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Pixar Pier and so much more!

Disney Parks

Posted by Simoa • March 13, 2018

Pixar Pier at Disneyland is looking to be even more fabulous and creative with each new bit of concept art. A whole new Pixar world is currently under construction at the famed Anaheim theme park, with all of our favorite characters making an appearance. Check out all the new additions below!

Adorable Snowman Frosted Treats

Non dairy frozen lemon treats will be available at this stand, a wonderful nod to the Yeti’s snowcone creations from Monsters, Inc.

Incredibles Neighborhood

Perhaps the most enticing new addition is The Incredibles themed neighborhood. The Incredicoaster will be a thrill, based on Jack-Jack escaping and unleashing his powers as he explores. Though he’s tiny and bald, Jack-Jack is the most powerful super since he has an assortment of powers and we still don’t know what he’s fully capable of!

Toy Story Neighborhood

Here, guests will ride “Jessie’s Critter Carousel” and can eat at Poultry Palace and Senor Buzz’s Churros. Yum, yum, yum!

Inside Out Neighborhood

Not many details have yet been released about this emotion themed neighborhood, but we do know there’s another food stand.

Pixar Promenade is a new archway featuring new replacements as well. Wall-E’s Space Spin, La Luna Star Catcher and Heimlich Candy Corn Toss are the three additions.

Lamplight Lounge will serve cocktails and light meals.

It truly is wondrous to see a place like Disneyland, which champions imagination to be including so many diverse Pixar attractions. Check back here for more developments!

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Pixar’s 7 upcoming movies – everything we know about them so far

Dan Scanlon, Pixar, Suburban Fantasy Film

Posted by Joanna • March 6, 2018

Amidst all the excitement for the Academy Awards, you may have missed the news about Pixar’s schedule for their future movie releases. On March 1st, Disney announced the release dates for over 40 movies, including 7 new Pixar moviesSome we already know about, and some remain complete mysteries.

These next 7 Pixar movies will be released over the course of 4 years, 2018-2022. Have a look at the announced release dates below:

June 15 2018: Incredibles 2
June 21 2019: Toy Story 4
March 6 2020: Untitled Pixar Film
June 19 2020: Untitled Pixar Film
June 18 2021: Untitled Pixar Film
March 18 2022: Untitled Pixar Film
June 17 2022: Untitled Pixar Film

Now, we already know about Incredibles 2 and Toy Story 4 of course, but there’s very little information on the Pixar movies beyond 2019. It’s amazing to think that in exactly two years on this very day (March 6 2020), Pixar are planning to release a movie that we might know nothing about.

At last year’s D23, we did learn about a brand new, original Pixar movie directed by Monsters University‘s Dan Scanlon – “The Untitled Pixar Film That Takes You To A Suburban Fantasy World“. This film will take place in a world where unicorns and dragons are the norm – Scanlon describes it as “a mixture of the fantastic and everyday”. As this is the only Untitled Pixar Film that we have even a fraction of information on, it feels safe to assume that this intriguing film will occupy one of the 2020 spots.

The Untitled Pixar Film That Takes You to a Suburban Fantasy World was first announced at the 2017 D23

Both Pete Docter (Monsters Inc, Up, Inside Out) and Brian Fee (Cars 3) have been reported to be working on original films, but beyond that, this new movie schedule is full of mystery and our minds are already racing. Pixar are clearly feeling confidently ambitious by planning on releasing two movies in both 2020 and 2022. It’s also interesting to note that no Pixar movie has ever been released in March before, and now two March movies are on the table. Perhaps this is a sign of a change in marketing strategies, or just a byproduct of the release schedules for competing movies throughout the year. Should we expect to see more sequels on the horizon? If so, which films would be most likely to gain an addition to their franchise? And if Pete Docter and Brian Fee are indeed working on new, original films, what amazing worlds are they going to transport us to?

We’re stepping into the unknown now, and it feels great.

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Coco’s Big Oscar Wins

Academy Awards, Adrian Molina, Coco, Darla K. Anderson, Lee Unkrich, Oscars

Posted by Simoa • March 5, 2018


Though it might have been expected, Coco‘s victory at last night’s Academy Awards wasn’t any less sweet! And the film scored not one, not two, but three wins!

