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Our favorite things from the Incredibles 2 home release

Blu-Ray, Brad Bird, Incredibles 2, Pixar Employees, Review

Posted by Simoa • November 19, 2018

How many times did you see Incredibles 2 in theaters? But maybe the more important question is how many times do you plan on watching it now that it’s been released on digital and Blu ray? You can watch the movie again (or for the very first time!) in the comfort of your own home, or anywhere else with your laptops, iphones, and other devices. But the really amazing thing is that you don’t have just the movie at your fingertips, but a wealth of bonus features. As is the case with Pixar home releases, you can expect both quality and quantity.

 

Joanna and I were so excited about the special features that we teamed up for this post to break them all down. Read on for our favorites!

Audio Commentary

Here, Joanna found some pretty cool highlights:

I’m always a fan of the Pixar audio commentaries, and I remember especially loving it on the original The Incredibles DVD because you had the choice to listen to either the director’s commentary or the animator commentary. The animator commentary makes you see the movie in a whole new light, and it really gives you an insight into how the whole animation process works. It feels like such a treat to have the commentary on Incredibles 2 led by animators again (supervising animators Dave Mullins, Alan Barillaro, and Tony Fucile, and animation second unit and crowds supervisor, and also the voice of Kari, Bret Parker). These animators all worked on The Incredibles back in 2004, and it was so interesting to hear about the technological advances and how much has changed (for the better!) in how animated movies are created.

There are also some great Easter Egg reveals in the commentary – the Godzilla-like creature shown on the TV during the motel dinner scene is actually Jonesy the iguana from “Toy Story of Terror!” And the ‘num-num cookies’ that Jack-Jack will do anything for are based off of the apparently delicious cookies that are served in the Pixar cafeteria.

If you missed Kari the babysitter in Incredibles 2, then you’ll want to keep listening right to the end – in what can only be described as the perfect finale to the commentary, Bret Parker brings her back to life as the credits roll down the screen.

Strong Coffee: A Lesson in Animation with Brad Bird

Brad Bird’s passion for animation is irresistible. Running about 20 minutes long, “Strong Coffee” is a tribute to the director. Joanna says that this featurette really shows how much Brad Bird pushes the team. She always thought The Incredibles was a leap forward for Pixar – there was such a noticeable improvement in human animation, facial expressions, gestures, and performances. Incredibles 2 feels like Pixar have bounded forwards again.

In Simoa’s view, “Strong Coffee” functions as a mini documentary, where the subjects are Brad and animation. The director discusses his beginnings at Disney Animation, where he was mentored by the legendary Milt Kahl when he was still a child. (And that mentorship preceded any official program offered by Disney). Fans of Kahl will also be delighted to see some footage of him, as well as Brad’s fond reminisces of his mentor and Disney’s other elite animators, known as the Nine Old Men, who continue to influence him today.

 

Here is a young Brad Bird, looking exactly the same as he does now, with Classic Hollywood and Disney Legend, Fred MacMurray. Unfortunately we don’t have any more details on this photo, but we’re glad it exists!

Paths to Pixar: Everyday Heroes

Love hearing Pixarians describe their jobs and the challenges and joys of each film? Paths to Pixar gives viewers just that, but the director, producer, artists, technicians, and animators talk about another job they do at home that’s just as inspiring and challenging: parenting. You may be surprised by this featurette, as some of these Pixarians reveal their vulnerabilities and uncertainties when it comes to both jobs. I think parents and aspiring parents will appreciate this featurette because it’s so honest. Anyone with children of their own can relate to the struggles depicted here, the overwhelming love of family, and the determination, particularly of the women, to be working mothers who don’t have to sacrifice family or work.

Super Scene Breakdowns

With Elastigirl front and center in Incredibles 2, it’s only fitting that one of the bonus features focused on her. A team of women, including producer Nicole Paradis Grindle, animators Amanda Wagner and Jessica Torres, and tailoring lead Fran Kalal were on hand to discuss her expanded role. But that’s not all! They also provided insight into their own roles on the film and how excited they were for her to be in the spotlight.

