with horrible attempts at Scottish accents, actors that have no connection to the country at all, and scenery that wasn’t even filmed on location. They rely on blatant stereotypes and, at best, only skim the surface of what Scotland is really like. So after learning about the production of Brave, I was unsurprisingly cautious, at least until I grew to understand and appreciate Pixar and their values.

Pixar do their research. They made Paris feel real in Ratatouille, they took lessons in ichthyology for Finding Nemo, and they even worked out how many balloons it would take to lift Carl and Ellie’s house in Up (…then took some leniencies). For the creation of Brave, Pixar teams visited Scotland, sketched castles, and went walking in the highlands. They studied the scenery and foliage and experienced our weather and culture first-hand. The end result? Out of all the American movies I have seen, Brave did the absolute best job at capturing Scotland and its scenery, lighting, colours, people, and accents. They hired Scottish actors and learned from them, allowing them to really contribute to the movie. In an interview with Kevin McKidd, the voice of both Lord MacGuffin and Young MacGuffin, Pixar suggested he make Young MacGuffin have a particularly broad accent; almost incomprehensible. But instead of just spewing Scottish-sounding gibberish, McKidd proposed he did “a dialect from my home area, called the Doric, which is a very specific area in the north-east of Scotland.” This resulted in a joke that was funny for viewers in America, but hilarious for viewers in Scotland. It’s genius. Being from the north-east of Scotland myself, I have grown up with the Doric accent around me, and even I struggle to understand it without context (although I do understand all of Young MacGuffin’s lines!) It’s little touches and inside jokes like this that make Brave a film that Scottish people are proud to be associated with.

© Steve Pilcher

Even on the day it came out, Brave created a sense of community and pride across the country. It was released in cinemas a day earlier in Scotland than in the rest of the UK, and I saw it in a makeshift cinema that my village hall put on for the night – mismatched seats and a projector screen. The scenery was breath-taking, and you felt you could almost recognise some places because the attention to detail was so perfect. When Young MacGuffin said his first line, people turned to each other with huge grins on their faces. We were in hysterics. Even the ‘obvious’ jokes (that had to be done) were done completely tastefully.

It’s so refreshing to have a movie that depicts Scotland with such accuracy and respect. We don’t have bears, of course, but…leniencies. Animation allows leniencies. And on top of all of that, Brave is a wonderful movie with a beautiful message and strong, memorable characters. Merida will always be my favourite ‘Disney Princess’.

Pixar places so much importance on being able to transport you to these different worlds and settings that they create and imitate. They fully appreciate how crucial it is to know these worlds themselves before they’re able to make us believe that we know them too. Coco debuts this November, and I can’t wait for the people of Mexico to feel the way I did when Brave was released 5 years ago. Happy 5th anniversary, Brave!

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Review: Cars 3 Pays Homage to the Past and Looks to the Future

Brian Fee, Cars 3, Review

Posted by Simoa • June 15, 2017

The Cars trilogy is quite unique among franchise films. The first film in 2006 chronicled Lightning McQueen’s growth from arrogant rookie to humble racer with a deeper understanding of the road. Five years later, Cars 2 shifted gears and protagonists entirely. This time Mater was thrust into the spotlight, the unlikely hero of an international spy adventure. Now Cars 3, from director Brian Fee, has centered #95 again. It echoes the first film in a beautiful, wholly distinct way.

Lightning McQueen (voiced dependably as always by Owen Wilson) is older now – a fact no one refuses to let him forget. A new generation of racers have arrived on the scene, and with their advanced training technology, begin to phase out the veterans. It’s a rapid process as these young cars replace all the older ones, baffling Lightning as he watches all his friends retire. Constantly asked if he’s considering retirement himself, his defiant refusal leads him to declare, “I decide when I’m done.” No one is pushing Lightning McQueen out of the sport he loves, not even ultra-fast Jackson Storm (Armie Hammer).

Storm dominated the previews and trailers for this film. He’s less of a rival and more of a threat to Lightning. It’s as if McQueen can’t even compete with this brazen hotshot. If you compared the Lightning of the first Cars with Jackson Storm, you would find that they’re both incredibly cocky, but Jackson is more insufferable and unlikable by far. Lightning and his rival Chick Hicks (who makes an appearance in this film, voiced by Bob Peterson this time), both traded insults and boasted of their skills in Cars. Jackson Storm cuts a little deeper. For him, it’s not only about winning – it’s about pushing these older cars off the road and reminding them at every turn that they don’t belong anymore.

