With only four days to go until Toy Story 4 is finally released in cinemas, there’s no better time than now to peruse your local Disney Store or check out Shop Disney Online and pick up your own interactive action figures of your favorite Toy Story characters!
The ol’ gang is definitely back and ready to play! You’ll be able to find action figures of Woody, Buzz Lightyear, Jessie, Rex, and Bullseye in stores. The exclusive line-up also features the new and improved Bo Peep and the loveable Forky, which you can see in the gallery above. The interactive action figures each have 10 unique expressions when they’re playing alone but when they’re paired with another figure, they unlock special phrases with their new interactive features. The toys are even able to sense when another interactive figure is nearby and they instantly start “talking” to each other, making you believe you’re right in the middle of a Toy Story film.
Has anyone bought their own figures yet? What are some of the special sayings you’ve heard when putting the toys together?
I don’t know about you, but I’m bringing all of mine to the cinema this Friday to watch Toy Story 4! We hope to see you there!
Good news, Toy Story fans! On June 1st Disney Stores around the U.S. and Canada will be transforming their locations and giving guests the opportunity to enjoy an immersive shopping experience, putting them right into the world of Disney/Pixar’s upcoming film Toy Story 4. Not only will there be loads of games and trivia for the whole family to enjoy, but new Toy Story 4 inspired toys, accessories, and clothing will also be available to purchase in stores.
If you have the chance to visit a Disney Store, you’ll be able to delight in the following activities:
Free Toy Story themed events and trivia
A new game called “Star Adventurer” where you’ll be able to practice your tossing skills to help fuel a rocket’s engine for take-off
Two new Toy Story 4 interactive digital games that will showcase all of your favorite characters from the film
In New York at the Times Square Disney Store, you can score a limited-edition pin if you decide to opt in for a paid photo experience on the Disney Store Times Square Spectacular screen
And if you decide to participate in any of the events, you’ll get a free sticker and have the opportunity to purchase special edition Ducky and Bunny figurines
Luckily you have the entire month of June to explore all of the fun and games at a Disney Store near you. And don’t forget to check out Toy Story 4 when it hits cinemas on June 21st!
We only just got our first glimpse of Pixar’s next original movie Onward yesterday, and now Pixar are immediately surprising us with more Onward firsts! On Twitter, they teased us with a ‘magical riddle’ of sorts – if you reply to the tweet and solve it correctly, you’re rewarded with a beautiful poster. And a trailer is coming later tonight…
If you’re not wise enough to crack the code (or if you’re just impatient like us), then have a look at the poster below!
Isn’t it stunning? It looks like the city centre has lost some of the magic that the suburbs are still clinging onto. It’s surreal to see such a civilisation surrounded by jagged mountains and overseen by two crescent moons. Perhaps Onward will explore the fact that our world is a little like this too – huge cities can block out the beauty and wonder that our planet has to offer.
Also, can we just appreciate that van? And that it’s called Valor? What a beautiful paint job it’s had done on it. And look at that magical staff Ian has in his hand!
The excitement doesn’t stop at the poster though – the very first Onward trailer will also air tonight during the NBA final! Stay tuned to hear our thoughts on it, because we’re sure to have many!
Meet the cast of Pixar’s 2020 feature film – a family of elves! People has the exclusive and even sat down with director Dan Scanlon who shared more details about Onward. The film stars Tom Holland and Chris Pratt as elf brothers living in a fantasy suburbia. Julia Louis-Dreyfus will appear as the pair’s mother. Octavia Spencer also rounds out the cast, but we don’t know yet what role she’s playing. And now here’s what we’ve all been waiting for, images from the film itself!
I like it! The premise is new territory for Pixar and siblings are at the center. I’m digging the clothes on the elves, and the fact that they have cars and dragons in their world. As Scanlon describes it, the brothers are on a quest to find out if magic still exists.
Ian (Holland’s character) is the younger of the two. He’s shy and awkward, while Barley, the older brother (Pratt), is much more outgoing and wild.
Of the film, Scanlon says:
“My hope is some of the questions that I’m asking in the film will be questions other people are asking about their own lives. And I think that’s what a lot of the times gets us to connect to a movie.”
We’ve got lots of questions of our own, and can’t wait to get more answers over these next couple of months! Onward will be released on March 6th, next year. Let us know what you think of it so far.