Remember Me

First there was the sensational performance of “Remember Me,” beginning with Gael Garcia Bernal accompanied by a guitarist as he sang the gentle lullaby version of the song. It was impossible not to be moved, especially with Bernal’s spotlight on the darkened stage while thinking of that pivotal moment in the film when the lullaby is first heard. But a show stopping spectacle was waiting in the wings! Miguel and Natalia Lafourcade sized the stage with their rendition, complete with Ernesto de la Cruz’s legendary stage. It was reanimated just for Oscar night and mirrored the film closely!

photo via Ava Duvernay

Best Animated Feature

“Viva Latin America!” Oscar Isaac, one of the award presenters, cried out before announcing Coco the winner. It highlighted just how important this film is to so many and was the first indicator of Mexican filmmakers winning during the broadcast. Lee Unkrich and Adrian Molina were joined onstage by Darla K. Anderson and three in the film’s cast: Anthony Gonzalez (Miguel); Gael Garcia Bernal (Hector); and Benjamin Bratt (Ernesto de la Cruz). It was a first for Pixar filmmakers to be flanked by their cast at an awards show, and it’s particularly noteworthy since they’re of Mexican and Latino descent.

Once more, it was impossible not to be moved as Lee, Adrian, and Darla gave their acceptance speeches. This was truly a momentous win for Coco. If you missed it last night or if you want to watch it again (and really, who wouldn’t?), the segment appears below.

“Coco is proof that art can change and connect the world, and this can only be done when we have a place where everyone and anyone who feels like an other to be heard.” -Darla K. Anderson

“Love and thanks to my family, my Latino community, to my husband Ryan, each for expanding my sense of what it means to be proud of who you are and where you’re from. We hope the same thing for everyone who connected with this film.” –Adrian Molina

“…the biggest thank you of all to the people of Mexico. Coco would not exist without your endlessly beautiful culture and traditions. With Coco, we tried to take a step forward toward a world where all children can grow up seeing characters in movies that look and talk and live like they do. Marginalized people deserve to feel like they belong. Representation matters!” –Lee Unkrich

Anthony Gonzalez also got a moment at the microphone, making Lee’s declaration that much more resounding.

Best Original Song

Coco‘s win in this category was unexpected, perhaps because it didn’t take home the Golden Globe back in January. “Remember Me” marks Pixar’s second ever win for Best Song (previously awarded to Randy Newman for Monsters, Inc.’s “If I Didn’t Have You”). Songwriters Bobby Lopez and Kristen Anderson-Lopez also secured their second Oscar win. There was no end to the inspiring speeches as Anderson-Lopez acknowledged the diversity of the nominees, while Lopez dedicated the award to his late mother.

“I really want to take a minute to look at this category of incredible nominated songwriters tonight. Not only are we diverse, but we are close to 50/50 for gender representation. When you look at a category like ours, it helps us imagine a world where all the categories look like this one.” -Kristen Anderson-Lopez

Although Dave Mullins’ short film “Lou” walked away empty handed, it was a spectacular night for Pixar and Coco. This film’s message of familial love, as well as its celebration of an underrepresented population, has been embedded into the cultural zeitgeist. It signals even more diverse and inclusive stories at Pixar and beyond.

Representation matters enormously, and so does Coco.

Congratulations to Lee, Adrian, Darla, the Lopezes, and the entire cast and crew for their tremendous movie and wins!

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Pixar and Oscar

Academy Awards, Coco, in depth, Opinion Piece, Oscars

Posted by Simoa • March 3, 2018

With the 90th Academy Awards airing this Sunday, March 4th, your trio of Upcoming Pixar writers are here with some musings on the awards show.

Academy Award for Best Animated Feature

Animated movies have been cemented in our culture for the best part of a century now, so it’s hard to believe that the Academy Awards, founded in 1929, only introduced the Best Animated Feature award in 2002. In the years since, so many beautiful animated features have become nominees in this category, and while it’s great that these movies are gaining recognition, it seems strange that this recognition doesn’t stretch over into other categories as often as it should.

There are only three animated movies that have ever been nominated for Best Picture: Beauty and the Beast, Up, and Toy Story 3. (None have ever won it though). And while I may be a little biased as an avid Pixar and animation fan, I feel like there are plenty of animated movies that easily rival the most critically-famed live-action movies out there. Or at least, more than three. It feels as if the creation of the animated feature category has caused the Academy Awards board to disregard these movies when considering them for any other merits besides being ‘a good animated movie’, or ‘pretty good…for an animated movie.’ Which is weird because, to quote Brad Bird, “animation is not a genre. It is a method of storytelling.”

So right off the bat, it’s like movies that happen to use animation as their art form are already unfairly regarded as ‘beneath’ live-action movies. And then there’s the issue that many animated movies seem to be completely overlooked. Pixar have won 50% of all the Oscars ever awarded for Best Animated Feature. Disney and Pixar combined have won ~70%. This is where I begin to feel conflicted – I love Pixar. I like to see them succeed. I am always happy and proud when a Pixar movie is awarded with an Academy Award. But, especially in more recent years, when a Disney or Pixar movie is nominated for Best Animated Feature, it almost feels like a guaranteed win. And it shouldn’t be! There are so many inspirational animation studios doing amazing work at the moment. Pixar is in good company.

