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Exclusive: Our Thoughts On The First 30 Minutes Of The Incredibles 2

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I had the pleasure of watching the first 30 minutes of the Incredibles 2 at Pixar Animation Studios earlier this month. I’ve dreamed about visiting Pixar since I was a wee lass, imagining what it would feel like to walk through the atrium that’s nestled snugly in Emeryville and breathe the same air as some of my favorite storytellers. Don’t worry, there’s a separate post coming about visiting the studio for the first time. But in short, I honestly never thought I’d ever get to watch a film at one of my favorite places on earth.

(Photo by Deborah Coleman / Pixar)


I had goosebumps walking into the the screening theater in the Steve Jobs building and I might’ve (OK, I definitely) had tears in my eyes and the biggest smile on my face as the lights slowly turned off before the film. The ceiling then lit up and at first glance it looked like little fireflies were floating above us, as magical soft buzzing filled the theater. At that point I had died and gone to heaven.
Then without hesitation, the Incredibles 2 began. Tread lightly for some minor spoilers.
It’s been 14 years since we were last with the Parr family and the action started just where it left off. I was hit with a wave of nostalgia as I was greeted with the familiar faces of Mr. Incredible, Elastigirl, Violet, Dash, Jack-Jack and even Frozone as they teamed up to fight against the Underminer in a stunning opening battle; it was almost like we had never parted.
I spent the night before my trip re-watching The Incredibles, so obviously the most jarring aspect for me was how stunning the characters and the world looked with the new technology. The super-suits were gorgeous and fit the characters bodies just right; their hair and facial expressions and all the visual effects were jaw-droppingly gorgeous and realistic. The action was also fast-paced and I barely had a moment to breathe as the family found unique ways to put the Underminer to a stop before he completely destroyed the city.

©2018 Disney•Pixar. All Rights Reserved.


Though, it turns out the people of Metroville weren’t very keen on the Parr family helping to save the day. In fact the officers who apprehended the family after they thwarted the Underminer’s plans were convinced that if they had simply done nothing, there would have been less damage to the city. It’s clear the public is still not interested in supers or what they could do for the world.
Rick Dicker, who is head of the Super Relocation Program and helped the Parr’s out in The Incredibles, makes a few cameos in the first 15 minutes. Dicker shows up to help the Parr family for the last time, as his program is now disbanded. The family is left at a dingy hotel to try and figure out what to do with their lives. How are they going to move forward? It’s hard for them to accept everything at first, surely Bob and Helen aren’t going to return to their mediocre civilian lives, not after Bob left his boring job in the first film and the family got to use their powers out in the open after years of secrecy?
Cue Frozone, who appears just at the right moment. He offers a shiny beacon of hope to Helen and Bob: a business card from Winston Deavor, tycoon and superhero enthusiast, with an invitation to come meet him at his headquarters. The other catch? He wants them dressed in their old super-suits. Bob is ecstatic, and nearly bursts through the walls of the hotel to find it, but Helen is cautious after their most recent kerfuffle with the law.
We then meet Winston at his massive high-rise building (which definitely left me with my mouth hanging open). We’re also introduced to his sister, Evelyn Deavor, who makes an entrance as she stumbles through the doors of his office with heaps of paperwork. Winston is the face of the company while his sister is the one who designs everything behind the scenes; she’s the one responsible for Elastigirl’s sleek new motorcycle and a slew of other nifty high tech gadgets. #GirlPower
 
 

©2018 Disney•Pixar. All Rights Reserved.


©2018 Disney•Pixar. All Rights Reserved.



Winston gives a presentation to the trio about how he wants to bring supers back into the spotlight and that Helen AKA Elastigirl is the woman for the job. It takes a lot of convincing from Bob, but Helen finally accepts. The rest of the footage from the press event showcased Helen as she was thrown into the spotlight, trying to make a living for her family while also being the new face of the superhero renaissance (complete with an impressive runaway train/chase sequence). We got a more detailed look inside the Parr’s new home, courtesy of Winston. Goodbye sad hotel, hello gorgeous mid-century modern mansion! There were also a few scenes that highlighted some of Jack-Jack’s strengths as he faced off against a new enemy.

30 minutes is obviously not a lot of time to judge a film, and despite it leaving off in a pretty safe place, who knows where the story will go or what will happen to some of the characters along the way. The first half hour set up the characters perfectly and what you think will happen for the remainder of the story. It’s still unclear what trouble Helen is going to come across in her attempt to make a good name for supers or if Winston and Evelyn are as good as they appear to be. Also, is Bob going to be able to cope with being a stay-at-home dad and take care of his family? I’m curious to see how the new villian Screenslaver, who appeared in the most recent trailer, will come into play.
There’s only one way to find out though… iron your good ol’ super-suit and fly to cinemas on June 15th! If you can’t possibly wait until then, just keep re-watching the trailer below (like me):

And make sure you come back for some more coverage from my most recent trip to Pixar!

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Nia Alavezos is a storyteller based in Cardiff, Wales. She recently made the great pilgrimage across the pond from sunny Los Angeles to pursue her dreams of living abroad. With over 6 years of animation experience (from working in the trenches on The Tom and Jerry Show at Renegade Animation to The Epic Tales of Captain Underpants at DreamWorks) she hopes to provide a unique commentary to Pixar's films, culture, and animation.