It feels like it was only yesterday that Up premiered in cinemas and we fell in love with some of Pixar’s most iconic characters: Carl and Ellie Fredricksen, Russell, Dug, and of course, Kevin. It’s unfathomable to think it’s been 10 years since we all laughed, cried, and went on one of the biggest adventures of our lives as we followed Carl on his epic quest to reach Paradise Falls.
There are obviously a lot of amazing things about Up that still hold the test of time: the breathtaking reveal of Carl’s balloon house as it soars out of the city for the first time; the sweet depiction of Dug and his adoration for his humans; even the delicious villainy of Charles F. Muntz. But the greatest part about Up, and one of the finest moments in animation history, is the opening sequence, otherwise known as Married Life.
What makes the sequence so special is the fact that Up’s director, Pete Docter, decided to tell the story of Carl and Ellie’s relationship without dialogue. I’ve always been a firm believer that you don’t need dialogue to tell a story – so much can be achieved with a subtle glance or the character’s body language, how they carry themselves across the screen or interact with the world around them, that 10+ pages of dialogue can never achieve.
The Married Life opening depicts the entirety of the couple’s relationship without words but through images of their life together, little snippets of the good and the bad parts of any relationship – starting from Carl and Ellie’s wedding and ending with Ellie’s funeral. Their relationship could’ve spanned at least half of the film, there’s even a feature length film in there somewhere about the duo, but it was told brilliantly in less than five minutes. We didn’t need dialogue to tell us that Carl and Ellie were in love and what they went through in the course of their time together. Instead, with the clever way the talented folks at Pixar animated the sequence, we saw their love for each other in the brief glimpses of their relationship as they built their dream home and worked at the zoo. We saw their hopes about the future and their goals of traveling to South America and starting a family. We saw how they were able to overcome adult problems like home-owning and having a flat tire, and we even saw their struggles with infertility and how that affected them both in different ways.
Another reason why Married Life works so well is because of Michael Giacchino’s heartbreaking score; the sequence simply wouldn’t be the same without it. If you closed your eyes while listening to Giacchino’s Married Life theme, you could almost picture the story, scene by scene, in your head. The melodies that follow Carl and Ellie on their journey together are simple and just as unique as the old-fashioned couple; the score perfectly follows the ups and downs of their relationship, giving us some lighthearted and catchy tunes while also pulling at our heartstrings at the more somber moments. Michael Giacchino even went on to win the Academy Award for Best Original Score for his work on Up at the 82nd Academy Awards.
I have no doubt in another 10, 20, or even 30 years, the Married Life sequence in Up will still break our hearts and fill us with as much joy and devastation as it did the very first time we watched it. The opening sequence is a testament to the brilliance of animation and that with this art form, there are SO many ways to tell a story; not everything has to involve dialogue or spelling it out for the audience.
So, happy 10 Year Anniversary, Up! And congratulations again to all the amazing and incredibly talented people who worked on the project many moons ago. Adventure is out there!
Learning how Pixar movies get made is a little daunting. For anyone who doubts just how rigorous this process is for animated films, let the artists, writers, technicians, and animators lay those doubts soundly to rest! During my Pixar visit last month, I was wowed by the way a specific scene in Toy Story 4 gets made. Read on to learn more and wow yourself!
From Start to Finish: Creating a Scene in Toy Story 4
This presentation was moderated by nine people, which is still just a small portion of the crew who worked on this particular scene, Meet Gabby Gabby. Things start off even smaller with just four people: the writer, director, story supervisor (Valerie LaPointe on this film), and editor. The writer and director have a basic story and it’s LaPointe’s job to detail that story, with the concept and characters. LaPointe supervises a team of story artists, who contribute gags, character ideas, and key narrative points, in addition to drawing the film!
There’s many steps involved in building a scene, but the first and most crucial begins with the script. Everything is written and broken down into about 30 sequences. Then the artists draw the scene. By this point, the director (Josh Cooley), writer (Stephany Folsom), story artist, and LaPointe read the script, give feedback, toss out ideas, and ask questions. With all of that material, the story artist can now visualize all of those ideas on the pages, which is called ‘thinking on paper.’ This includes shots, acting, and posing. Remember that animated films are made entirely from scratch; the actors in any given scene are the animators giving physical performances through the characters; the sets, shots and props have to be created too, all inside the computer.
“When you’re a story artist, you’re taking the first stab at everybody else’s job on the film with thinking through the entire scene.”