 

“Racoon Fight” was of course about the film’s scene stealer, Jack-Jack, and how that epic fight came to be. Here, Brad Bird is joined by producer John Walker, story artist Pete Sohn, animator Kevin O’Hara, and layout artist Mike Leonard. This scene was so popular back when Teddy Newton pitched the idea for the first film, and Brad was adamant that it be in the sequel.

Getting to learn about the behind the scenes is always a treat, because everyone’s passion and enthusiasm is tangible, and the details are fascinating.

Easter Eggs

Joanna’s a pro at finding these!

On the UK Blu-ray for Incredibles 2, one of the bonus features listed on the case is simply ‘Easter Eggs’, and I think I may have found them. In the Bonus Features section, while you’re hovering over Bao, press up twice, and you’ll be shown a couple of animation outtakes. One shows Evelyn stroking a teddy bear (?!) while watching Bob and hypnotised-Helen fight. And the other shows Evelyn talking to Helen through the glass of the cold room, pausing to rub off the condensation her breath has made.

If you press right twice while hovering over Bao, you’re shown a hilarious clip of Brad Bird telling a story about the inspiration for the iconic raccoon scene – Brad’s dog had a scary encounter with a raccoon at his old house, and Brad was forced to (in Brad’s words) punt the raccoon off of his beloved pet.

“The raccoon flew maybe 5 feet or something, landed and then just CUSSED ME OUT. And then it was like, ‘I’M COMIN’ BACK FOR YOU, POODLE. THIS ISN’T OVER.’”

It’s absolutely worth a watch just to see Brad’s impeccable impersonations of his dog and the raccoon. Honestly, I wouldn’t have minded Brad adding ‘Raccoon’ to his list of voice acting roles in Incredibles 2.

Heroes and Villains

Once again, I’m just blown away by the amount of attention and detail that characterizes Pixar’s approach to filmmaking. So much about these bonus features is illuminating. I guarantee everyone will learn something new and come away with even more appreciation for the film itself. For example, character and costume designer Deanna Marsigliese based one of the wannabe supers, Brick, on herself.

See the clip below detailing Winston Deavor’s design and personality.

Deleted Scenes

A total of ten scenes ultimately didn’t make the cut, but they would’ve been great additions to the film! Thankfully they are included here, and what I wouldn’t give to see them as actual fully animated shorts! But the storyboard versions are really appealing. Fans who were hoping for more screentime of Frozone’s wife Honey may be disappointed by “Frozone and Honey,” since it rehashes the supersuit gag from the first film. Brad Bird’s favorite of these is “Kari Revisited,” which you can watch below.

This is yet another gem to be added to your collection, if you love Pixar and love moviemaking.

Have you had a chance to watch any of these and the other bonus features? Let us know your favorites!

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How Pixar Employees Utilized Their Archives for The Incredibles 2

Behind The Scenes, Brad Bird, Incredibles 2, Pixar, Pixar Archives, Pixar Employees, The Incredibles, The Incredibles 2

Posted by Nia • May 31, 2018

During my most recent visit to Pixar for an Incredibles 2 press event, which was a massive thrill in itself,  I was given an exclusive tour of their new archive facility. And it was definitely the cherry on top of a very fabulous two days at the studio. Inside the archives I learned how Brad Bird and his team went back in time to research the designs and characters for the Incredibles 2.

© 2017 Disney•Pixar. All Rights Reserved.

Pixar itself is a magical place, and I don’t have enough room in this post to write about how it meant to visit the studio for the first time (stay-tuned for an upcoming post about just that), but the archives are really something special.

Just think of your favorite Pixar film and then think about all the hard work that went into making it. All of the designs that were created in the 3+ years of developing the film are all archived in their new 15,000 square foot facility.

Originally the building was just a raw cement warehouse, but the folks at Pixar spent a few years making it perfect and customizing it to accommodate all of the designs. The facility is now a working space where employees from Pixar can come to visit and pull designs for their research.

The archives is so big that it could get a little creepy when you’re there by yourself; every time someone enters through the main door there’s a cute little doorbell that rings, which alerts whoever’s working that someone has entered the premises. *Cue dramatic music*

I wanted to spend days, hours, WEEKS in that building looking at each and every piece of art work but alas, I only had less than an hour inside.

