When I visited Pixar in August, there was dozens of Coco artwork lining the walls that I wanted to hang up on my own walls at home. The art and animation presentations also featured bold and visually striking pieces that I could have ogled for hours. Now that the art book has been released, we can all get our fill of the film’s mesmerizing art. But you should wait until after the film is released to read the whole thing!
Released by Chronicle Books on October 10th, The Art of Coco, with a foreword by John Lasseter and introductions by Lee Unkrich and Adrian Molina, will indeed be a treasured addition to any collection. Pixar films routinely deal with death, but Coco will transport audiences to a world where death is linked to life. However, this is not a story about mourning. Unkrich and his team took so much care to authentically portray Mexico’s Dia de Los Muertos holiday, which is both a remembrance of departed loved ones and a celebration of life.
The Art of Coco is yet another celebration of Mexico, its people, and its culture.
Numerous pieces of concept art, sketches, and clay models are included, as well as storyboards and the breathtaking color scripts. Color is what makes The Art of Coco so appealing; it’s saturated with it. Deep, vivid hues of red, orange, and yellow fill the book, as well as warm tones and color palettes. All of this, combined with lush digital paintings, make the artwork come alive on the page. Now imagine seeing it all in motion on the big screen.
Along with the dazzling artwork are photographs taken during the research trips to Mexico. The crew members snapped photos of the people they met, as well as the gorgeous scenery and Dia de Los Muertos celebrations.
Art of books function as learning tools for animated films and this one is no different. The artists detail their processes from character design to lighting to storyboards. These insights help animation fans broaden their knowledge and their appreciation. The amount of meticulous and precise details just can’t be overstated, especially with a film like Coco. The sheer breadth of the land of the dead alone is astounding.
But it’s not only the artists who have a space in The Art of Coco. Because the film is centered on Dia de Los Muertos, the cultural consultants who were hired provide more background on certain customs and traditions. Their expertise was not only an asset for the film’s accuracy and respect; it informed the story as well.
Much of the crew aiding Lee Unkrich on his vision are Mexican, including co-director Adrian Molina, who shares a songwriting and screenplay credit. Molina and the other artists, like character art director Daniel Arriaga, sketch artist Ana Ramirez and character modeling artist Alonso Martinez, drew from their own experiences, family, and heritage to shape Miguel’s journey. One of the many joys in poring over this book was reading about their pride at being involved and sharing a bit of themselves. It’s evident, as Lee Unkrich writes in the introduction, that this is both a personal and a universal film.
The Art of Coco is overflowing with stunning imagery and is an excellent companion to the film.