The story artists, in a truly stunning feat, draw every frame of the shot. There’s anywhere from 100 to 300 storyboards/drawings in the sequence. These drawings get pitched digitally to the director, writer, editor, and story team, which is similar to how LaPointe presented the drawings to us in Pixar’s theater. If you’ve ever watched the special features on Pixar’s home releases, you have an idea of what these pitches involve. The drawings are displayed as the artists use sound effects and special voices to “sell the scene” they’re working on. They receive feedback and changes from the rest of the team and then it’s back to the (digital) drawing board. When those changes are complete, the scene goes to the editorial department, who are responsible for making a watchable movie.
The folks in editorial add more sound effects, as well as scratch (temporary) voices for the characters before the actors record their lines. A reel with the drawings, sounds, and voices represents the film, which goes through lots of rewrites and drawing fixes. This process lasts one to three years, but the typical timeframe is two.
Now we are ready to meet Gabby Gabby! Some background on this scene: Woody and Forky wind up in an antique store, where they come across the vintage doll in a baby carriage. She’s out on her morning stroll with her henchman, Benson, a ventriloquist dummy. LaPointe provided the scratch voice for Gabby in this early stage, and she sounded great! Christina Hendricks voices the doll in the completed film, and that’s who I thought we were hearing at first.
Think of scene building as you would of the set design in a live action movie or TV show. The story is the set and all the props are what the editorial department add to the scene. In this case, the “props” are dialogue, sound effects, and music. Axel Geddes, who’s been editing Pixar films since Monsters, Inc. in 2001, was the sole representative from editorial for this presentation, but in reality, there’s a large team of editors and assistant editors who put the film together repeatedly. Editorial is really the center of every department as shots go through the production pipeline. A shot moves through the pipeline but it is frequently returned to editorial to make sure it contributes to the overall film.
So what’s the editing process like? Well, a stack of virtual images from the story department is sent to editorial. As previously mentioned, the reels are the film, and they contain the storyboards, which act as the foundation. The editorial team uses their temporary dialogue as building blocks for the scene which determine the performances and other aspects, like how long to hold a specific pose. And those performances are the tools to build each shot. As Geddes explained, the editorial team are the second actors for these characters; they inhabit them. Once the performances are timed out, the scene can be edited.
Animation editing is similar to live action, but editorial decisions are made on each frame rather than each shot. Live action films utilize latent production sounds, but they have to be created for animated films. Sound effects go a long way in establishing the mood and atmosphere of a scene. In Meet Gabby Gabby, the mood was eerie; the creaky wheels on the baby carriage helped with that. Music also strengthens the tone. The editors use preexisting soundtracks before Pixar’s trusted composers are brought in.
We watched Meet Gabby Gabby more than once, and it had evolved each time. Geddes said it was boring to watch the same shot multiple times (“Which is exactly what my job is like”), but I can honestly say that I didn’t find it boring at all. I not only got a glimpse into what he does, but I did it myself! Sort of. The editorial team does a lot of repetitive work, but that’s to ensure that the most compelling version of the story is being told. Variations of the film, some of them vastly different, are screened for internal audiences over a four year period. Meet Gabby Gabby was just one version of the film where the goal was to introduce a brand new villain into Toy Story’s universe.
Supervising technical director Robert Moyer works closely with most of the departments to build assets and shots for the film. After meeting Gabby Gabby, we got some insight into how she was brought to life. She’s a 1957 pull string talking toy who was made around the same time as Woody. The challenge was to make her look doll like rather than human, like animators had to do with Bo Peep. There was a lot to think about: making her look as if she was made of hard plastic and not flesh, how her eyeballs sat in their sockets, the crease of baby fat, and even how her head fits into her neck. Gabby Gabby’s hair also had to look thicker and more metallic, as did the iris of her eyes, so she could appear alive.
Forky is the other challenging character. He had to be believable as something made by a child, but also appealing and consistent with the rest of the Toy Story characters. The crew made Forkys of their own in workshops to determine the basics of his design. Forky looks simple, but he’s made up of more materials than any other character.
We also got to learn about those dummies. Four of them were built, and the crew studied their internal structures which were very complex. Moyer was able to show us why the dummies move the way they do; they had to look as if they’re being supported by someone else. Essentially, everything about them had to feel slightly off, which only enhanced their creepiness.
Location, location, location (sets!)