Archives Manager, Juliet Roth, led the tour and has been with Pixar for 15 years. Everyone who works in the archives has a master’s degree in library science with an archive focus, or something similar. According to Juliet, “this is as much my job as a story artist is an artist that draws storyboards, we work really closely with the art and story teams in production, that’s where the majority of the materials are coming from. We also collect scripts from editorial, some animation drawings, and we also have a historical collection; which is more about the history of Pixar as a company, sort of what is culturally unique. What makes Pixar Pixar?”

(Photo by Marc Flores)

So, what does the Pixar Archives house exactly? And how did going back through the old designs help the artists prepare for the Incredibles 2?

  • The archives hold molds and maquettes of some of your favorite characters, like Mr. Incredible; some are full body while others showcase a range of emotions and expressions for the animators to study as they work. Artists were able to come into the archives and use these old designs as a starting point when re-creating the characters for the sequel. “They make the sculpts so they can sit on the animators desks and they can reference it as they’re animating all the smile lines, teeth and tongue and eye shapes, so we have a lot of them for all the main characters in The Incredibles. You can draw a character all you want, the drawings are really wonderful, but there’s nothing like bringing a character to life in 3 dimensions.”
  • The archivists work with the production team to integrate themselves into their pipeline. Once a design has served its purpose in production, such as going through art reviews and being approved by the director, it slowly makes its way into the archives. But it doesn’t stop there: the archivists spend time with the team, making sure the artists hand off important information, such as the context of the artwork that was created. It’s even important to know about the characters who didn’t make it in the final film or a character who might’ve started off as the villain but ended up the hero; whatever it is, they like to get the contextual information because the archivists are the “information experts in the future.”
  • The archives also hold all the concept art that was created during The Incredibles and the rest of Pixar’s feature films. In relation to the world of the Incredibles we saw heaps of collages from the first film, pieces assembled from copious magazines and other materials created for character and costume designs; there were also color scripts from Lou Romano; background roughs, character sketches, and original Tony Fucile model packs, which is basically a blue print of the main characters; Ralph Eggleston and Lou Romano gouache paintings; different versions of Edna Mode’s concept art, in each one you could see her attitude, despite it being completely different to what made it on film; and finally the tour included Tony Fucile’s Edna designs and expressions. It was pretty neat seeing what Edna could have looked like and how all of these different artists initially pictured her in their minds.

    (Photo by Marc Flores)

    (Photo by Marc Flores)

  • Ralph Eggleston and his team came to the archives prior to starting their work on the sequel 3 years ago. Eggleston was trying to work out designs for the Incredibles 2, particularly for all of the background characters. Since they had done so much work on the first film with unused characters and villains, they decided it was a good place to start and pull from, maybe even re-using old designs. You’ll definitely see a lot of the initial forgotten supers and background characters in the Incredibles 2 next month.

    (Photo by Marc Flores)

    (Photo by Marc Flores)

Some other fun things I found in the Pixar archives worth noting:

  • The building houses a collection of press clippings from the early days of Pixar, including clips from when Pixar was first founded and when Steve Jobs bought it; those artifacts go back to Juliet’s earlier quote of “what makes Pixar Pixar?” That thought alone blew my mind because the posts I write for Upcoming Pixar, and even this post, *might* somehow end up in the archives one day.
  • Before Pixar started making movies they sold software and hardware and they made some commercials; like the dancing Life Savers holes in Babies and the boxing Listerine in Boxer, which were both Pixar’s claim to fame before Toy Story. They had copies of the original software and items from the commercials mentioned on display. Those items all come from Pixar’s “historical collection.”
  • They even saved original crew gifts from the wrap parties of each feature film; for the first Incredibles they had given out t-shirts. I asked for a shirt but unfortunately they were out of stock.
  • The walls of the archive facility were decorated with original concept art from Brave, Up, Monsters Inc., and an even original character line-ups from Inside Out.
  • At the end of the building there were display cases that showcased a squash and stretch maquette of Sulley from Monstes Inc., samples of different Sulley concept art, a maquette of Woody’s original character design which was a ventriloquist dummy, and a maquette of Buzz Lightyear AKA Lunar Larry’s original design. There was even a printed card that showed a bunch of potential titles for Toy Story, my favorite being Toys in the Hood. The best part was seeing some of the bronze statues the employees at Pixar get after being there for 5, 10, 20 years, etc.