This is what our beloved #95 is up against. Can he master the new technology? Will he make a grand comeback? Is he finished or is he only just beginning?

A devastating crash is the turning point, forcing Lightning to retreat in seclusion to Radiator Springs and reflect on his options. He decides that retirement is still out of the question, and with some much needed encouragement from Sally (Bonnie Hunt), sets out to begin training. Lightning gets a brand new, state of the art training center, complete with the very same racing simulator that all the rookies train with. His new sponsor (say goodbye to Rusteze!) is the shrewd Sterling (Nathan Fillion), who is later revealed to be more concerned with building the McQueen brand.

His new trainer is bubbly and irrepressible Cruz Ramirez (Cristela Alonso), as sunny as her bright yellow paint.

Cruz is an experienced technician and trainer, eager to work with her idol, whom she dubs her senior project. (Lightning is old and never hears the end of it). Her senior project proves to be a little too impatient to use the new equipment – which results in damage to the simulator. What’s more, Sterling doubts whether Lightning can race at all. He’s prepared to just market the McQueen legacy but Lightning sets an ultimatum. He’ll train with Cruz – the old fashioned way – for the Florida 500. Whatever the outcome of that race, he still decides when he’s done.

Cars 3 is really not your typical comeback story. From the previews, it looked as if Lightning would need to adapt in order to keep up with this new crop of rookies. This is a story about learning to evolve and it offers a grounded, realistic approach to dreams, quite a mature outlook for a film series that’s been derided as mere kids stuff.

The futuristic tech, as enticing as it looks, takes a backseat to the traditional. Lightning and Cruz actually race outside as opposed to the simulator, driving on dirt and sand. This film isn’t anti-technology, but it does caution against relying on it too much. As we once learned from The Incredibles, “there’s no school like the old school.”

The old school figures prominently in Cars 3, with its frequent flashbacks to Lightning’s late mentor, Doc Hudson (Paul Newman). Hearing Doc again, seeing him briefly, is one of the most emotionally fulfilling aspects of this latest installment. His spirit is truly alive in this film and his role lends added meaning to the story, as he inspires Lightning on his journey. Hud as he’s called (perhaps a reference to Newman’s 1963 film, Hud?), was once the Fabulous Hudson Hornet, the greatest ever. McQueen discovers that he’s at the same point in his career as Doc was following his career ending crash. Doc never retired of his own free will; he was forced out and told to make room for the younger cars. Lightning is determined to avoid that fate. And avoid it he does.

There is a moment in Cars 3, one so glorious, that it caused the audience at my screening to erupt into cheers and applause. I never would have thought it possible, that any film in this series could elicit such a response. For many of us fans, Pixar films are still excellent, including the less critically acclaimed. Once considered the best in American feature animation, the studio is now underestimated, because of its sequels, because Cars 2 is their unforgivable misstep, according to many. This trilogy has drawn tepid responses at best and flat out antagonistic ones at worst. But Cars 3 more than justifies its existence, and not only because of that pivotal scene.

Do not underestimate Pixar.

And do not underestimate Cars 3! A recent IndieWire feature on animator Jude Brownbill highlighted the film’s theme of female empowerment. Cruz isn’t merely there to guide Lightning to victory. She’s got a story as well, a sobering one that wakes McQueen up to how much he’s taken for granted. Making Cruz such a central character further solidifies Pixar’s commitment to bringing well rounded female characters to the screen.

Cars 3 boasts gorgeous animation and art work as well. Some might think it’s not one of Pixar’s most visually inventive films, but glossy paint jobs that gleam, rigging character models of cars so they’re just as expressive as human characters, is really no small feat. Even the designs are impressive, with little touches of human characteristics. When looking at McQueen and Storm side by side, their contrast is quite stark; the rookie is youthful and sleek, much more angular in appearance.

We’re treated to lovely scenery too, a dazzling array of color palettes, bright and warm hues, sparkling water surfaces, and thrilling action set pieces that set the heart racing.