Pixar sets are usually massive. From the ocean to outer space to the inner workings of the mind, they’ve taken us almost everywhere. In Toy Story 4, there’s the antique store, which is impressive despite its ordinariness. It’s an exciting place for a toy, because they get to stay hidden while moving around and being alive. Set supervisors Thomas Jordan and Stephen Karski walked us through the creation of the antique shop, which is 8,000 square feet and houses more than 10,000 items. A lot of those items were custom made for the movie, but some others were recycled from earlier Pixar films. This set took two years to build.
The antiques mall in the film feels like a city to a toy, not unlike boxes in a basement resembling a sprawling city to a bug! Not only did the antiques mall feel like a city, it looked like one too. The rugs in the aisles are where the customers shop, and toys avoid those. But the items are all arranged by theme and take on the appearance of a city complete with alleyways and neighborhoods.
Camera and Staging LAYOUT – To create a sequence in Disney and Pixar’s “Toy Story 4,” members of the camera and staging team use the storyboards to further explore how best to shoot the sequence. This team determines placement of the virtual cameras, which informs the sets teams where to place set pieces and props. Camera and staging also roughly choreographs the movement of the characters, considering framing, composition, lens, camera angle, stage lines and screen directions. This image shows the team exploring camera placement within the virtual set.
From the sets we moved on to the cinematography, which was managed by layout supervisor Patrick Lin. There is a virtual camera inside the computer which is mathematically true to a physical camera and even mimics the movements of one. So the camera works just like one used on a live action film. Staging places the camera and character on the set and is also concerned with choreographing movements in a scene. And at the same time, Lin is also paying attention to other factors, such as framing, composition, and lights.
This process begins with the story reel which is broken down into shots that form the shooting script. Just like live action, there’s a location scout. In this case, the characters are placed in the antiques mall. Lin and his team worked with sets to find a special area for the moment when Woody and Gabby Gabby meet. Something else we wouldn’t think about are the locations of the story beats, like the route of the carriage ride through the mall, and how it stops at the right moment when the clock chimes in the scene. According to Lin, it’s the most complex set he’s seen in his 22 years at the studio.
As we learned, editorial actually makes the film twice: first with story and second with camera and staging.
Now that we know how and why each of these disciplines contribute to this scene, we can see how the characters are animated, courtesy of supervising animators Scott Clark and Robert Russ.
“As animators, we craft the physical and emotional performances of the characters you see on the screen.”
The expressions and movements are influenced by the emotions and vice versa. Like Bill Reeves said at an earlier presentation, animation is Pixar’s crown jewel. That doesn’t make the other departments any less important, as I hope this post demonstrates! They are all responsible for the success of this scene just as much as the animation, and Toy Story 4 overall.
Every piece is working in tandem to tell the story. We got to see different versions of this scene and how the changes made were more effective in communicating emotion. On the technical side of things is truth to materials, a principle that Pixar takes very seriously. Although it’s a limitation, that’s a good thing: the animators work twice as hard to achieve specificity for a character.
Lighting is one of the most appealing things about all of the studio’s films! Director of Photography Jean-Claude Kalache informed us that the lighting emphasizes the animation performances. For example, by turning the lights off, the characters have to perform through silhouettes. Lighting was so important because of its relation to the film’s theme. According to Josh Cooley:
“Our purpose in life is a moving target. The only constant is change.”
Toy Story 4 is a story all about change, as Woody discovers that there is much more to being a toy than what he’s always strongly believed. The lighting had to reflect that transition of our beloved cowboy.
LIGHTING — To create a sequence in Disney and Pixar’s “Toy Story 4,” the lighting department is responsible for lighting the scene in a way that supports the story—in this case, using shadow and color to help convey the tone of the sequence as it progresses from uncertain to mildly menacing.
Some of the lighting techniques for Meet Gabby Gabby began dark and then ended brightly. Soft light turned harsh, cool tones became warm. The doll herself even has her own villain color, a sickly green that signifies her presence at any point in the film. Gabby Gabby is physically trapped, so there was a lot of light on her eyes. Woody is mentally trapped, so his eyes are shadowed. The antiques mall, which took three months to light, was also a major shift from Bonnie’s room. There’s no real sense of location or geography there, and even all the dust had a purpose, for chase scenes and for simplifying the backgrounds.
There isn’t a specific order to this process after the script because all of the departments overlap with one another. The goal was to recreate the intimate level of collaboration from the first Toy Story all those years ago. It’s easy to take all of this for granted, Pixar’s stories unfolding before our very eyes. And it’s all the more impressive when you realize that you never really have to think about this stuff, until Pixar gives you the opportunity to see how it’s all done. That doesn’t lessen any of the magic; it’s actually made a lot more tangible.