The Academy Award members do a good job at nominating a diverse set of movies for Best Animated Feature (even after the rule change this year where all members, not just a specialist branch, were able to nominate contenders in this category). This year’s nominees include the Mexican-culture-celebrating Coco, the first fully painted animated film Loving Vincent, and the stunningly animated The Breadwinner by the very unique and distinctive studio Cartoon Saloon. It’s when it gets to the voting for which nominee should win where things seem to get a bit problematic. It’s been reported in the past that some members don’t take this category seriously, choosing to not even bother watching all the nominated animated movies. The fact that only Disney and Pixar – huge and very well-known studios – have won Best Animated Feature for the past five years seems like a pretty good indicator that members are just voting for whatever movie they vaguely recognize. Don’t get me wrong, Zootopia, Inside Out, and Big Hero 6 are all brilliant movies that are completely deserving of their awards, but the way the winners are chosen in this category is unfair to all the animation studios involved.


Pixar Always Wins

As we’ve seen on every Oscar night, Pixar does always win. (With a few exceptions where they either lost or didn’t even receive a nomination). Coco will most likely take home the grand prize. However! While Pixar movies are overwhelmingly the favorites, it’s unfair to the studio’s first film with an all Latino cast, one that celebrates a culture and country far too demonized by Hollywood and politicians, to be labeled as undeserving just because of the Pixar name. And if Pixar doesn’t win? The films are stellar whether or not “Academy Award winning” precedes the title.

Oscar voters are a disappointing bunch. Like the general population, they don’t consider animation a serious art form and usually choose Pixar because they don’t bother to watch the other worthy contenders. Whatever reasons they have for dismissing animation is their own business, but it is frustrating to think that Pixar’s wins weren’t always the results of a fair competition.

Coco deserves every honor it receives. I hope that if it’s the winner Sunday night, it was because voters honestly thought it stood up better against the other nominees. If the Academy and Hollywood at large are committed to inclusivity, then the film’s win for Best Animated Feature will not only be a win for positive Mexican representation, but a win for the entire industry.


Academy: What’s the Point?

I used to be a massive Oscar fan when I was younger. Between the star-studded ceremonies, the tear-jerking Oscar acceptance speeches, to the inspiring films that took home the gold, I was in awe and obsessed. I would beg my parents to let me stay up late on Oscar Holy Sunday so I could find out who would win Best Actress or what film would win Best Picture. Later I’d hold Oscar parties and watch everything that was nominated so I could make accurate predictions as to what would win and why.

It wasn’t until I got older and discovered the vast number of films that are released each year and how the Academy doesn’t even recognize most of them that I realized the Oscars themselves are not only a huge popularity contest, but also a con.

Behind all the glitz and the glamour, what do the Oscars actually represent within our culture? When one of the nine films nominated for Best Picture wins the prestigious award, does it make that film any better or any more worthy than the other ones that were nominated? Do you even remember what won Best Picture last year? Or five years ago? What about the other films that were released during the year and were snubbed when the nominations came out? Are those considered bad films because they weren’t nominated? I’d like to think of the Oscars as a celebration of all the hard work that thousands of talented individuals poured into each film released, whether or not they made the Academy’s cut.

One of my favorite categories at the Oscars is Best Animated Feature and each year I constantly find myself disappointed at the Academy’s lack of knowledge of the animation industry.

I’ve been a massive Pixar fan since I first remember going to the cinemas when I was a wee lass, but the animation world goes far beyond Pixar’s pearly gates in Emeryville. Pixar definitely raises the bar when it comes to animation and sets a high standard for storytelling, but that doesn’t mean they’re the only studio making good films, or Oscar worthy films. There are so many other studios around the world making equally compelling and engaging content that often go unnoticed. Whereas the Best Picture category is often compelling as the winner can sometimes be a film completely unexpected, there is really no suspense in the Best Animated Feature category because if a Pixar film is nominated then 9 times out of 10 they’re going to win the Oscar; unless a Disney film is nominated, like Zootopia or Big Hero 6. I’m not saying those films didn’t deserve to win but it would have been more entertaining had there been a little more competition among the other animated films nominated.

It’s nice that the Academy honors animated films that were made outside of Pixar or Disney or even DreamWorks, such as The Breadwinner or Loving Vincent, but that still doesn’t make up for the other films they left out this year and in the past. If the Best Picture category can have up to 10 films nominated, then the Best Animated Feature could have the same, of course depending on what animated films are released throughout the year.

The Academy does have a high regard for Animation – they added the category to the program in 2002 and even nominated Up, Beauty and the Best, and Toy Story 3 for Best Picture, so they obviously take animation seriously and know that it’s worthy of everyone’s praise and attention… but there’s still a long way to go before animation is anywhere equal to live action.


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