Brian Fee delivered on his promise of making this film return to its roots. It showcases a reverence for the culture of racing and cars that was so keenly, vividly realized in the original film. Randy Newman’s score is another throwback, transporting us to this weird, wonderful universe. The complaints that the world of Cars lacks logic strike me as very odd. Character is what counts, and the filmmakers have always imbued these anthropomorphic cars with abundant appeal and personality.

Cars 3 is an unexpected film, just brimming with heart and passion. As I said, it’s really not a typical comeback story. It’s something much more inspiring.

See it in theaters this Friday!

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Review: Lou is Compassion, Lost and Found

Cars 3, Dave Mullins, Lou, Review, Short Film, Shorts

Posted by Simoa • June 15, 2017

A lost and found box on the school playground looks very ordinary on the outside, but it’s teeming with life and magic within.

Like most of Pixar’s canon, Lou personifies an inanimate object, or in this case, a handful of lifeless, every day objects. All the lost toys and clothes are assembled into a playground guardian, who is otherwise invisible beneath. Lou is one day challenged by a bully who swipes the belongings of the other children. What begins as a funny battle between Lou and J.J. (the bully), evolves into a tender, moving story about compassion. Bullies hurt others because they’ve been hurt themselves. But rather than simply excuse J.J.’s behavior, Lou offers him the opportunity to give and receive compassion.

A wordless short, Lou is one of the studio’s most innovative creations. As Dave Mullins revealed at the press junket last week, the character was animated entirely by hand, with “no computer shortcuts or simulations.” The animation here is truly impressive, as Lou morphs into a variety of clever shapes and disguises.

You can catch a glimpse of Lou’s immense charm in the exclusive clip below.

See Lou with Cars 3 this Friday!

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A chance to win a stunning Dolby-exclusive Cars 3 poster!

Cars 3, Poster

Posted by Joanna • June 15, 2017

The race towards Cars 3 is almost over, and with all these teasers, posters, and interviews it’s definitely been an exciting ride! Dolby Cinema is currently holding a competition where you could win an EXCLUSIVE poster. It really captures that striking Route-66-inspired scenery the Cars universe is set in. Comment on their Facebook post for a chance to win (follow the link for full terms and conditions).

Have you already got your tickets booked? Dolby Cinema offers an amazing theatre experience with high quality Dolby Vision imaging and moving Dolby Atmos audio. Cars 3 is bound to be Pixar’s most stunning entry to the Cars franchise yet. Find your nearest Dolby Cinema here.

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12 Moments From The Cars 3 Press Event That Will Get You Excited For The Film

Brian Fee, Cars 3, Interview, Press Conference

Posted by Nia • June 14, 2017

We hope your nostalgia and love for the Cars universe has moved into full gear, because Cars 3 finally opens in cinemas this Friday, June 16th.

Upcoming Pixar was honored to attend the press event for the film last Saturday in Anaheim. Here are some of our favorite moments from the event that will, without a doubt, get you pumped for Friday.

(Photo by Alberto E. Rodriguez/Getty Images for Disney)

  1. NASCAR superstar, Ray Evernham, moderated the event and started things off by asking Brian Fee why the Cars films have resonated with audiences for over a decade. “I think it’s the characters and the overall appeal to their realism.  When you walk away from a movie, if you felt anything at all, it’s probably because of the characters. You can see a little bit of yourself in them, see a little bit of someone you know. I think at the end of the day that’s what we take away.”
  2. One of the biggest new characters that’s introduced in Cars 3 is Cruz, a personal trainer to the race cars. She has a massive impact in the story and Lightning McQueen’s own character arc. From Cristela Alonzo, the voice of Cruz,”What I like about her is that she’s very good at what she does, but at the same time she still has doubts about herself regarding the same skills that she uses to coach the cars to become the best they can be. What I like about Cruz is that I think she’s very relatable to both boys and girls. You might have doubts about things, you might not know how you’re going to pull something off, and at the end of the day you realize the only way to make sure you can do your best is to actually just go for it and trust your instincts. I think that’s something we all struggle with at times – the whole idea that you think you can do something and then you have doubts. You realize you’ve got to forget the doubts, it’s going to happen anyways – let’s just try our best and see what happens. And I love that about her.”
  3. You’ll notice that Cars 3 has definitely upped the game in regards to showcasing strong female characters. Not only is Cruz involved, but there’s also Natalie Certain, who works for the Racing Sports Network, and spends some of the film predicting the outcome of the races. Kerry Washington is the voice of Natalie, and said this in regards to the diversity in the film, “I do think it’s fun to see women in the film who are brave, smart, and courageous but also teachable. Women who balance having extraordinary talent and intellect but are also humble enough to learn the lessons they learn at the end of the film. To learn that you have to step into your greatness and that it’s not as simple as numbers. Heart and passion is the most important thing.”
  4. Director Brian Fee listed John Lasseter and the late Joe Ranft, as his professional mentors. “They’ve given me a lot of career advice and I wouldn’t be where I am without them.”