Maybe you’ll be thinking about all of this when you meet Gabby Gabby when Toy Story 4 opens next month. And don’t forget to check back here for more posts about my incredible time at Pixar!
Well folks, Toy Story 4 is coming to cinemas June 21st, which is NEXT month! And that only means one thing: we’re going to be showered with numerous campaigns and merchandise and all things Toy Story 4 related for the next 43 days and honestly, we cannot be more excited.
Here’s a round-up of some charming Toy Story 4 centred events and products you can pick-up in stores:
If you’re going to be visiting Orlando anytime in the near future, check out the Epcot International Flower & Garden Festival at Walt Disney World – where you’ll see stunning Toy Story 4 topiary set-ups like the one of Bo Peep below:
Do you love cereal? And most importantly, are you a Toy Story fan? (I mean, you have to be, otherwise you wouldn’t be reading this). Well, you’re in luck, because Kellogg’s has released their own Toy Story 4 cereal in preparation for the film’s release. They’re calling their new product “Carnival Berry” which is Kellogg’s spin on the delicious and sugary berry Froot Loops taste.
And finally, there’s a new set of adorable Toy Story 4 books on the market focused on 3-6 year olds. The books are called, Toy Story 4 Toy Box: Words to Play By and there are 5 books that focus on the famous Toy Story characters while highlighting their most inspirational and hilarious “words of wisdom.” The books were written by Suzanne Francis and illustrated by Jerrod Maruyama.
It’s safe to say we’ll definitely be buying ALL the Toy Story 4 cereal boxes and picking up copies of Words to Play By for all of our friends and loved ones. We can’t wait to see what new merchandise products Disney/Pixar release soon. To infinity, and beyond!
Does Toy Story 4 still seem too far away? Luckily, there have been some nice bits of Pixar-related news to help tide us over lately (apologies in advance for tempting you with lots of sweet merchandise).
It’s not unusual for lots of merchandise to start hitting the shelves in the run-up to a film release. Toy Story 4 products have been cropping up all over the place, but amidst all of this, some other merch has been quietly making the rounds online.
You can also now get all three soundtracks for the Pixar SparkShorts “Purl”, “Smash and Grab” and “Kitbull”, which is amazing considering some of the theatrically released shorts from years ago haven’t had soundtrack releases.
Jessie’s Critter Carousel
The brand new ride at Pixar Pier in Disney California Adventure Park is now open! Fittingly, this ride is inspired by Jessie’s gang of animal pals in “Woody’s Round-up” in Toy Story 2. It’s a lovely twist on a classic carousel – you can choose to ride on anything from a tortoise to a raccoon.
“Toy Story Drop” – Mobile Game Releasing Later This Spring
“Toy Story Drop” is a mobile game that should be available to download onto smartphones soon. It looks like there will be a lot of familiar characters and locations as you make your way through this classic matching puzzle game. You can watch a sneak peek of the game below:
Here you can see some new characters that we’re already aware of: Ducky and Bunny, Forky, and we’re familiar with Combat Carl plus Combat Carl Jr. from“Toy Story Of Terror”. But who are Officer Giggle McDimples (?!), Gabby Gabby, and Duke Caboom? Those of you that are particularly observant may recognise Duke Caboom – he appeared as an easter egg in Incredibles 2 when we saw Jack-Jack in a crib with a suspicious-looking doll.
Look to the left of Jack-Jack!
With a trailer less than 24 hours away, we can only hope that a lot of our burning questions will be answered!
The Disney store and shopDisney have released new Toy Story Shufflerzcollectibles. The limited edition toys feature your favorite characters from the beloved Toy Story films: Woody, Buzz, Rex, Bo Peep and Alien. On the 4th Saturday of each month Disney/Pixar will be celebrating a different Toy Story film in anticipation for Toy Story 4, which comes to cinemas June 21, 2019.
The Toy Story Shufflerz are compact, adorable, and filled with energy that will keep you and your loved ones entertained for days. Not only do they perfectly depict the iconic characters from the films, but when you press the top of the toys 10 times, they suddenly become alive as they aptly “shuffle” away from you.
Check out the toys below, and be sure to collect yours soon at a Disney Store near you or online at shopDisney.