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New Disney/Pixar Gallery Nucleus Exhibition Opens in Los Angeles

30 Years of Pixar, A Bug's Life, Art, Cars, Cars 2, Finding Dory, Finding Nemo, Inside Out, John Lasseter, Monsters University, Monsters, Inc., Ratatouille, The Incredibles, Toy Story, Toy Story 2, Toy Story 3, WALL-E

Posted by Nia • December 10, 2016

Have you ever wanted to see some of your favorite artwork from Pixar films in real life? Fear no more, as a new exhibition has just opened up at Gallery Nucleus in LA today. For the first time ever, the gallery will be showcasing brand new images from each of Pixar’s feature films. What makes it even more unique is that John Lasseter himself picked each design for the show. There will also be hand-signed limited edition prints for sale by each artist who worked on the pieces.

Thanks to Oh My Disney for providing the artwork that will be featured at the showcase.

By Bob Pauley

By Bob Pauley

 

By Tia Kratter

By Tia Kratter

 

By Randy Barret

By Randy Barret

 

By Pete Docter

By Pete Docter

 

By Ralph Eggleston

By Ralph Eggleston

 

By Teddy Newton

By Teddy Newton

 

By Bill Cone

By Bill Cone

 

By Dominique Louis

By Dominique Louis

 

By Ralph Eggleston

By Ralph Eggleston

 

By Lou Romano

By Lou Romano

 

By Robert Kondo

By Robert Kondo

 

By Harley Jessup

By Harley Jessup

 

By Steve Pilch

By Steve Pilch

 

By Rickey Nierva

By Rickey Nierva

 

By Ralph Eggleston

By Ralph Eggleston

 

By Sharon Calahan

By Sharon Calahan

 

By Daniel L Munoz

By Daniel L Munoz

 

Be sure to check out Galley Nucleus and celebrate the art of Pixar if you’re in town – it runs from today, December 10th to January 8th, 2017.

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Pixar President Jim Morris Gives Insight Into The Studio’s Creative Process

2D Animation, 30 Years of Pixar, Animation, Behind The Scenes, Ed Catmull, Interview, Jim Morris, The Good Dinosaur

Posted by Nia • February 9, 2016

Courtesy of Time Out: Hong Kong and Disney/Pixar.

Jim Morris has been president of Pixar Animation Studios since 2005. He came to Pixar after working for a lengthy period at Lucas Digital. While at LucasFilm, he helped make a slew of films including Harry Potter, Jurassic Park, and Star Wars; just to name a few. During a recent interview with Time Out: Hong Kong, Morris gave readers a little glimpse behind the scenes of Pixar and what it takes to create the animated films the studio is most famous for.

One of the main discussion points during the interview was the fact that Pixar, for the first time in the studio’s history, was able to release two feature length films in 2015. According to Morris, Pixar’s original plan was to have at least one original film every other year, followed by a sequel every other year.

“It’s been a bit of a challenge this year. We’re actually finishing films every eight months. We have enough production capability, but unfortunately that is not the issue! The issue is having the stories developed to the right point so we have enough content to make the films. That is the tricky part. It’s worked out fine so far. It does make a crunch with publicity; everyone gets spread a bit thin. But we’re feeling okay, we’re not at the point of regret, yet!”

The most important aspect behind every Pixar film is undoubtedly the story. Each Pixar film has been able to stand alone because of the unique characters that come along with the blend of animation and technology. In the scheme of storytelling at Pixar, the first step to launching a thousand feels is the emotional core behind each story.

“Usually the first thing that comes is an idea that engages the director. I would say there is some emotional core that motivates them to want to tell a story, and later we can infer a theme from that. Inside Out is an easy one to talk about – [director] Pete Docter was wondering why his daughter had changed. It started out as that core idea, but it evolved. It went through so many iterations. After we have that starting point, the characters get forged from that, and then more about the setting and the world gets forged from that.”

Storytelling aside, actually getting the film up on it’s feet after the initial concept is approved is tough enough. Most of the hours put into a film at Pixar exceed Walt Disney’s standards for his classic, 2-D animated films.

“Something most people don’t realize about our films actually is that, even though the computers are doing the animation, our average film takes 20,000 person-weeks to make. And that is probably a little bit more than most traditional, hand-drawn Disney films took. The amount of labour it takes to make a film like this is huge – the textures and scenes are painted by hand. Our joke used to be that we are where high-tech and low-life collide.”

There has been some criticism towards Pixar for it’s lack of women directors. Brenda Chapman has been the only female director to take the helm of a feature film for 2012’s Brave, but due to creative differences she was replaced by Mark Andrews halfway through production. Morris brought up that Pixar is indeed trying to fix this problem and make the company more diverse in regards to more opportunities for female storytellers.

“One thing we’re trying to do is to expand the roster of directors. We’re trying to build the next generation and make the company more diverse, to get a breadth of voices to tell a range of stories. We’re 37 percent female at the moment, and we’d like to be 50 percent. We don’t have a lot of turnover at Pixar though, which makes that somewhat challenging!”

Before concluding the interview, Morris was able to dish that there is some NEW original content in the works for a series of films on top of the already scheduled (and very anticipated) studio line-up.

“We have a bunch of confirmed titles. There’s Finding Dory later this year. We’re working on The Incredibles 2Cars 3 and Toy Story 4. Dan Scanlon, who did Monsters University is working on an original film. Mark Andrews, who directed Brave, is working on one, too. We have a new director called Brian Phee, who is working on a new movie, and we have a few shorts that are in the works. I can’t say much more than that or I’ll get in trouble!”

It’s certainly strange thinking that far into the future about films at Pixar, but exciting to know there is some awesome content brewing at the studio and a new director in the loop. Be sure to check out the rest of the interview with Jim Morris over at Time Out!

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Pixar’s 30th

30 Years of Pixar, Pixar

Posted by Simoa • February 3, 2016

On February 3, 1986, Pixar as we know it was born! Today marks 30 years of excellence.

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From humble beginnings as a computer graphics company, Pixar, nestled in Emeryville, California, is now a world renowned animation studio.

“The little studio that could” has been making huge leaps in both art and technology. It has blended math and science with the magic of storytelling. Through risk, innovation, and unparalleled imaginative flair, the films of Pixar have made a significant impact on pop culture. It has become synonymous with quality, timeless entertainment that everyone can fall in love with.

If you’d like to share what Pixar means to you, please email us at upcomingpixar [at] gmail.com.

Happy 30 years to Pixar, and here’s to 30 more!

 

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