    (Photo by Marc Flores)

You could get lost in the Pixar archives and honestly, if that happened to me I’d be content living inside the building for the rest of my life. Although it was only a tour, I could see how important the archives are to the employees at Pixar and the company’s legacy. It’s amazing that the everyone at the company has a place like the archives to escape to, where they can venture into the past to study previous films and pull designs for research. It not only makes them stronger artists, but it makes the content coming from Pixar even more important and relevant. The more Pixar grows, the more designs and artifacts the archivists have to help continue to build the company’s legacy.

Don’t forget to grab your tickets to the Incredibles 2, which comes to cinemas on June 15th. Only 15 more days to go!

P.S. Do you have your super-suit packed and ready to go?

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Daniel Gerson, RIP

Bob Peterson, Daniel Gerson, Pixar Employees, rest in peace

Posted by Simoa • February 8, 2016

Image via Variety/Disney

Sad news today coming out of Emeryville. Daniel Gerson, screenwriter on Pixar films Monsters, Inc., Monsters University, and the latest Inside Out died at his home this past Saturday. Gerson was 49, and Variety reports, lost a battle with brain cancer. Gerson also received writing credit on Disney’s Big Hero 6 and voiced the desk sergeant in that film. Fans of Pixar may also note with delight and sadness that he lent his voice to the hilarious pair Needleman and Smitty in Monsters, Inc.

Gerson graduated from Cornell University with an English degree and worked on NBC’s “Something So Right” as a staff writer following graduation. He’s survived by his wife and parents as well as two children.

No doubt Gerson’s death is keenly felt at Pixar and Disney. He played an integral role in bringing some of the greatest animated films to life.


Donations in memory of Daniel Gerson can be made here.

We want to extend our deepest condolences to the Gerson family during this difficult time.

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Pixar at D23 (UPDATE: Toy Story Land)

Coco, D23, Disney Parks, Finding Dory, Inside Out, Lee Unkrich, Pete Docter, Pixar Employees, The Good Dinosaur, The Incredibles 2, Toy Story 4, Toy Story Land

Posted by Simoa • August 15, 2015

D23 is this weekend, and there’s no shortage of awesome Pixar news! New logos, images, release dates, and synopses have been revealed for their upcoming slate, and the excitement for them has only increased. Without further ado, here’s all the brilliance fans were treated to.

“Riley’s First Date?” Pixar Animation Studios heads back inside the mind with an all-new short. “Riley’s First Date?” made its world premiere at D23 EXPO 2015. Director Josh Cooley, along with Inside Out filmmakers Pete Docter (Up, Monsters, Inc.) and Jonas Rivera (Up), introduced the short, which revisits Riley, now 12, who is hanging out with her parents at home when potential trouble comes knocking. Mom’s and Dad’s Emotions find themselves forced to deal with “Riley’s First Date?” The short will be included as a bonus feature in the digital HD & Blu-ray releases of Disney·Pixar’s Inside Out, which will be available digitally Oct. 13 and on Blu-ray Nov. 3, 2015.

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Anticipation for Disney·Pixar’s The Good Dinosaur was amplified when director Peter Sohn and producer Denise Ream shared breathtaking sequences with fans, including never-before-seen footage of a trio of T-Rexes in action. In theaters on Nov. 25, 2015, The Good Dinosaur features Arlo, a sheltered Apatosaurus who finds himself far from home among a host of intimidating creatures.

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Ellen DeGeneres (“The Ellen DeGeneres Show”), the voice of everyone’s favorite forgetful blue tang, took a dip with D23 EXPO, celebrating Disney·Pixar’s upcoming film Finding Dory. Joining DeGeneres on stage this afternoon were Ed O’Neill (“Modern Family”), who lends his voice to Hank, a cantankerous octopus; Ty Burrell (“Modern Family”), the voice of Bailey, a misguided beluga whale; and Kaitlin Olson (“Always Sunny in Philadelphia”), who voices Destiny, a kind-hearted whale shark. Oscar®-winning director Andrew Stanton (Finding Nemo, WALL•E), co-director Angus MacLane and producer Lindsey Collins (co-producer WALL•E) offered new details of the all-new story, which reunites Dory with friends Nemo and Marlin on a search for answers about her past. What can she remember? Who are her parents? And where did she learn to speak Whale? Also featuring the voices of Albert Brooks, Diane Keaton and Eugene Levy, Disney·Pixar’s Finding Dory swims into theaters June 17, 2016.