    (Photo by Alberto E. Rodriguez/Getty Images for Disney)

  5. In fact, Fee’s first memory of the Cars franchise was when he started at Pixar in the story department. “My first memory is sitting in story reviews with John and the rest of the story crew, just trying to figure out different ways to make each other laugh around the table. Drawing lots of things, gags and jokes, and pinning them up to the wall. I couldn’t believe I was there, I was trying to absorb everything.”
  6. Fee’s children have influenced Cars 3 a great deal, to the point of including a strong female presence throughout the story, “I want my daughters to never be afraid to try something because they think they’re not good at it. I never want to hear them say something like, certain things are for boys and certain things are for girls.”
  7. Cristela Alonzo definitely had the greatest presence during the press event, and offered many inspirational quotes. This one being our favorite, “I like this movie a lot because I feel it’s a good way to tell kids that they matter. And I think that growing up, when you come from a family that doesn’t have a lot, a lot of the time the parents forget to tell the kids that they matter because they’re too busy trying to survive. I want them to know back home, that it’s possible for them to have a dream and to actually achieve it.”
  8. Owen Wilson and Cristela Alonzo actually worked together, as opposed to recording their lines separately like the rest of the cast. Fee wanted them to record together so that they’d be able to show their relationship and the support, get those real emotions caught together, just like the same support and friendship that Cruz and Lightning McQueen give each other throughout the film.

    (Photo by Alberto E. Rodriguez/Getty Images for Disney)

  9. Cars 3 deals a lot with the old and the new – the racers of the past and the racers of the present, there was a lot of contrast between the use of modern technology in racing and how the younger, faster cars, are replacing the older makes. Isiah Whitlock Jr, who voices River Scott, a Priston Cup racer from the ’50s, gave his thoughts on the heavy themes, “I really feel that we need to pay attention to the pioneers, and the people who have come before us. And some of the struggles, especially with the character that I play. We need to pay attention to that and to see how we got to where we are today. I know with Scott, he did not have the sponsors or the equipment – there were so many obstacles and yet he was able to persevere. That’s the key word there, perseverance, overcoming a lot of those obstacles to be successful.”
  10. Research for every Pixar film is a key element to the success of the story, but Producer Kevin Reher mentioned that research for Cars 3 was especially important since they were honoring the racers of the past. “We were so inspired from these wonderful stories that came forward during our research. The stories of Louise Smith, Wendell Scott, and Junior Johnson. We just felt that we wanted to honor them with our story and their backstory.”
  11. Brian Fee mentioned that he enjoys some of the improvisation that happens during the recording sessions. He’s had to go back to the script numerous times and change dialogue or some of the action by what wonderful reactions and lines comes from the actors.
  12. And finally, Nathan Fillion, who voices Sterling, Lightning McQueen’s new sponsor, gives his reasons for what makes Pixar films so compelling, “Here’s my theory, nothing happens by accident in a Pixar movie. They tell their story one pixel at a time. So, by the time it gets to the point where I’m sitting there in front of the microphone, all of the hard work has actually been done. I rely very heavily on the director, we get to play around a little bit, but in all honesty you’re looking at a thanksgiving meal and Nathan is the pepper. They work has been done, we just need a little extra pepper and we’re done.”

    (Photo by Alberto E. Rodriguez/Getty Images for Disney)

    (Photo by Alberto E. Rodriguez/Getty Images for Disney)

Cars 3 is an absolute blast and we can’t wait to see it again and again in theaters starting this Friday.

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