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And finally, Lee Unkrich’s Dia de Los Muertos film has a title, logo, and plot details!

Director Lee Unkrich (Toy Story 3) and producer Darla K. Anderson (Toy Story 3) revealed the title of their upcoming film today at D23 Expo 2015. Disney·Pixar’s Coco is the celebration of a lifetime, where the discovery of a generations-old mystery leads to a most extraordinary and surprising family reunion. Also worth noting that the protagonist of Coco is Miguel, a 12 year old Mexican boy, making him Pixar’s first Latino protagonist.

logos

image via pixaranimation on Instagram.

There’s also the clever, amazing logo for The Incredibles 2!

There is so much to look forward to, we don’t know where to begin. Check back in here for more updates on D23!

UPDATE: It was revealed yesterday that a new Pixar themed ride would be opening at the Hollywood Studios in Walt Disney World. Guests get a toy sized view of the world, made to look like Andy’s backyard, with a Slinky Dog rollercoaster and other amazing attractions. Concept art for the new land appears below.

toy story land 2

It’s always a good time to be a Pixar fan, but now even more so!

 

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Box Office Watch: Inside Out vs Jurassic World

Art, Box Office, Inside Out, Pixar Employees

Posted by Simoa • June 20, 2015

“Could Inside Out be the first Pixar film to not open at #1?”

That was the question on a lot of folks’ minds after Jurassic World scored a staggering $200 million worldwide on its opening weekend. It was a natural concern considering Inside Out was released yesterday, exactly one week after Jurassic World. But as always, Pixar has overturned expectations! Pete Docter’s latest emotional ride grossed over $34 million, with projections of $90 million throughout the weekend. What’s more, Universal’s sci-fi epic dropped to second place with $29 million. This puts Inside Out in second place behind Toy Story 3 ($41 million) and first place as the highest grossing weekend for a non sequel Pixar film.

Pixar story artist Austin Madison depicted the competition and eventual Pixar victory in these two awesome drawings!

It was a close call, but we can all jump for Joy! We’ll bring you more updates on Inside Out‘s box office earnings.

Figures via Box Office Mojo

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Inside Out All Access event

Andrew Stanton, Behind The Scenes, Events, Inside Out, John Lasseter, Jonas Rivera, Pete Docter, Pete Sohn, Pixar, Pixar Employees, Toy Story 4

Posted by Simoa • June 17, 2015

It’s Inside Out week! The highly anticipated flick opens nationwide this Friday, June 19th. This writer has seen it all accesstwice, and to echo much of the praise it has received, it’s a masterpiece. An all access screening was held yesterday three days ahead of the film’s release in theaters all over the country. We hope our incredible readers were also in the audience! This all access screening included a behind-the-scenes visit at Pixar as well as a Twitter Q&A session with Pete Docter and Amy Poehler (Joy), who are currently in Australia as part of the film’s press tour. Those in attendance received a free poster as well as a lanyard and Inside Out badge which grants access to more goodies online at Disney Movie Rewards!

 

The tour of Pixar, with Pete and producer Jonas Rivera as hosts, was awesome. There was lots of Inside Out artwork and storyboards, as well as Docter and Rivera sharing their labor of love and all the time and research that went into it. The two of them always bring warmth and camaraderie, and the same was true here. I can’t think of any other people who would be more qualified to give a tour of Pixar! (Besides John Lasseter of course).

Capture

In the Story Corner, which is a wall papered with numerous story sketches from various Pixar films, is a tribute to the late, great story artist, Joe Ranft. Regarded as the soul of Pixar, and a hero to many in the animation world, his influence is still deeply felt at Pixar. His sketches of what happens in a story meeting is framed on the wall, and it was such an enjoyable and sweet addition to the tour.

Highlights from the video included “running” into some favorite Pixarians, such as Ronnie del Carmen, Inside Out‘s co-director, who Pete praised. He let the audience know how great del Carmen’s contributions were, and that if we loved the movie it was thanks to him, and if we hated it, it was thanks to him! (Definitely only the former).

We also got to drop in on Andrew Stanton and his Finding Dory team in editorial, which included co-director Angus McLane, and producer Lindsey Collins. While the visit was brief and there was no footage of the upcoming film, Andrew did joke a little bit about the grueling process in cutting down the story until you get it right. “You know what that feels like,” he said to Pete. “We don’t!”

Afterwards we dropped in on Pete Sohn and The Good Dinosaur team! He informed us that 1/8 of the crew was present, and we got to see one shot of animation being finaled. Sohn gestured to the animators in the room, listing the beloved Pixar characters they’ve animated and brought to life. There will be so much more to see of this movie ahead of its November release and we can’t wait. The Good Dinosaur‘s original director Bob Peterson even made a cameo, informing Pete that his Roz voice was his regular voice. The audience loved it, as well as his Dug impression. It was especially wonderful to see Peterson and we can only hope he’ll be sitting in the director’s chair again soon. (You can even spot his name in the credits to Inside Out).

We got to see John Lasseter’s famous office, a toy collector’s dream. The big man himself wasn’t in his office, but Jonas and Pete found him in the story room for Toy Story 4, with some help from that movie’s co-director, Josh Cooley. John very funnily hid the room from the camera, and did his best to “shoo” us away. The development on this film is highly secretive, but John promised we would know more in time. He also got to show off his Inside Out Hawaiian shirt!

This video, which ran just under twenty minutes, was an excellent preview before seeing Inside Out. Heading into Pixar via cameras is often the only way to get inside, and all that positivity, humor, and cheerfulness never disappoint. We also get to see just how collaborative things are over there. It’s always a team effort when making a Pixar film, and the whole team is lauded for their contributions.

Following the film was the Q&A with Pete Docter and Amy Poehler via satellite. They were both exuberant and definitely not short on praises for the other. Amy mentioned the collaborative spirit at Pixar and got a lot of laughs at our screening. When asked which emotions guided her as a young girl, she said that she was carefree and joyful like Riley, but with some anger as well, owing to her Boston roots. That inspired some cheers from us fellow Bostonians! It’s obvious why she was chosen to play Joy, but Pete explained that Joy was a tough character to write. At preview screenings, audiences loved the movie but hated Joy or found her annoying. Luckily, Amy’s performance saved the day; Joy is flawed but still lovable. She took cues from Tom Hanks’ performance as Woody to help her with the character, and it pays off. For those who have seen the film, the parallels between Joy and Woody are certainly there.

Check back here for our review of Inside Out, as well as the short film, “Lava”!

 

 

 

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Pixar Cuts Staff Following ‘The Good Dinosaur’ Delay

Pixar, Pixar Employees

Posted by Brkyo614 • November 22, 2013

This has been a rough few months for Pixar’s artists. Hot on the heels of Pixar Canada’s closure last month, the studio’s headquarters in Emeryville will be laying off nearly 5% of its staff due to The Good Dinosaur‘s delay.

An official statement reads: "At Pixar, we are constantly re-evaluating the creative and business needs of our studio. With the release date change of The Good Dinosaur, we have realigned our production and support priorities, which includes a small reduction in our staffing levels."

The Pixar Times theorizes that the bulk of the layoffs will be focused on technical departments, which will be left without a major project to work on until Inside Out and The Good Dinosaur are closer to completion. Regardless, it’s very sad news, especially for a studio that has prided itself on keeping layoffs to a minimum. Stay tuned for updates on the situation as they come.

(Via LA Times; image via Stitch Kingdom)

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Woody’s News Round-Up! (11/20/12)

Academy Awards, Blu-Ray, Brave, La Luna, Monsters, Inc., Pixar Employees, Round-Ups, Steve Jobs

Posted by Brkyo614 • November 20, 2012

As the year comes to a close, the excitement surrounding Brave and other 2012 Pixar releases is settling down; all that’s left is the December 19 release of Monsters, Inc. 3D. Nonetheless, a few worthwhile Pixar stories have made the rounds recently.

Pixar Honors Steve Jobs: Many forget the influence of the late Steve Jobs on Pixar’s upbringing, providing essential financial support and leadership for the company up until his death. The studio’s staff, though, have certainly not forgotten – in honor of Jobs’ legacy, the studio recently erected a sign above the entrance to its main building in Emeryville, officially declaring it "The Steve Jobs Building". (Via Pixar Times)

Enrico Casarosa Unveils La Luna Statue: Following his previous tease, La Luna director Enrico Casarosa recently tweeted a first look at a maquette based on the short’s lead character, Bambino. Just 500 will be available exclusively at the Pixar studio store next month, and a wider release is unfortunately unlikely.

Amazon Lists Monsters, Inc. for 3D Blu-ray Release: A month prior to the 3D theatrical release, Amazon is already listing a 5-disc 3D Blu-ray edition of Monsters, Inc. for pre-order. No release date has been announced yet, but check back in the coming months. (Via Pixar Talk)

First "For Your Consideration" Ad for Brave: With the movie awards season rapidly approaching, Pixar is aiming to drum up some enthusiasm among critics through a new ad for Brave, recently seen in Variety. Likely the first of many, the print ad aims to net the film a few Oscar nods by reminding readers of the visceral beauty of Brave. (Awards Daily, via Pixar Talk)

Your thoughts?

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Pixar Visit 2011: The 25th Anniversary Soiree!

Pixar, Pixar Employees

Posted by Martin • April 20, 2011

The much anticipated continuation to the Cars 2/Pixar Visit 2011 series is here: The Soiree.

Before any of the bloggers and I could see any footage or hear the most intricate details about Pixar’s upcoming sequel, we were instructed to report upstairs for a reception. Not unlike the year prior, we weren’t surprised that Pixar had set up an introductory station.

I think I speak for everyone when I say that we were shocked when we realized what we had stepped into. Pixar was not only holding a Cars 2 press event, but a "soiree" (as it was described) in celebration of Pixar’s 25th Anniversary. The guest list: just about anyone who’s anyone at Pixar!

A little background information: This year, a big burden was taken off from the blogger’s shoulders as photographer extraordinaire, Deborah Coleman, provided many of the images that we might have otherwise (unprofessionally) taken ourselves. Please note that all of the images in this post are copyright Disney/Pixar and Deborah Coleman.

Onto the reception— the first person I was able to shake hands with was Pixar President Ed Catmull. I always seem to keep my cool (for the most part) with everyone else, but as with the year prior, I couldn’t help but be a little starstruck when around one of Pixar’s "founding fathers."

After that initial shock (don’t worry, I’m exaggerating), we met up with directors from the studios’ history. In particular, it was great meeting Pete Docter for the first time— what a cool dude. You’ll see myself, Pixar Times’ Samad (behind me) and Pixar Talk’s Greg chatting it up with the Doc himself in the picture to the right. It was also great seeing the always cool Jonas Rivera and the hilarious Bob Peterson again at the reception.

Many of the shorts directors were present as well. Highlights include meeting Dan Scanlon (at the time, we did not know that he would be directing Monsters University) and chatting with him about his work on Mater and the Ghostlight. Pete Sohn, Ronnie del Carmen and a host of other personalities were also a pleasure to meet.

The women of Pixar are some of the coolest, though. Darla K. Anderson and Katherine Sarafian told us a little about what it’s like working your way up to becoming producers at the studio. They were immensely kind— and funny too!

The common denominator about the folks at Pixar is that everyone is so down to Earth. During the soiree, you could feel the collaborative energy and pride that comes with working at the studio.

Feel free to ask any questions about the soiree. Please keep in mind that reviews and interviews are embargoed until June so there is a limited amount of information that I can share.

Note: For a more general idea of our visit, check out our preview post.

See who else you can spot!

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Pixar: It Gets Better!

Pixar, Pixar Employees

Posted by Martin • November 22, 2010

Pixar joins a growing voice of hope for LGBT teens with their own submission to the "It Gets Better" project.

Throughout 2010, America experienced an epidemic of suicide among gay kids and teens. We live in a world where, unfortunately, such tragedies have become common place. This is Pixar’s response— it gets better:

Each and every one of the Pixarians featured are part of the LGBT community. If you’re a gay teen, please know that it will get better— trust me. Please call The Trevor Project at 866-4-U-TREVOR if you or a loved one is in distress.

Note: The point of this video is to help those in need of support, so please leave any negativity at the door.

Thank you, Pixar! Words of encouragement?

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